Symbolism in One Flew Over The Cuckoo's Nest
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
Popular culture supplies the music which is used as a recurring theme in the novel. McMurphy dislikes the tape playing in the day room because it represents how the ward is run routinely and without change. McMurphy also uses music to obtain good relations with the patients. On his first morning in the hospital, McMurphy is heard singing several verses of "The Wagoner's Lad": "Hard livin's my pleasure, my money's my o-o-own, an' them that don't like me, they can leave me alone" (Kesey 93 ). In this scene, he sings to express his good spirits (Twayne). Later, in the hall, as one of the aides goes to talk to the angry Big Nurse, McMurphy whistles, with an illusion to the Globetrotters, "Sweet Georgia Brown" as " an amusing accompaniment to the aide's evasive shuffle" (Sherwood 399). After shocking Nurse Ratched with his whale shorts, he accompanies her retreat to the Nurses' Station with the song "The Roving Gambler" to establish his style, define his character, and show his indifference to policy: "She took me to her parlor, and coooo-ooled me with her fan'- I can hear the whack as he slaps his bare belly - whispered low in her mamma's ear, I lu-uhvve that gamblin' man" (Kesey 97).
The cartoon symbolism demonstrated in One Flew Over The Cuckoo's Nest helps create dynamic features and traits in each character. Bromden indicates early that the ward is "Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys..."( 31). Technicians in the hospital speak with voices that "are forced and too quick on the comeback to be real talk - more like cartoon comedy speech" (33). Kesey chooses to describe some of his characters as symbolic caricatures, and others as stock figures who outgrow their black outlines (Twayne). The Big Nurse remains a cartoon villain, funny in her excessive frustration and hateful in her manipulations towards the patients.
In Ken Kesey’s, One Flew Over the Cuckoo’s Nest there are many recurring motifs and images. One very prominent motif is laughter. Following the motif of laughter throughout the novel, it is mostly associated with McMurphy and power/control. McMurphy teaches the patients how to laugh again and with the laughter the combine loses control and the patients gain their power back.
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
Kunz, Don. Symbolization in Kesey's One Flew Over the Cuckoo's Nest. A Casebook on Ken Kesey's One Flew Over the Cuckoo's Nest. Ed. George J. Searles. Albuquerque: University of New Mexico Press. 1989.
Ken Kesey incorporates figurative language into his novel, One Flew Over The Cuckoo’s Nest, to illustrate the struggle to overcome the comfort of inaction, that ultimately results in the great benefit of standing up for one’s self. When McMurphy decides to stand up to Nurse Ratched, there is “no fog” (130). Kesey’s metaphor of the fog represents the haze of inaction that hovers over the patients of the ward. With the oppressive Nurse Ratched in charge, the patients are not able to stand up for themselves and are forced to be “sly” to avoid her vicious punishments (166). When the patients avoid confrontation with the Nurse, they are guaranteed safety by hiding in the fog, complaisant with their standing. The fog obscures the patient’s view of the ward and the farther they slip into it, the farther away they drift from reality.
Investigating How the Concentration of Hydrochloric Acid Affects the Speed of the Reaction with Marble Chips
Semino, Elena and Kate Swindlehurst. "Metaphor and mind style in Ken Kesey's One Flew Over the Cuckoo's Nest." Style 30 (1996): 143-67.
In the novel, Kesey suggests that a healthy expression of sexuality is a key component of sanity and that repression of sexuality leads directly to insanity. For example; by treating him like an infant and not allowing him to develop sexually, Billy Bibbet's mother causes him to lose his sanity. Missing from the halls of the mental hospital are healthy, natural expression of sexuality between two people. Perverted sexual expressions are said to take place in the ward; for example; Bromden describes the aides as "black boys in white suites committing sex acts in the hall" (p.9). The aides engage in illicit "sex acts" that nobody witnesses, and on several occasions it is suggested that they rape the patients, such as Taber. Nurse Ratched implicitly permits this to happen, symbolized by the jar of Vaseline she leaves the aides. This shows how she condones the sexual violation of the patients, because she gains control from their oppression. McMurphy's sanity is symbolized by his bold and open insertion of sexuality which gives him great confidence and individuality. This stands in contrast to what Kesey implies, ironically and tragically, represents the institution.
McMurphy is an individual who is challenging and rebelling against the system's rules and practices. He eventually teaches this practice of rebellion to the other patients who begin to realize that their lives are being controlled unfairly by the mental institution. When McMurphy first arrives at the institution, all of the other patients are afraid to express their thoughts to the Big Nurse. They are afraid to exercise their thoughts freely, and they believe that the Big Nurse will punish them if they question her authority. One patient, Harding, says, "All of us in here are rabbits of varying ages and degrees...We need a good strong wolf like the nurse to teach us our place" (Kesey 62).
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...sage against conformity, it is only fitting that this novel’s significance be challenged. One Flew Over the Cuckoo’s Nest strikes a balance between amusing and admonishing examples creates its indisputable literary merit. Ken Kesey’s commentary on the perception of insanity is not only a story, but also a symbol for the beauty in being unconventional.
...s a time where the people were not afraid to uproar against controlling institutions. During this time period, a common hatred against conformity was shared throughout the public- these people were later to be known as beatniks ("Beatniks and Hippies"). Kesey himself being considered one of these “hippies” tries to portray his radical views through the character McMurphy. He represents the leader of the psychiatric ward, and has the ability to actually see the corruption occurring in the institution. He seeks to rally up the other patients through rebellious acts in order to break free of their oppression of Nurse Ratched (Kesey). Kesey is able to incorporate the anti-conformists ideology through McMurphys’ rebellious nature in the mental ward, and therefore is able to truly capture the anti-materialistic and anti-government tone of the time period of the 1960’s.
Kesey, Ken. One Flew over the Cuckoo's Nest. Ed. John Clark Pratt. New York: Viking-Penguin, 1996. Print. Viking Critical Library.
Greece culture is main compose of religion, music, language, food, traditions, art work, and wine. Greece is a country with an extremely rich history throughout centuries from Stone and Bronze Age to the Twentieth century. In addition, has lots of information about other historical facts such as Olympic Games, flags, archaeological sites, historical monuments and Unesco Sites in Greece.
For most of it’s history, ancient Greece was composed of small city-states, that had little economic opportunity and prosperity, and could barely sustain a functioning government. Additionally, many Greek people were not confined to one region, and were spread out all across the western world(Ionian-Greeks, Mycenaeans). In spite of this, many city-states and Greek people had a great sense of identity, pride and communality. The binding force between these unrelated city-states was the belief in Hellenic culture/Greek customs. All Greeks believed in Hellenism, and it is one of the things that defined them as Greeks. In small Greek communities and City-states, Greek customs were the biggest legislative force. The most notable Greek city-states
The thing the Greeks are best known for, is their gods, and stories about them. The stories explained how things became. For instance, one story said that before the earth was made, there was a fight between a god, and a giant. The god killed the giant, and the parts of the giant became the earth. His teeth became the rocks, and his hair became the grass. His hands and feet became mountains, and his toes and fingers became trees.