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Analyze the great gatsby and its depiction of life in the roaring 20’s/jazz age
Literary devices in the great gatsby novel
Literary techniques in the great gatsby book
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“Humankind cannot bear very much reality.” (T.S. Eliot) By constructing a comparative discussion, say to what extent you consider this to be useful in understanding The Great Gatsby and A Streetcar Named Desire.
Many of the characters in both of the texts feel the need to create their own fantasy as they cannot bear the reality of their own lives. An example of this is the characters covering up the reality of their past by altering the present – Blanche lying about her promiscuous nature and Gatsby altering his identity as a part of a stage play in order to alter the truth and attempt to achieve his dream. In both of the texts, the reveal of reality leads to a tragic ending for the character.
Gatsby and Blanche, have made mistakes in
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“I can 't stand a naked light bulb, any more than I can a rude remark or a vulgar action.” - Blanche (p. 60). The fear that bright light has the power to reveal the truth is a reoccurring theme throughout the play, embodying the threat that follows Blanche everywhere she goes. In scene nine, Mitch comments on this, saying that he has never seen Blanche in daytime. She makes a series of excuses after which Mitch points a light at her. When this happens, Blanche confesses she only says what ‘ought’ to be true. This doesn’t make Mitch any more sympathetic towards her and she carries on, saying “I don’t want realism, I want magic!” whilst still standing in the light. This makes it clear that it is her own choice to stay in the darkness, and reality would only cause her to suffer. Confirming this, when Mitch turns the light off again, she bursts out crying, as if allowed to pretend again, not being forced by the light to keep on showing her true self, especially her age. She might feel that the light on her face brings out the whole truth, which is too painful for her to bear. The other characters in the play feel it is not correct for her to hide the past and nobody questions whether it is acceptable to live in deceit. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that 's stronger than this--kitchen--candle.”- …show more content…
In The Great Gatsby, everything is shown to be dream-like and illusive - especially Gatsby’s house, which is described as “a factual imitation of some Hôtel de Ville in Normandy” implying its artificialness, and the “tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool” only adding to how unreal it truly is. In addition, in Daisy’s surname, ‘Fay’ means in other words ‘Fairy’, suggesting that as a creature that she will only adapt to a world of fantasy, as she is unable to live in her own ennui, confined around Tom. It is possible that youth was the only magical thing they had – Daisy’s name being the only thing she has left of it and surprisingly, not taking on Tom Buchanan’s surname, whom she is married to. When coming across Gatsby, she is wowed and sees that she can still go back to what she has felt before, something that she feels is “like the world’s fair.” Equivalently, like Daisy with Tom, Stella is trapped in her relationship with Stanley. A critic, Santosh Neupane says “Daisy’s marriage has become painful, and her affair with Gatsby proved a welcome distraction” – Stella and Stanley’s marriage has also become painful, but Blanche can’t become a distraction as she is the reason for the relationship’s
Gatsby is unrealistic. He believes he can relive the past and rekindle the flame he and Daisy once had. He is lost in his dream and accepts that anything can be repeated, "Can't repeat the past…Why of course you can!" (116, Fitzgerald). For Gatsby, failure to realize this resurrection of love is utterly appalling. His whole career, his conception of himself and his life is totally shattered. Gatsby's death when it comes is almost insignificant, for with the collapse of his dream, he is spiritually dead.
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
The loss of her beloved husband keeps Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
Like the author Garrison Keillor once said “ I believe in looking reality in the face and denying it” ,but in this tale , isn’t very wise. In The Great Gatsby by F. Scott Fitzgerald, some of the character are in disillusionment, but the one that is constantly in it is Jay Gatsby.Although, people can do this, Gatsby tries to recreates the past and never considers Daisy’s reality.Through Gatsby’s choices, Fitzgerald displays his argument that people should accept reality .
The Great Gatsby is an emotional tale of hope of love and “romantic readiness”(1.2) that is both admirable and meritorious .Yet, the question of Daisy ever being able to measure up to Gatsby’s expectations is one that reverberates throughout the course of the novel. Be that as it may, Daisy is never truly able to measure up to Gatsby’s expectations because the image of Daisy in Gatsby’s mind is entirely different from who she actually is. Even during his younger years, Gatsby had always had a vision of himself “as a son of God”(6.98) and that “he must be about his fathers business, the service of a vast, vulgar and meretricious beauty”(6.98). Gatsby’s desire for aristocracy, wealth, and luxury is exactly what drives him to pursue Daisy who embodies everything that that Gatsby desires and worked towards achieving. Therefore, Gatsby sees Daisy as the final piece to his puzzle in order realize his vision. Gatsby’s hyperbolized expectation of Daisy throws light on the notion if our dreams as individuals are actually limited by reality. Since our dreams as human beings are never truly realized, because they may be lacking a specific element. Daisy proves to be that element that lingers in Gatsby’s dreams but eludes his reality.
During this interaction, Blanche and Mitch are communicating in a darkly-lit room, which is indicated by how Mitch must strike a match, and thus provide some form of light, in order for Blanche to read the inscription and by how Blanche still has difficulty reading the quotation with this flame right in front of her face. This is later reinforced when Mitch notes “I don’t think I ever seen you [Blanche] in the light” (Williams 143; scene 9). Furthermore, when Blanche enters the home alongside Stella before this interaction with Mitch, she applies powder onto her face to appear fresher for the potential suitors playing poker in the home and to play along with the false notion that she is Stella’s younger sister (Williams 49; scene
Fitzgerald suggests that fantasy never matches reality by looking at the consequences of Gatsby’s confusing dreams and reality. Gatsby creates a high illusionary Daisy, therefore, these expectations of Daisy cannot be met. This can also be seen by noticing how as Gatsby approaches the end of this journey of acquiring Daisy, the journey becomes pointless, and the outcomes in his fantasy differ from those in reality. Countless individuals today make this same mistake of confusing dreams and reality, and looking to Jay Gatsby as an example, this mistake may harm them in the future.
Gatsby’s love life has become surrounded by ideas from the past. No longer is he able to fall in love with the moment, but instead he is held up on what have and should have been. He spends his time reminiscing on old times and previous relationships while he has also been building up a new life in order to return to the past. The unreal expectations he has for Daisy prove to us that he has trouble letting go of his old romantic ideas. Gatsby doesn’t want to accept and love this new Daisy, and instead he is hoping for the Daisy he knows to come back. But people change and there can be no expectations for someone to continue to remain the same after a number of years. Instead we must let go of the past and embrace the future for everything it could be.
Gatsby moves to West Egg so that he can watch “the green light at the end of Daisy’s dock” (180) which represents the wonder of Daisy and the future that he so badly wants with her. The green light is so blinding to Gatsby that he does not realize that Daisy is no more than a vision that he has made up for her. To him, the wonder of Daisy is his past, present, and future. Even though Daisy is no more than an image made up by the delusions of Gatsby’s wonder, when he is reunited with her, “he literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room” (89). Daisy’s enchanting and wondrous voice is reflected in Gatsby’s glowing appearance. The wonder that Gatsby feels is so strong that it is visible on his body. When they are reunited, his body and mind are completely overcome by Daisy’s wonder. When they are together, Gatsby cannot control his actions or his sense of reality because in Daisy’s “actual and astounding presence none of it was any longer real” (91). Even though Daisy married Tom and did not wait for Gatsby, he is still completely taken by Daisy because of the wonder that she bestows on him. His wonder is so deceptive that he believes in the Daisy who is a figment of his imagination. Gatsby believed in “the green light, the orgastic future” (180) to such an extent that he was unable to see the reality of Daisy before his
The novel The Great Gatsby displays deceitfulness in many of its characters. The deceit brings many of the characters to their downfall. Gatsby had the greatest downfall of them all due to the fact it took his life. In The Great Gatsby , “ Gatsby goes to spectacular lengths to try to achieve what Nick calls ‘his incorruptible dream’ to recapture the past by getting Daisy Buchannan love” (Sutton). Gatsby always had an infatuation with Daisy, Jordan Baker said,”Gatsby bought that house so that Daisy would be just across the bay” (Fitzgerald 83). Gatsby and Daisy did have a past together. While Jordan was golfing, “The Officer looked at Daisy while she was speaking in a way that every young girl wants to be looked at sometime[…]His name was Jay Gatsby and I didn’t lay eyes on him for over four years-even after I’d met him in long island I didn’t realize it was the same man” (Fitzgerald 80). Daisy is now in an abusive relationship with Tom Buchannan, “Nick Carraway attends a small publicly blames Tom for the bruise on her knuckle” (Sutton). When they meet again Gatsby showers Daisy with love and affection, wanting her to leave her husband Tom, but she does not want to in their society. Tom and Gatsby get into an argument and tom tells Daisy about Gatsby’s bootlegging that brought him to his riches. Tom yelled, “He a...
...s with all of the parties and the pursuit of wealth, power, and pleasure in an era of change. The novel shows the relationship of Gatsby and Daisy as a symbol of this pursuit of wealth, power, and pleasure. The reader sees the pursuit of wealth through Daisy wanting Gatsby and Tom, both of whom have money. The pursuit of power is shown through Daisy’s decision of Tom over Gatsby as Gatsby is seen as a lower social status with little power compared to Tom who has tremendous power. Pleasure is seen through the extramarital affairs of Tom and Myrtle as well as Daisy and Gatsby. The Great Gatsby, through Tom and Daisy, reveals the human condition of the pursuit of wealth, power, and pleasure through these examples and shows that the “American Dream” is not possible in a life where one’s surroundings are pushing him/her towards a life of wealth, power, and pleasure.
In the literary classic The Great Gatsby by F. Scott Fitzgerald, it is evident that the obsessive pursuit of unattainable dreams can alter ones perception of truth and reality. The story that Fitzgerald narrates is one of a lavish 1920s lifestyle in which all the characters are obsessed with his or her dream, and desperately tries to achieve in throughout the novel. As the story progresses, we find out some dreams are not worth the pain of not living in the present through the objects that represent larger meanings and disputes between characters and themselves. In the novel through conflict and symbolism Fitzgerald shows how if one gets too caught up in dreams, one will stray far from reality which will lead to their ultimate downfall.
After Mitch forcefully removes the paper lantern from the light bulb, Blanche “utters a frightened gasp” (1.9.14). Within the scene, the paper lantern serves yet another symbolic function. The night when Blanche meets Mitch, she asks him to place the lantern onto the light bulb. Just as the lantern protects Blanche from the light which reveals her age, it creates a façade which conceals her past. With Mitch’s love Blanche believes that the proper persona which she invented for herself could become her identity, thus magic becomes reality. However, as Mitch undresses the light bulb, he exposes Blanche vulnerabilities. Even though Mitch possesses masculinity, he does so to a lesser extent than Stanley. This passage is mildly reminiscent of Stanley and Stella’s wedding night when Stanley smashes the light bulbs in the apartment. Even though Stanley’s actions are more extreme than Mitch’s both carry a sexual connotation and reveal animalistic tendencies. Furthermore, as Mitch stares intently at Blanche in the light, “she cries out and covers her face” (1.9.25). By turning on the light, Mitch for the first time has gotten a good look at Blanche, but to do so he is violating her sense of self-worth. Although Mitch continues to berate Blanche for lying to him, he is still physically attracted to Blanche. Mitch’s cruelty is accepted by Blanche and later in the scene still asks if Mitch
Different genres, settings, ideas, motives, and themes seem to separate two novels completely, but highly significant small themes bring two different worlds closer than anything. Frankenstein and The Great Gatsby are different in the sense that one is based on pursuit of knowledge, ambitions, and dreams. The other is based on lies and deceit, selfishness, and the shallowness of high social statuses. As different as these two novels may seem, they come together to share themes that unit two worlds of distinct philosophies. These themes are family, love, and the lack of compassion and forgiveness. The many different events and conclusions of these novels, but the same mistakes of characters making ruthless decisions to satisfy our minds is clear in both novels.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.