Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Transition from adolescence to emerging adulthood
Transition from adolescence to emerging adulthood
Essay on the effects of music in films
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Transition from adolescence to emerging adulthood
The Graduate is a 1967 film directed by Mike Nichols. Which tells the story of a young college graduate, who finds himself seeming lost in the real world and in addition, he finds himself torn between a mother and her daughter. The Graduate shows us how difficult the transition from childhood to adulthood could be for college graduates and how aimless it actually is. Mike Nichols uses selective choose in the songs used in this movie, camera angles and the characters to help illustrate this theme.
In the opening scene the song “The Sounds of Silence” plays in the background while we see our main character, Ben Braddock, make a decent into Los Angeles. This song has a very low pitched eerie sound to it and the lyrics help illuminate the theme of this movie. The song starts by saying “Hello darkness, my old friend...in restless dreams I walked alone…” the song is giving a sense of loneliness and misdirection. As though you are alone
…show more content…
and don’t know where to turn or go. The song continues by talking about how “Ten thousand people, maybe more…”, expressing the thought of many people being in a similar situation. Ben Braddock, as the film goes on portrays exactly this. He gets to his parents house and his parents have a party with people that “have known…you since you were born”. He starts off by having a conversation with his father, Mr. Braddock, about how he is unsure about his future. In the next part of this scene is bombarded by all these friends and family about how great he is and how he is going to do great things. It appears to get him very uncomfortable. He is specifically asked what he plans on doing, in which his reply is “I was going to go upstairs for a minute”; unaware of what was actually being said here and in clear discomfit of all this attention. After this scene, Mike Nichols uses a great camera technique to give a feeling of alienation to Ben by showing Ben looking through his glass window in his room, adding to this sense of uncertainty and discomfit to Ben’s character. Ben Braddock throughout the film continues this sense of uncertainly when he again admits to Mrs. Robinson that he has been “disturbed about things”. In which, he then restates to Mr. Robinson by stating "I'm just a little worried about my future. I'm a little upset about my future.” This all being after an altercation between him and Mrs. Robinson in which, Mrs. Robinson being much older than Ben, tries seducing him. This could be because of this transition that Ben is going through. It doesn’t appear as though she is going for Ben because of lust but because of his current state of uncertainty, making him seem vulnerable to the wedlock mischievous Mrs. Robinson. A crucial moment from childhood to adulthood is your 21st birthday; Ben’s parents celebrate his 21st birthday by throwing together another birthday party.
In this scene there is again the use of a glass window to give off this field of alienation, as though he has yet to make this connection to adulthood that his father, mother and their friends have. This alienation becomes emphasized by the very next scene in which he is in his birthday present, a scuba suit and he is in his pool underwater, all alone and isolated.
The song “The Sounds of Silence” replays itself and continues to play after a scene where Ben and Mrs. Robinson are having an affair in a hotel and this scene repeats itself to show the numerous times this occurs. The songs is again reiterating the fact that Ben is uncertain in what exactly he is doing as he seemed nervous and discomfit leading up to the scene of them in bed. Continuing forward, he has a conversation with his father in which he specifically states that he isn’t sure what those 4 years of college were
for. We then fast forward to another similar scene in which Ben is with Mrs. Robinson in the Taft hotel. He tries to strike up a conversation with Mrs. Robinson possible to give this fling that have been having some sort of meaning instead of just sex. He does this so that he can feel more comfortable and reassured of what his actually doing, hence not aimlessly doing things and actually having some sort of grasp idea of what he is doing in his life; as it appears his self-esteem is falling apart and this is a push to give this act and himself some sort of meaning. Ben goes on to eventually take Elaine out on a date to a drive through, where he admits to her that ever since he graduated from school, he feels as though he is in a game. He goes on to say that there are rules to this game that are being made up by themselves. This game is life, the rules that apply to life are made up by society, get a job, start a family, get a house etc… He then goes on to ask the people around him if they can lower the very loud rock and roll music playing. These people are from Ben’s generation of the 60s but they ignore him and the music continues to play. This gives off the sense of alienation; Ben went to college and graduate, yet in the 1960’s, not many people went to college and this helps forward the idea that Ben is very disconnected as he is detached from his own age group. The movie continues on as it appears that Ben has a direction in life by meeting Elaine and having this relationship with her. Unfortunately for Ben, things quickly go downhill as his past comes to haunt him and he confesses to Elaine that the affair he has had has been with her mother. In which leads to them breaking up and losing communication. Desperate to get this feeling back and ultimately Elaine he stalks her at school. Ben is ultimately lead on a very tedious search driving from Berkeley to Los Angles and back (then to Santa Barbara) to get the Elaine back into his life, it shows the effort he has put in to get this girl that has given his life some sort of meaning. In the final scene of the movie Ben does prevent Elaine from getting married by stopping the marriage ceremonial and runaway with her to everyone’s disapproval. They get on a bus and there mood of victory and happiness begin to fade as there grins turn to into expressionless still faces. This is because even though Ben has got what he wanted, he still has this uncertainty about life. Getting Elaine did not resolve this feeling of wandering aimlessly like he had anticipated. Ben realizes that this is not a ‘video game’ and that he can’t escape this path that has been put in front of him. Both of their futures are still a mystery and they will continue to walk aimlessly. Perfectly, the ending scene goes on to play the song “The Sounds of Silence” to re-emphasize the point that he is still back where he was in the beginning of the movie, a directionless graduate. The Graduate is a great movie that provides many possible themes. This theme of uncertainty is what stood out to me and seemed to be perfectly imaged by Mike Nichols. With his use of camera angles, camera shots, character personality and sound track choice. College is a very difficult aspect of life and the transition from childhood to adulthood is a very tortuous path that has no set direction. It brings about many
The film, The Graduate, tells a story about a new college graduate and his experience upon returning home to expectations of his peers and a fear of his own future. Produced in the 1960’s, The Graduate, depicts topics such as isolationism and alienation through the protagonist, Benjamin Braddock. The main theme of the movie is the idea of Benjamin’s isolation being caused by the pressure from expectations that the older generations lay upon him; he does not know what he wants to do with his future, yet his father and peers continues to hound him and question him on his future plans. A common fear for most college students and newly college graduates, many college students are unsure of where their lives will lead them and without a certain answer, can be nerve racking. Benjamin’s father and peers make this idea apparent to Ben when they often ask him “What are you gonna do now?”. Our protagonist does not seem to have a positive answer for them almost every time. Mr. Braddock also parades Benjamin to his friends by buying him extravagant gifts
In the poem The Glass Jar we witness the heart-wrenching episode in a little boy’s life, where he is made to discover a distressing reality. Putting his faith first in a monstrance and then in his own mother, he finds himself being betrayed by both. With the many allusions to nature (for example the personification of the sun and references to animals and woods and so on) Gwen Harwood constructs a dynamic backdrop which allow the responder to dwell on the subtle shifts in the child’s personality. The setting is the terrain of nightmares and dreams, where conscious will is suppressed and the reigns are handed to the subconscious mind.
The first song played is “The Sounds of Silence,” which is somber and melancholy with its soft voices and instruments. The song plays along with a dull and repetitive recording while Ben stands alone on the moving walkway at the busy LAX airport. The song’s lyrics reinforce Ben’s feeling of isolation, “And in the naked light I saw, ten thousand people, maybe more. People talking without speaking, people hearing without listening” (Nichols 00:01:34). Right away the unhappy music and lyrics give the feeling that Ben is absent from his life and is surrounded by people that have nothing important to say. The song establishes the anxiety that Ben will experience throughout the film which is that of not being able to connect with the generation above him and worrying that his own generation is becoming a superficial and apathetic culture. Later, there is a montage that uses “Sounds of Silence” and transitions into “April Come She Will.” The montage shows Ben going through his monotonous daily routine and then meeting up with Mrs. Robinson for their loveless affairs. The music reminds the audience how detached Ben is even in an activity that should be intimate. “April Come She Will” plays while Ben walks back and forth between the worlds of Mrs. Robinson and his parents, neither of which he is pleased with. This song is about a love burning
The ways in which Bridesmaids rejects patriarchal structures while simultaneously supporting them establishes a unique ideology: in order to meet the cultural comedic conception, these female characters reject particular standards of patriarchy, but the ways in which they do so successfully are due to their adherence to masculine norms and symbolic reversal (Buckley 19). Thus, Bridesmaids resists the male gaze and gives women empowerment to take the an active role in comedy, liberating them in the sense that it equates their humor to that of men’s, to embody new forms of feminine desire for women in cinema. In response to the men at the beginning of this essay who would say Bridesmaids doesn’t deliver this, Tina Fey has some words for them, “We don’t fucking care if you like it” (Moss).
and his need or desire to be alone all the time, he doesn’t like to be
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Relationships are complicated, not every relationship will last, and this seems to be the most apparent with romantic relationships, as these types of relationships two partners will often come together and open up to each other and become very close. Every relationship needs effective communication, and this is evident in the film, The Breakup; starring Jennifer Aniston and Vince Vaughn. This film ties in with Interpersonal Communications very well as it portrays its message of poor communication very well. Models of Relational Dynamics, couples conflict styles, crazymakers, and conflict in relational systems are some of the topics that the film perfectly depicts.
At the start of the film, Marker put in this familiar noises of the planes to tell us that it was situated at the airport. Without the use of the sound in this particular scene, it would be just a photo montage whereby the viewers wouldn't probably feel the present of planes. Music helps to establish a sense of the pace at each of the accompanying scene and sometimes overlap voice-over musical score. At the beginning of the film, the images of the war torn Paris was accompanied by some sort of choir music that sounded very depressing and melancholic which then adds to the atmosphere. With the film starting off with this eerie atmosphere could also foreshadow a depressing storyline later on, that the protagonist meets his own death. Furthermore with the deliberate use of music in various part of the film, it kind of foreshadow the tragic ending whereby the fixated image of him as a child watching someone die at the
Tom clearly does not believe that staying at home with his mother and sister is worth the unhappiness he feels. A common issue that arises in The Glass Menagerie is Tom’s nightly trips to the movies. When asked about his frequent trips to the movies, Tom describes that “adventure is something I [he]” doesn’t “have much of at work.” (4.Tom) Living vicariously through the movies he sees, remains one of Tom’s only true sources of happiness.
Levy, Eric P. "'Through Soundproof Glass': The Prison of Self Consciousness in The Glass Menagerie." Modern Drama, 36. December 1993. 529-537.
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
A particularly strong theme in The Glass Menagerie is not being able to accept unfortunate reality or escape it. This theme is shown with the symbols of the movies and the fire escape which connect to Tom. Tom, who aspires to be a poet, is unhappy with his dull, suffocating life and his job at a warehouse in order to maintain the family. He longs for adventure and excitement in his life, yet he is constantly frustrated and argues with his mother frequently. In order to escape this, he ...
I really liked when the scenes where the image and sound both work together great. I refer to the silence as nothingness and feeling alone because that describes the dark silences perfectly. It is definitely the most prominent part in the movie, and I think more movies should try to use silence to their advantage. I absolutely think that the movie uses silence expressively. For one thing, they are in space so there isn’t a lot of noise in the middle of the galaxy, but for some reason when I think back to when there were shots of the rocket ship in the dark galaxy I think of how the film makers made there be no background noise except the ship which was nice because it made it seem very realistic. Usually in movies there is a lot of background music that you don’t notice, but it helps the scene out. In this case the director used silence to make the scenes more realistic. I think of the scene where Matthew McCaughey goes into the dark hole. He was narrating at the time then suddenly you hear dead silence. It made me have a deeper connection with the movie because the movie was silent, but so were my thoughts. When I think back to the movie, I don’t remember there being a lot of music because it all just blended in, then I went back to see if they had anything special about their music I noticed all the different types of music they had throughout the movie. (This is all referring to my discussion post from chapter
The film The Internship is the story of Billy McMahon (played by Vince Vaughn) and Nick Campbell (played by Owen Wilson) who lose their jobs as salesman when the company they work for closes down. They then manage to get internships at Google in an attempt to reinvent themselves and to eventually get jobs at Google. The only problem is that Billy and Nick are going to Google which is a technology giant but they themselves do not have any tech skills which makes them unsuitable for the internship. One of the people working at Google who are helping to select candidates for the internship then convinces the company to give these two men a chance. When Nick and Billy arrive at Google for their summer internship they find themselves in
A Beautiful Mind tells the true story of Professor John Nash (Russell Crowe), but, while the gross facts may be accurate, one must expect embellishment of the details. It first shows Nash as a student at Princeton in 1947. He is brilliant but erratic - a mathematical genius who lacks social skills. He is aided in making it through those difficult years by his roommate, Charles. Years later, following an astounding breakthrough that revolutionizes economics, John is teaching at M.I.T. and doing code-breaking work for a shady government agent, William Parcher (Ed Harris). It's at this time that John meets, falls in love with, and marries Alicia (Jennifer Connelly). But his happy world soon starts to crumble.