In the novel The Great Gatsby and the play A Streetcar Named Desire the main characters James Gatsby and Blanche Dubois have a lengthy search for love. Both characters go about their search in similar and different ways. The characters choose illusion over reality, but the way in which they go about it differs. Also in an attempt to impress, both characters try and “buy” love by using material possessions to attract people to them. Although Gatsby and Blanche devote a lot of their lives to finding true love, their searching leaves them unsuccessful. Gatsby and Blanche are blinded by their own pasts. Gatsby decides to live in a constant fantasy that he will get Daisy back. He is not willing to accept that she is married and loves another man. This is shown through this quote "he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward- and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock."(Fitzgerald 25; 1) This quote shows the reader that Gatsby looks at the beacon as a beacon of hope, but really he is just fighting reality. There is great distance between Daisy and his dock. She doesn’t even truly know where he is. He is trembling because he knows the distance, but he will not accept it, and in an attempt to justify it to himself he outstretches his arms to the sea and to Daisy. Gatsby can not escape his past, it is what has driven him to be successful and now he wants what will complete him, and that is Daisy. He purchased the house in West Egg, so he was directly across the sound from Daisy and it made him feel close to her. Similarly in A Streetcar Named Desire on... ... middle of paper ... ...hey needed to be happy was love. They both went at attaining love in similar and different ways. In the end though Gatsby was able to realize that he would not be with Daisy and he accepted reality, but Blanche was still left trying to live in a fantasy. They would never get their first true loves, and due to that they both lost a great amount. Gatsby lost the ultimate; he lost his life because of Daisy. Blanche lost the respect of all those who loved her, and was in the end sent to a mental hospital because she had lied so much, and when she finally told the truth it was unbelievable. Ultimately Gatsby and Blanche were both unsuccessful in their search for love. Works Cited Fitzgerald, Scott. The Great Gatsby. New York: Charles Scribner's Sons, 1925 Shakespeare, William. Hamlet (The New Folger Library Shakespeare). Simon & Schuster; New Folger Edition, 2003.
The 1920s era is known for different names such as the Roaring Twenties, the Jazz Age, the Age of Intolerance, and the Age of Wonderful Nonsense. Moreover, the era claimed the beginning of Modernism in America, which led authors to stray away from traditional writing styles. A commonality seen in Modernists’ works is the desire for characters to fit into societies that they believe to be more substantial or well off than their own. In the novels The Great Gatsby by F. Scott Fitzgerald and Passing by Nella Larsen, the characters Jay Gatsby and Clare Kendry use social environments and interactions with others in attempt to reject their pasts and gain acceptance. Jay Gatsby longs to forget his past and focus on the present and future in hopes
There is a fine line between love and lust. If love is only a will to possess, it is not love. To love someone is to hold them dear to one's heart. In The Great Gatsby, the characters, Jay Gatsby and Daisy Buchanan are said to be in love, but in reality, this seems to be a misconception. In The Great Gatsby, Fitzgerald portrays the themes of love, lust and obsession, through the character of Jay Gatsby, who confuses lust and obsession with love.
When people hear the words “romantic hero,” they imagine one of those fake characters from cheesy love stories, holding roses while kneeling below the heroine`s balcony. Gatsby is no better than those fake and desperate heroes because his love is untrue and obsessive. James Gatz, who is also known as Jay Gatsby, is a poor young man who acquires wealth for the purpose of gaining the love of a rich girl named Daisy. Gatsby lives and breathes for Daisy, the “nice” girl he loves, even though she is married to Tom Buchanan. Gatsby`s love may sound dedicated, but it is more obsessive because he lives in his dreams and will literally do anything to win Daisy`s heart. In Fitzgerald's novel The Great Gatsby, Gatsby is not portrayed as being a romantic hero due to his attempts in trying to be someone he is not by faking his identity, by his selfish acts in desperation for Daisy`s love, and his fixation with wealth, proving that love is not the same as obsession.
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
One of the main themes when it came to both of the movies were longing for something that will never happen. In The Great Gatsby, Mr. Gatsby was deeply in love with Daisy. He would do whatever he could just to make her happy
Illusive natures and concealment of a person’s true identity are often evidenced in modern literature and even through our personal lives. Judy Garland, a renowned actress, once claimed, “How strange once an illusion dies. It’s as though you’ve lost a child.” It can be inferred from this that destructive circumstances result because of an illusive nature. This idea is clearly illustrated in both A Streetcar Named Desire by Tennessee Williams and The Great Gatsby by F. Scott Fitzgerald. The lead protagonists, Blanche Dubois and Jay Gatsby, in both texts put on a facade. Their illusive natures are depicted through their personal possessions (important literary symbols), mysterious
George Orwell has reputed to have once said “Happiness can exist only in acceptance.”; thus all humans want to be welcomed in some way or another. The idea of acceptance also applies to A Streetcar Named Desire by Tennessee Williams and The Great Gatsby by F. Scott Fitzgerald. Although these two literary pieces are very different in many ways, the protagonists’ trajectories, as they try to gain acceptance, share very important points in their structure. Both protagonists create illusions to hide their past, they break social restrictions by challenging the status quo, and they are both delusional, refusing to accept reality which later leads them to their demise.
In Chapter V, Gatsby and Daisy are finally reunited, which Fitzgerald takes as an opportunity to illustrate how the American dream is flawed because as the delusion continues, it confounds all logic and blinds you; furthermore, dreams can never amount to reality, as dreams are perfect visions of an imperfect world. While Gatsby’s dream started with Daisy “it had gone beyond her” (95), and it stretched into every part of life. Gatsby not only wanted the golden girl, he wanted the money, the biggest house, the material possessions he thought could bring him acceptance. His dream had grown so wild that no reasoning could touch him, as “no...fire or freshness could challenge what a man will store in his ghostly heart” (96). The reality of Daisy
Shakespeare, William. "Hamlet." The Unabridged William Shakespeare. William George Clark and William Aldis Wright, ed. Running Press. 1989.
Time’s passage, an unstoppable, eternal occurrence, manifests itself in our daily lives. Everybody has a different outlook on time: we either have plenty of it or are running out of it! Time, a construct developed by man, turns the tables and now controls the lives of its creator. We measure our own successes with how time affects us individually. Objects that are considered timeless are treasured whereas something worn down by time has lost most of its value. In As I Lay Dying, The Working Poor, The Great Gatsby, A Streetcar Named Desire, and The Scarlet Letter, William Faulkner, David K. Shipler, F. Scott Fitzgerald, Tennessee Williams, and Nathaniel Hawthorne demonstrate the classes differing attitudes towards time. Though the social classes
The portrayal of individuals in the grip of dreams and illusions is a major theme in both 'A Streetcar Named Desire' and 'The Great Gatsby'. While the texts explore the nature of dreams and illusions predominately through the characters of Blanche in 'A Streetcar Named Desire' and Gatsby in 'The Great Gatsby', in a more metaphorical interpretation this reading can be extended to include many of the other characters appearing in the texts of Tennessee Williams and F. Scott Fitzgerald, notably Stella and Stanley in 'A Streetcar Named Desire' and Tom and Daisy in 'The Great Gatsby'. Furthermore, the embodiment of dreams and illusions appears in many different symbols throughout the texts, from the 'paper lantern' in 'A Streetcar Named Desire'
Although Gatsby and Daisy’s relationship symbolizes real love, as the truth unfolds it precipitates the mystery that everything Gatsby sought to achieve was for the sole purpose of recapturing the past. Gatsby can not move on from Daisy which eventually ends up haunting him. Gatsby is revealed attentive towards the material, and his motivation is driven by his want for money. He has idealized Daisy so much that she cannot live up to his expectations. Although the Great Gatsby demonstrates the betrayal of love in various relationships, Fitzgerald describes true love through Gatsby’s attempt to gain Daisy’s affection by being lost in the past, attentive towards status and material wealth, and has unrealistic dreams to capture the interest of
Shakespeare, William. Hamlet. An Introduction to Literature: Fiction, Poetry, and Drama. By Sylvan Barnet, William Burto, and William E. Cain. Boston: Longman, 2011. N. pag. Print.
In The Great Gatsby the theme of past and present is depicted through the relationship between Gatsby and Daisy. Everything Gatsby has created was to impress daisy, his whole life after returning from war was to create a facade for Daisy making her fall in love with him. Gatsby believes that Daisy has never stopped loving him even after he left her when he went to war, this is the main factor that accounts for Gatsby’s drive to win over Daisy. Although Daisy is married to Tom, Gatsby believes that she has never loved him and that her love is in fact has always been for Gatsby no one else. Gatsby’s main drive is his memories from the past, but his visions of a perfect utopia formed around Daisy are impeded because of her progressing into the future.There are several instances that demonstrate Daisy moving forward from the past, the revelation that Daisy has a child with Tom, Daisy’s growing resentment towards the parties Gatsby throws, and the sense of bewilderment Gatsby gets into Gatsby after he reunites with Daisy.
His pursuit of happiness with Daisy was the ultimate cause of the degradation of Gatsby's morals and realistic dreams. This is because he held an unrealistic view of life and how he could recreate the past. His dreams had distorted reality to the point where when his rationality realised that the image of life and of Daisy did not coincide with the real life version his mind did not grasp that perhaps the dream had receded to the point of no return, consequently his dreams helped to result in the devastating end that was the finish of The Great Gatsby. This difference in Gatsby's mental image and the real image of daisy was due to the incompleteness of daisy's character.