Essay On One Flew Over The Cuckoo's Nest

Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal

Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"

At first glance, a reader may wonder how Ken Kesey’s novel One Flew over the Cuckoo’s Nest, a book depicting a group of mentally unstable men and their boisterous Irish-American leader, connects with the economic and sociological view of Marxism. The novel, which takes place in an Oregon psychiatric hospital, centers around the conflict between manipulative Nurse Ratched and her patients. Randle McMurphy, a transfer from Pendleton Work Farm, becomes a champion for the men’s cause as he sets out to overthrow the dictator-like nurse. Initially, the reader may doubt the economic implications of the novel. Yet, if one looks closer at the numerous textual references to power, production, and profit, he or she will begin to interpret Cuckoo’s Nest in a

While McMurphy tries to bring about equality between the patients and head nurse, she holds onto her self-proclaimed right to exact power over her charges because of her money, education, and, ultimately, sanity. The patients represent the working-class by providing Ratched, the manufacturer, with the “products” from which she profits—their deranged minds. The patients can even be viewed as products themselves after shock therapy treatments and lobotomies leave them without personality. The negative effects of the hospital’s organizational structure are numerous. The men feel worthless, abused, and manipulated, much like the proletariat who endured horrendous working conditions and rarely saw the fruits of their labor during the Industrial Revolution in the United Kingdom and United States in the late eighteenth century and early nineteenth century (“Industrial Revolution” 630). Perhaps the most conspicuous example of the hospital environment’s detrimental impact is Billy Bibbit’s suicide after Nurse Ratched threatens to tell his mother about his night with Candy, the prostitute McMurphy brings onto the ward (Kesey 302-304). While this event can be interpreted as merely a tragedy between a manipulative nurse and an overwrought patient, it can also be interpreted as a representation of the harm that can result from an economy that encourages