Central Themes in The Graduate The themes of loneliness, isolation and entrapment are central to the narrative of the 1967 film The Graduate. Throughout the film, many devices are used in order to communicate this to the audience. This list of devices includes the use of water and glass for example, which is seen in many scenes and emphasizes the isolation and entrapment of the not particularly remarkable but worthy kid who drowns amongst many objects and things throughout this film. The first scene we are going to look at is the party at the beginning of the film; I find this a perfect example to look at Ben’s reactions and his need or desire to be alone all the time, he doesn’t like to be around that many people for too much time, or in fact no time at all. There’s a part at the beginning of this scene when we see Ben sitting alone with the lights off, but we don’t realize they’re off until his father comes in and switches them on, interrupting the silence and making Ben uncomfortable since he obviously wants to be alone. Then there are a few shots where we can get a glimpse of the fish tank, but more importantly, we see the scooba diver inside it. When you come to think of it, the scooba diver is always there, in the middle of the depth of the water inside the fishtank, having water and glass putting him into total isolation, trapped but always exhibited, looked at, he is subject to people’s examination. This whole thing may signify Ben’s both loneliness and entrapment apart from isolation that we already mentioned. Close-ups on Ben’s face and his gestures suggest drastically that he wants to be left alone, but his parents insist... ... middle of paper ... ...normous glass which separates the bottom part of the church from the upper floor, where the choir usually is. How often is this seen in a church? Practically never. It’s also very ironic how Ben uses the Christian cross to keep the distance between him and Elaine and the rest of the people, and also how he uses it to lock them inside the church to buy them time to run away. Now it’s all the people who are locked behind glass, which doesn’t change much since Ben (and also Elaine now) is still as isolated as before. All throughout the film we see constant use of conventional codes which reflect many different things which most times have a subconscious effect on the audience. All these devices added up together have a very strong effect, clearly emphasizing all throughout the piece loneliness, isolation and entrapment.
is him being lonely. This trait is shown when Carlson says “It ain’t no go to himself” describing
of which he knows, but he enjoys it being that way. He doesn’t seek the relational
The Outsiders identified the 60’s, often there would be violence between groups and often involving a group’s social class. For instance, the tensions between the Socs and Greasers is violent, and this will lead to Bob’s death, Johnny’s death, as well as many injuries throughout both gangs. The book The Outsiders is written by S.E. Hinton and is portrayed through the eyes of a high school student in Tulsa, OK where S.E. Hinton grew up. Hinton began writing The Outsiders in 1965 at the age of 17 and the book was finally published in 1967 when she was 19. The difference in perspective upon the society and social class creates issues throughout The Outsiders and they assume the problems will be solved with violence,
The first scene, which is a major focus of the film and the novel, is
In conclusion, the topics of societal breakdown, relationships, and society are the central pillars that make up the central narrative of Station Eleven. In post-apocalyptic literature, whether consciously or unconsciously, these make up the bulk of what the reader sees, hears, and experiences within the narrative itself. Specifically within the post-apocalyptic narrative of Station Eleven, one sees plainly these themes, but not in the form one would expect. Firstly, the fact that theme of societal breakdown has been written into the overall story arch is no coincidence. From the occurrence of the Georgia Flu and its sweep across the world to more fictitious forms of annihilation such as the zombie apocalypse, this alludes to one of the
charge kind of person. When there is something that he does not like about the
When most people were young, he or she would sit by the window and wonder off imagining of what their future would hold. Most people have the same vision called the American Dream. The American Dream is a façade that money is entirety and can make a person feel content. In Kurt Vonnegut’s Slaughterhouse Five, that American Dream is portrayed through the character Billy Pilgrim. According to Vonnegut, “He married his fiancée, finished his education, and was set up in Ilium by his father-in-law. Ilium is a particularly good city for optometrists because General Forge and Foundry Company is there. Every employee is required to own a pair of safety glasses, and to wear them in areas where manufacturing is going on” (24). According to society, Billy Pilgrim would be considered a successful individual, for his life was set up for him by family, including a well-paying job and a family. Although the American Dream seems like the perfect life, money truly cannot buy anyone’s happiness. Billy was a prime example of someone who had it all but was still struggling to accept his life as a whole...
I chose the movie Divergent because there is so many events in the movie to talk about that has to do with sociology. I could have chosen any of the Sociological Perspectives for this movie but I believe that Structural functionalism was the best option. The movie Divergent is about a futuristic society broken up into five factions. Abnegation is the selfless or generous, Dauntless or what I like to call the fearless group, Candor the honest, Amity the peaceful and Erudite which loves knowledge and are the smart ones of society. At the age of 16 you have to either stay in the faction you were born into from your parents or you can choose a different faction. If you choose a different faction you have to leave your family behind and stay with
The sanctuary was bare, and the pews hard. I mentally tallied a comparison between my own church's sanctuary and this. The two, I found, were similarly austere, but with theirs tending toward items of religious kitsch and our own tending instead towards polished brass. Both lacked stained glass in the windows. I suspected, however, that where our sanctuary was plain in token tribute to the long-dead strict streak of our Calvinist tradition, theirs was bare because it could not economically be otherwise. And the lack of air conditioning ! Memphis' summer heat is unbearable and pervasive, and a roof overhead does nothing against the big blanket of humid air.
Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.
He Makes You Do Stuff You Don’t Want To Do: He wants you to do stuff for him all the time. He also likes to be held all the time. He wants you to cook for him all the time. He’s sort of a big baby.
life he talks about 2 years of his life with no rest o concern about
our family. Sometimes he ties me up to the back of the house. Other times he locks me in
around. We feel the abandonment he feels when the boyfriend leaves so soon after this sexual
The Minority Report by Philip K. Dick tells the story of a dystopia society that apropos the concept of a post-crime system called Precrime. This successful short story follows the protagonist, John A. Anderton, Precrime Commissioner, living in a futuristic society, Precrime police officers prevent homicides with the aid of precog mutants; precrime methodology has boldly and successfully abolished the post-crime system of jails and fines. However, Precrime has created an unfavorable recalcitrant idea: Citizens believe they are constantly under surveillance. Anderton: “We seldom get actual murder or treason. After all, the culprit knows we 'll confine him in the detention camp a week before he gets a chance to commit the crime.” Dick, Philip