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Streetcar critics fantasy and reality themes
Characteriztion through streetcar named desire
Streetcar critics fantasy and reality themes
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Major Themes of A Streetcar Named Desire
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
Or, as Mary Ann Corrigan later puts it [as does Judith J. Thompson, 38], the Blanche-Stanley struggle is purely an external dramatization of what is going on inside Blanche’s head: “the external events of the play, while actually occurring, serve as a metaphor for Blanche’s internal conflict” [Corrigan, 392]. Critics who share Sharp’s and Corrigan’s views feel that Streetcar is essentially a psychological drama about Blanche’s internal struggle with herself.”
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
Character Conflict in Tennessee Williams’ A Streetcar Named Desire. Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.
Tennessee Williams has said, “We have to distrust each other. It is our only defense against betrayal.” Betrayal is prevalent in life and literature and creates uncertainty. According to Williams, without questioning people, one will eventually be betrayed. Characters deceive each other and, occasionally, themselves as they try to mend their lives. In A Streetcar Named Desire by Tennessee Williams, betrayal is evident in every relationship — Blanche and Mitch, Blanche and Stella, and Blanche and Stanley — and contributes to the theme of uncertainty in the novel. Blanche Dubois is the ultimate example of betrayal because she ends up being betrayed and betraying others throughout the play, which serves as a basic model of the effects betrayal can have on a person.
Empathy is a fundamental human connection, it allows us to strengthen relationships and build a stronger character. In Tennessee Williams play Streetcar Named Desire Blanche is weakened by the lack of a basic human trait. The lack of empathy that Blanche gives and receives greatly affects her poor resilience to Hardships in her life. Thus, causing her to be an emotional train wreck and a highly flawed character. Blanche often receives no empathy through her character because of her inability to empathize with others; this is demonstrated by her relationship with her husband, her sister, brother in law Stanley, and the death of her family. Through these Devastating events she searches for empathy in all the wrong places. Her struggle without
How do Blanche Dubois’s interactions with males in A Streetcar Named Desire lead to her self-destruction?
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
The seven deadly sins are well established as being detrimental; nevertheless, humanity naturally gravitates towards the inhuman. The life of Blanche DuBois, the protagonist of Tennessee Williams’ play, A Streetcar Named Desire is derailed by lust: the lechery of her ancestors causes the loss of the family home, her husband’s lust leads to suicide, and her own sexuality forces her to leave her occupation and her hometown in disgrace. After taking the streetcars Desire and Cemeteries, Blanche seeks refuge from reality in the home of her sister Stella and her masculine and somewhat barbaric husband Stanley. Despite her attempts to start an unblemished life with a new persona and love interest, Mitch, Blanche’s dark past begins to resurface after
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.