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In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays. Blanche’s lampshade is the filter for all the harsh realities of life that she would rather not deal with. In a scene with Stanley’s friend Mitch, Blanche tells Mitch to cover up a light bulb with a Chinese lampshade, “I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action” (1837). In this scene Blanche blatantly tells the other characters and the a... ... middle of paper ... ...e becomes a misanthrope who considers suicide and withdraws from the company of others. Through these fictional characters, the readers can understand the importance of choosing the healthy ways to cope with terrible events that happen in their lives instead of the dysfunctional ways that the characters chose. Works Cited Galloway, Shirley. “Last Stop: Blanche’s Breakdown.” Shirlsite. Cyberpat,1993. Web. 6 May 2014. Langley, Travis. “The Psychodynamic Duo: Freud and Jung on Batman and Robin.” Henderson State University. Henderson State University, 2011. Web. 10 May 2014. Shakespeare, William. “Hamlet.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1709-1804. Print. Williams, Tennessee. “A Streetcar Named Desire.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1815-1881. Print.
Williams, Tennessee. "A Streetcar Named Desire." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 2337-2398.
In Williams’ A Streetcar Named Desire, its form of a Southern Gothic enables the playwright to base the play on sexual identity and judgement and the female characters all experience their struggle to liberate from their current position. For example, Blanche is notably known for her situation – The ‘polka dot’ which recurs throughout the play as a testimony to Blanche’s past. The playwright presents these situations using the play’s structure of a recurring cycle of a daily life of the characters. Unlike Alfieri in A View from the Bridge, A Streetcar Named Desire has no narrator and mostly focuses on the characters to establish Williams’ point of view. Perhaps, t...
Shakespeare, William. Hamlet (The New Folger Library Shakespeare). Simon & Schuster; New Folger Edition, 2003.
The human mind is fragile, unpredictable and unreliable. Simultaneously, the human mind is a master of self-defense against emotionally shaking experiences that one might live through. During the first half of the 20th century, mental illness was not a subject widely spoken about and drugs, electro-convulsive therapy, and surgery were used as treatments for persistent illnesses of the mind (PBS “Timeline: Treatments (...)”). This is the world Tennessee Williams grew up in, with a three year older sister who developed a mental illness herself (Hoare). In 1947, Tennessee Williams broke through the barrier of fame with his well known play A Streetcar Named Desire: the story about the emotional demise of the fragile, yet determined, southern belle Blanche DuBois and her visit to her sister Stella in New Orleans. Williams himself said that his plays are “pleas for the understanding of delicate people” (Rocamora): they contain a desperation for sensitivity, tenderness and humaneness that can rarely be found other plays (Maupin). Blanche DuBois is Tennessee Williams’ representation of the “delicate people”, as she battles psychological illness through fear, guilt and compensation for the surrounding people and relations in the play.
In the play A Streetcar Named Desire, Tennessee Williams uses his brilliant writing to bring life to his characters in the story. I will be composing a character sketch on Stanley, one of the main actors in the play. I will focus on evaluating Stanley's ever changing character traits in the role he plays. They consist of different moods that he demonstrates during the play: his aggressiveness, his love for Stella and also his rudeness and cruelty towards Blanche.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
The characters in “A Streetcar Named Desire”, most notably Blanche, demonstrates the quality of “being misplaced” and “being torn away from out chosen image of what and who we are” throughout the entirety of the play.
A Streetcar Named Desire, written by Tennessee Williams in 1947, has been called the best play written by an American. The setting of the play, New Orleans, creates a blended mood of decadence, nostalgia, and sensuality. The plot of the play comes about through the conflict between a man and his sister-in-law who comes to live at his house with he and his wife. Stanley and Blanche immediately capture the attention of the audience through Williams' portrayal of the intensely strong willed characters.
Stanley is described as a a crude man in a modern world. Blanche often denies her
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
Hagopian, K. (n.d.). Film Notes -A Streetcar Named Desire. Film Notes -A Streetcar Named Desire. Retrieved April 26, 2014, from http://www.albany.edu/writers-inst/webpages4/filmnotes/fns04n5.html
A Streetcar Named Desire, written by Tennessee Williams, is a social realism play that takes place during the 1940’s in New Orleans. Williams uses this play to directly question inherent ideologies of human nature. He uses plot, narrative techniques, motifs, and contrasting values to directly challenge the reader’s perspective.
Tennessee Williams uses motifs to help convey his idea that Blanche is deceiving, narcissistic and seductive. One can note how Blanche repeatedly wears extravagant white dresses or her red robe when she is acting particularly seductive, so that she makes people ponder that she is in fact guiltless and wholesome. Blanche's white dress is blemished which is representative of the fact that Blanche if far from being pure and wholesome even though the dress is a symbol of purity. Her world clings on misapprehension and trickery as can be understood by her emptying her heart out to Stella in scene three, "soft people have got to be seductive make a little temporary magic". She feels as if is it crucial to trick and deceive in order to persist in a world where she is "fading now" and her youthful beauty is departing. Tennessee Williams depicts Blanche as uncertain, self-conscious and hides behind her semblance of superficial beauty. With the use of the motif lighting, we can see how Blanche disappoints to live up to the facade that she po...
A Streetcar named Desire was written by Tennessee Williams, during the restless years following World War II. The play was based on the life of a woman named Blanche Dubois. Blanche was a fragile and neurotic woman, desperate for a place to call her own. She had been exiled from her hometown Laurel, Mississippi after seducing a seventeen year old boy. After this incident, she decided to move to New Orleans with her sister Stella. She claimed she had to move, in result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Her sisters husband, Stanley Kowalski is very suspicious seeing that Blanche seems like an ambitious woman. Therefore, he decides to investigate her. He wanted to make sure Blanche didn’t sell the plantation for her own good. As he begins to find out more about her past, all of Blanches lies catch up to her. Soon, her circumstances become unbearable.