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Institutional elder abuse
Institutional elder abuse
Institutional elder abuse
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The truth Duffy reveals is often to show the inadequacies of our institutions. Duffy illustrates this in ‘And how are we today’. Duffy states “they are going to make it rain” Irony seeps through as one comes to a realisation that, people are behaving absurdly due to the way they are treated in an institution. Consequently,Duffy’s didactic message places blame firmly on these institutions. The underlying tone suggests it is these places where one loses one’s self completely. Moreover, violent behaviour occurs as patients who receive no attention, indulge into negative and horrific thoughts such as “take my eye out and swallow it”. This illustrates to the audience that the patients are ready to do almost anything; in order to gain any attention,
Erin George’s A Woman Doing Life: Notes from a Prison for Women sheds light on her life at the Fluvanna Correctional Center for Women (FCCW) where she was sentenced for the rest of her life for first-degree murder. It is one of the few books that take the reader on a journey of a lifer, from the day of sentencing to the day of hoping to being bunked adjacent to her best friend in the geriatric ward.
The counterweight to the attempt is fear, it dives some to their death and needs to be overcome in order to be free. The author portrays this in society's need to overcome the fear of women in authority despite being against it. The use of failed examples who could not overcome the circumstances and committed suicide . The opposing example is of the character chief who succeeds in his attempt. The Author places importance on this idea through his use of the mental hospital and the fine line the characters walk. The novel sets a tone for the world of mental hospitals that leaves a lasting image and affect the way mentally ill people are perceived. So he success of the novel is driven home in its lasting
In his 2004 City Journal article, Theodore Dalrymple expresses his view on the tremendous decline in the quality of life in Great Britain. He believed that society has accepted the notion that people are not responsible for their own problems. Also, that it is the “moral cowardice of the intellectual and political elites” that perpetuates the social dynamics that are responsible for the continuing decline of British society. According to the author, a physician about to retire after a career treating criminal justice offenders and victims, there are several pervasive misconceptions that explain the continuing decline of British society.
Oliver Sacks presents this passage as a way of comparing two very stressful and manipulative places, a hospital and a prison. He uses various examples of advanced diction, tone and figurative language to compare these situations. Sacks models these areas by connecting to the audience and placing a comparison into the mind of the reader. All of these aspects of the passage add and connect to the connotation and subject of this literary piece.
In conclusion, Timothy Findley displays the theme of madness through written pieces such as ‘Pilgrim,’ Lemonade,’ and ‘Out of the Silence.’ This theme is illustrated through self destruction, the power silence, and one’s desire to escape. Although each piece uniquely written, Timothy Findley generates the theme of madness in many of his novels and short stories and outlines many experiences and practices which have been perceived as ‘madness’. Although ‘madmen’ can be determined as individuals who are of difference to the normal way of functioning, almost all members of a society can be seen as ‘mad’ from time to time.
The book Mary Reilly is the sequel to the famous The Strange Case of Dr. Jekyll and Mr. Hyde. The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, is a stark, ingeniously woven, engaging novel. That tells the disturbing tale of the dual personality of Dr. Jekyll, a physician. A generous and philanthropic man, his is preoccupied with the problems of good and evil and with the possibility of separating them into two distinct personalities. He develops a drug that transforms him into the demonic Mr. Hyde, in whose person he exhausts all the latent evil in his nature. He also creates an antidote that will restore him into his respectable existence as Dr. Jekyll. Gradually, however, the unmitigated evil of his darker self predominates, until finally he performs an atrocious murder. His saner self determines to curtail those alternations of personality, but he discovers that he is losing control over his transformations, that he slips with increasing frequency into the world of evil. Finally, unable to procure one of the ingredients for the mixture of redemption, and on the verge of being discovered, he commits suicide.
... Joe, and Paul Barr. “Call to Action Through Tragedy.” Modern Health Care (2012). Academic Search Complete. Web. 20 Feb. 2015.
While McMurphy tries to bring about equality between the patients and head nurse, she holds onto her self-proclaimed right to exact power over her charges because of her money, education, and, ultimately, sanity. The patients represent the working-class by providing Ratched, the manufacturer, with the “products” from which she profits—their deranged minds. The patients can even be viewed as products themselves after shock therapy treatments and lobotomies leave them without personality. The negative effects of the hospital’s organizational structure are numerous. The men feel worthless, abused, and manipulated, much like the proletariat who endured horrendous working conditions and rarely saw the fruits of their labor during the Industrial Revolution in the United Kingdom and United States in the late eighteenth century and early nineteenth century (“Industrial Revolution” 630).
¬The human condition fundamentally embodies the experience of what is essentially considered vital to ‘being a person’, including not only the physique of a human, but more specially their behaviour and mentality. Due to the immense number of perspectives and variations of ideologies texts can demonstrate, a responder’s comprehension of the human condition can be substantially developed to create a broader understanding of society. These traits are particularly established in Samuel Wagan Watson’s poems itinerant blue (2002) and the finder’s fee (2002), as well as Fyodor’s Dostoevsky’s Crime and Punishment which delve most into mortality, insight and uncertainty respectively. Thus, these texts predominantly examine the psychological aspect of the human condition and mark it as the most significant.
Wherein lies the odd attraction and power of the freakish? Just as often as it introduces us to expressions of common human experience, study in the Humanities also introduces us to the decidedly uncommon--to writers, artists and thinkers who push conventional limits of language and narrative, vision and imagination, memory and history, or logic and rationality. For our Freaks of the Core colloquium, we explored the outer limits of human expression and experience. What, we asked, defines the abnormal or the outlandish? the fanatical or heretical? the illusory or the grotesque? Why are we commonly drawn to the very uncommon? "Nothing, indeed, is more revolting," wrote Thomas De Quincey in his famously freaky Confessions of an English Opium-Eater, "than the spectacle of a human being obtruding on our notice his moral ulcers or scars, and tearing away that 'decent drapery' which time, or indulgence to human frailty, may have drawn over them" (1).[1] But De Quincey chose to tear away that drapery in his Confessions nevertheless, believing that his outlandish experiences with addiction, poverty and illusion would teach his readers valuable lessons that outweighed any offense. "In that hope it is that I have drawn this up," wrote De Quincey, "and that must be my apology for breaking through that delicate and honorable reserve, which, for the most part, restrains us from the public exposure of our own infirmities" (1). The essays below also tear away the "decent drapery" which covers the sometimes unsightly extremes of human experience, and they do so with similar hopes and reasons.
Family and traditions are very important part of our life, it describes who we are along with helping us to have a better perspective of our life. Family traditions are carry on and passed down from generations to generations everywhere all over the world. In "Everyday Use", by Alice Walker, Dee is the daughter of the narrator (Mrs. Johnson) and the sister of Maggie. The character Dee is known as the more fortunate sister, who 's all about looking fashionable and being cool. She’s also the smarter one. Dee views her heritage as something of the past only. Therefore, she recreated a new heritage for herself and rejected her real one. Being the more fortunate sister Dee had the opportunity to go away from
Wendy Davis stated, “I am proud of where I came from, and I am proud of what I 've been able to achieve through hard work and perseverance. And I guarantee you that anyone who tries to say otherwise hasn 't walked a day in my shoes” The short story “Everyday Use” shows the reader how easily it is to forget where you came from, and how easily it can affect your family.
Effectively established a better understanding on how the 21st century impacts the role of women when it comes to caretaking. The article “Families and Elder Care in the Twenty-First Century” by Ann bookman and Delia Kimbrel, explains why work-life balance is so important to the Gen Xers, because there is a large population of the baby boomers that will require caretaking. It is important for originations to understand their employees needs to care for their family member, and provide them with flexibility to do so. Organizations who are reluctant to adapt, will decrease their new hires due to this becoming a motivational need most people will look for, like they look for security today.
This book has many highlights that the author would like to share with the world. First, we hear many ominous and exaggerated stories of consequences that uses pathos appeal to convey emotional feelings that are not necessarily supported by data. For example,
Over a century ago, when Bernard Shaw wrote The Doctor’s Dilemma in 1906, England’s health care was terrifyingly primitive. If one had the misfortune of falling ill during the late nineteenth and early twentieth centuries, essentially, one had the choice of two treatment options. The sufferer could either turn to the local druggist to purchase an expensive patent medicine, of which the ingredients largely comprised of opiates or alcohol and were consequently addictive; or, the patient could visit the equally costly doctor and receive a diagnosis which often led to a treatment involving sharp knives, bleeding, and the prescribing of more addictive drugs. Both treatment options and professions claimed they could cure anything and everything, and save a man from his impending last rites. Bernard Shaw apparently found these claims as quacked as his contemporary audiences as his comedy, The Doctor’s Dilemma, bestows an ironic portrayal of the attempts of the period’s medical professionals’ to play God. This biblical irony which Shaw so wittily scribed could not have been depicted more clearly than through Ken MacDonald’s set design. In particular, MacDonald’s design renditions of Christian symbolism became further pronounced when combined with director Morris Panych’s blocking choices and Shaw’s text.