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Character development introduction
Character development introduction
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Oliver Sacks presents this passage as a way of comparing two very stressful and manipulative places, a hospital and a prison. He uses various examples of advanced diction, tone and figurative language to compare these situations. Sacks models these areas by connecting to the audience and placing a comparison into the mind of the reader. All of these aspects of the passage add and connect to the connotation and subject of this literary piece. Sacks used diction as a way to convey a negative connotation towards hospitals. While he was in the hospital, he constructs the argument by expressing that he had a “… fever and fantastical neurosis…” Although it may simply pass as a positive connotation due to the word fantastical, the author …show more content…
Although the author portrays a bitter tone throughout the text, there are many occasions in which there are multiple tones being used at the same time. For instance, when the author was in the ambulance, he was perceived as having a critical tone. He was criticizing and finding fault in what the paramedics and doctors were doing as he began to lose his feeling of personalization. Diction begins to tie into here as it also reflects onto the tone through complex word choice. Once in the hospital, he began to compare the hospital with prison by using a depressed yet confused tone. He compares them by telling the audience about the infamous Tower of London. Sacks became delirious and was unsure of what was going on. Adding such tone entices the audience though the effect of depersonalization on Sacks. However, after being told about the operation, Sacks’ tone went from constrained to incredulous and unsure. He claims of having “hallucinatory vividness” which ties back to the incredulous tone. This tone adds the suspicion to the hospital because such distinctness is not a normal occurrence. As explained, tone plays a crucial role in exemplifying the negative connotation and subject of the passage by using pathos and feelings of the author to reflect in the
In Etheridge Knight's poem "Hard Rock Returns to Prison from the Hospital for the Criminal Insane," he uses a fictional tale to describe the tyrannical elements of prisons while simultaneously conveying the oppression that those who defy authority face in society. Knight effectively utilizes imagery and analogies (implied or clearly stated) to appeal to the readers senses and draw them into the story (and ultimately the motif).
Ken Kesey incorporates figurative language into his novel, One Flew Over The Cuckoo’s Nest, to illustrate the struggle to overcome the comfort of inaction, that ultimately results in the great benefit of standing up for one’s self. When McMurphy decides to stand up to Nurse Ratched, there is “no fog” (130). Kesey’s metaphor of the fog represents the haze of inaction that hovers over the patients of the ward. With the oppressive Nurse Ratched in charge, the patients are not able to stand up for themselves and are forced to be “sly” to avoid her vicious punishments (166). When the patients avoid confrontation with the Nurse, they are guaranteed safety by hiding in the fog, complaisant with their standing. The fog obscures the patient’s view of the ward and the farther they slip into it, the farther away they drift from reality.
In the book there are four main ideas: Losses, Excesses, Transports, and The World of the Simple. Each of these categories have their own short stories within them. These are actual cases that Oliver Sacks encountered. He encountered a ...
Initially, Mailer used diction through imagery and emotional words to give the reader how the situation felt to him and to describe to the reader the situation. In the passage, emotional words such as “bad maulings”, “three disgusted steps away”, and “referee’s face came a look of woe” pop up. Mailer utilizes these negative emotional words to impose a tone that is solemn towards Paret and a tone that is disdainful towards Griffith. Consequently, the reader’s mood coincides with the tone of the author. For example, the phrase “referee’s face came a look of woe” gives the reader a grievous feeling because of the word “woe”. Another instance where a reader can see this is in the phrase “three disgusted steps away”. Mailer could have just stated “three steps away”, but he wanted to enforce the negative connotation of the story and to show the reader how he had felt. Additionally, imagery is used in...
“Now, at last, Virgil is allowed not to see, allowed to escape from the glaring, confusing world of sight and space, and to return to his own true being, the touch world that has been his home for almost 50 years.” (Sacks, “To See and Not See” (41)
Slavery consisted of numerous inhumane horrors completed to make its victims feel desolated and helpless. Many inescapable of these horrors of slavery are conveyed in the “Narrative of the Life of Frederick Douglass”. The entire prospect of the duration of the story is to plan an escape from the excruciating conditions awaiting Douglass as a slave. When his escape is finally executed, unpredictable emotions and thoughts overwhelm him. Within the conclusion of his narrative (shown in the given passage), Frederick Douglass uses figurative language, diction, and syntax to portray such states of mind he felt after escaping slavery: relief, loneliness, and paranoia.
...start to understand death and not to be afraid of it. Death is the most common fear among people and the author’s goal is to help others accept that death is not a tragedy on the contrary it is to be celebrated. The son’s transformation through this shows his fear of death for himself and his father to peace when the son utters, “I am not afraid for my father/…[and] his not afraid for my life, either,” communicating the idea of death being something that will happen no matter what. Death may be one of the most common fears, but fear will never hurt more than regret for one that does not live their lives to the fullest. “The Hospital Window” fulfills its purpose of helping others start to understand death in a superb way.
The author’s purpose is to also allow the audience to understand the way the guards and superintendent felt towards the prisoners. We see this when the superintendent is upset because the execution is running late, and says, “For God’s sake hurry up, Francis.” And “The man ought to have been dead by this time.” This allows the reader to see the disrespect the authority has towards the prisoners.
In the poem “Alzheimer’s” by Kelly Cherry, the author puts a lot of emphasis on the tone of the poem. This aspect of the poem seems to be very important considering that it changes as the poem continues until the end. The change in tone is very clear from the beginning to the last few words.
With both hands resting lightly on the table to each side of his white foam cup, Otis stared into its deep abyss of emptiness with his head bowed as if willing it to fill again, giving him a reason to enjoy the shelter that the indoors provided. I could almost touch the conflict going on inside of him, a battle of wills as if he was negotiating with an imaginary devil on one shoulder and an angel on the other. I sensed a cramp of discomfort seizing his insides, compelling him to flee, then a silent resolve, as if a moment of clarity had graced his consciousness.
Emotions elicited through context of present situations give the reader a way to connect with the novel and its characters. Through this, one is able to sympathize with more than one character. While the main party being observed, and therefore sympathized with, is Mr. Harding, one also sympathizes with the bedesmen of the hospital who have been deprives of what is theirs. This deprivation of funds is based on the argument that “in bad times the poor men had had their due, and therefore in good times could expect no more” (Trollope 40). This argument against the bedesmen receiving more than
Initially, the diction that the author uses is fairly serious. He begins to overthink his surgery to the point of utter nonsense and throws himself fully into an anxious state of dread. He develops a picture of his surroundings for the readers. Specifically the hospital by referring to it as the “tower of london”; a well known place of torture and by referring to the stretcher as a “tumbril”. In the Passage
The ramification of this was that the scientific dominance of psychiatry was able to use more ‘humane’ methods, including drugs and shock therapy to help rehabilitate its patients. This is seen in one of the more harrowing moments of the film whereby McMurphy reveals shock treatment and Forman has Nicholson physically retch and jerk his body around on a bed whilst loud, synthetic music is played over the top. The doctors and nurses in this scene are shown to restrain Nicholson as his fit intensifies. This sets up the vital idea that those who are in a position of power do not simply remain unaware of the torment this supposedly humane treatment has on its patients but also restrain those who do not conform and try by every means to make them adhere to what is socially accepted. The sustained link in western civilisations between delinquency and madness is illustrated by McMurphy’s relocation from the “Pendleton Farm for Correction” (Forman) to the asylum. This allocation is a transition through the blurred border between where felons are imprisoned and transformed to where the psychologically unstable are also transformed. Reason and Law stick together to punish those who demonstrate: “…outbreaks of passion that suggest the possible diagnosis of psychopath…” (Kesey 46) Those individuals who “…fight and fuck too much…” are reprimanded for their anti-social
Similarly, another way that Masters uses tone to illustrate the central idea of this physician’s life is through the following quote. “And no on comes to you but the poor. / And you find too late that being a doctor / Is just a way of making a living.” This quote uses apprehensive tone to show that something uneasy or fearful is about to happen to Dr.
Madeleine Roux uses tone to set the mood in her novel Asylum. The tone of a book affects how you perceive the outcome at the end, so fitting the plot to the right type of tone can make a book either fail, or thrive. One of the many tones in Asylum that are displayed in the book and the one that I will be defining is ominousness. The first example is stated here “Dan had never imagined that a building could look threatening...”(Roux, 12) When Dan had first arrived at Brookline, he had an off feeling in his stomach and wanted to turn back. The plot later revealed that his first predictions were correct. A better example is when “... he opened the top desk drawer… film paper… man staring up at him… where the eyes had been… someone had scratched