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Ballroom analysis essay
Ballroom analysis essay
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Scott is displayed as the “untypical hero” in the film Strictly Ballroom as his passion and strong urge to dance his own steps outweigh the urge to win. However in order to do so Scott needs to change his attitude so that can fully understand the meaning of dance. This will be discussed with reference to Strictly Ballroom
In the beginning of the film we get the sense of arrogance and pride from Scott. He is the typical ballroom dancer with perfect posture and steps, but the audience see that this is not exactly true. When Scott and his partner Lizz are boxed in during their Latin number Scott takes this opportunity to show off his own steps, the low angle used in this scene gives him the image of being inferior and powerful. The camera is
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not very clear and moves quite a lot it’s a very free movement quite like the steps Scott is doing. Scott however is later shut down when he does not win, but the lose does not stop him from wanting to dance his own steps although he has to face a lot of disappointed and angry people before he can do so. Scott still has a lot to learn though and there are a few key scenes in which you can see the changes occurring Scott is quite surprised when Fran suggests that the two of them partner up he is quite rude about it as he does not believe that an amateur has what it takes to dance with a champion like himself Fran is portrayed as the “ugly duckling” in this scene wearing a shade of pastel pink which portrays her lack of self-confidence. He accepts after she calls him a “gutless wonder” who has no courage to let her be his partner. In the next few scenes Scott and Fran continue to practice in secret a lot of colours like blue and orange are used in these scenes which give us the feeling of passion and heat and possibly a deeper relationship forming between the two dancers. The director makes use of a lot of medium shots in these scenes to set the scene. We see that Scott’s attitude is slowly changing Scott is put in a tough position when he is given the opportunity to dance with Tina Sparkle.
As much as he wants to dance his own steps the idea of dancing with Tina is tempting and he stands a great chance winning. He is still very hesitant on what he wants. There is a close up shot of his face in this scene and we see that by his reaction after watching Fran he knows what he wants to do. The couple dance behind stage to the song “perhaps” which is perfect for the situation. There is a type of red lightning on the two which indicates a sense of passion and emotion.
When Scott goes after Fran to her house and is asked to dance he does not understand why he is made a joke and what the problem is he later learns from Yaya to “listen to the Rhythm”. He learns that dancing from the heart makes it more meaningful and we see a sense of happiness in him.
At the end of the film when he finally gets to dance with Fran we see that Scott feels free and does not feel he needs to listen to what people tell him. When he comes on to the dance floor the camera moves in slow motion and at an eye level portraying his bravery. The gold jacket he has on portraying success. He does not win but gains something much more important his own self-worth and the chance to dance his on
steps.
The dancers did not seem defeated, but slightly emotionally disconnected. I felt like this signified the exhaustion that comes while waiting for the rain. There were several positions that were held in the first part of the dance. I also noticed that flicking motions were a motif in the dance, whether that be from their wrists or their ankles. Morgan Moore first showed this motif as she held her leg up in a tilted position and stared down at the sheet below her. She began to flick her wrists which not only reminded me of one who is flicking the rain off their fingertips, but it looked like a begging
"This critical circle is not close enough to the stage to see the actors' faces and catch the subtler by play" (Fitzgerald 1). The metaphor of the Dance sets up a critical underlying theme of the story.
own dance. He then remembers the blood on the dance floor and leaves soon after. In the wake
gave the mic back to the DJ, who turned the music up. But since KayDe, Kelley, and their friends had always danced that way to hip-hop music, they couldn't believe Mr. Bennett would carry out his threat—so they kept on freak-dancing.
...ht because “she could no longer kick as high or move as fast as she might have wished” (129). Not only her ability to dance, Martha had to overcome with “the dying of old companions and collaborators” (134), for best dances leave her company to advance their independent career. She often mourned for her declining power, which was not inspected at all. However, she didn’t give up at any moment. She nurtured her aptitudes, which are desperate effort and choreographing skills. Since Martha “was still a brilliant choreographer, an inspiring teacher, a great actress”, she became an active head of her company again. Even though Martha unwillingly retired in 1916, she remained as a luminous, marvelous dancer in the world. During Martha’s interview, she had added her thought by saying, “without dancing, I wished to die” (137). It shows how dance was significant in her life.
Another scene that depicts the way some view of breakdancing and hip hop is when James has a party and he invites Ozone and Turbo, as well as Kelly. There are a lot of wealthy people there and when they see the two males from the trio, the looks on their faces turn into those of shock. Kelly’s former dance coach is also at this party, and when he finds out the grou...
How the film techniques used by Baz Luhrman to influence the portrayal and development of characters in the film Strictly Ballroom?
Belonging to the world of ballroom dancing involves conforming to the use of extravagantly coloured cloths that is worn. Throughout the film different characters present the viewers with the extremity of their costumes even off the dance floor. Scott dances by himself in simple black trousers and a white shirt, which is a distinct contrast. Similarly Doug hasting is also always in standard clothing throughout the movie. While we never view Doug dancing for an audience, outside of the dream sequence, he is dressed in plain and tired outfits. Both Doug and Scott dance without the costumes tell the audience that they belong not to the society which has become “Ballroom Dancing” but to the idea that dance is ones ability to be themselves.
Kellie and Derek’s portrayal of a high energy, fast paced, roaring 20’s number was complete with a black and white intro and a live jazz band suppling the music. The physically and technically challenging quickstep is defined as “a lively step or combination of steps in ballroom dancing” (quickstep). Judge Len Goodmen gave the duo some advice before preforming live on how to properly execute a quickstep, “you’re are a couple of magnets and
Take the Lead is a great movie, and although it does stereotype the idea that lower class children are not interested in ballroom dance, it does a great job of showing the power or dance, and how dance is more than something people do for fun, but that people and cultures can be brought closer through dance.
He is regarded as a leader and one of the greatest dancers and choreographers of our time. Similar to Cage, his life partner, produced very radical innovations, which included the relationship of dance and music. They both concluded that they both dance and music should be created independently (Merce Cunningham Trust). They both produced works that relied on chance rather than choice. The composition of Cunningham’s dances disregarded the conventional means of their structure, such as a cause and effect type of situation. The subject of his dances seemed to be the dance itself, rather than any subjective storytelling within them. A quote from Cunningham explains his position on freedom vs. control. “...OUR ECSTASY IN DANCE COMES FROM THE POSSIBLE GIFT OF FREEDOM… WHAT IS MEANT IS NOT LICENSE, BUT FREEDOM..."(Merce Cunningham Trust). Having more emphasis on freedom, Cunningham’s dances were free-flowing and expressive. However, he overcame the struggle of maintaining a balance between purposeful actions and meaninglessness. His dances incorporated all body movements as a part of dance, accidental or not. Improvisation was also a technique in which he supported. This allowed himself and his dancers to perform movements with and without
Allison Bonetti, a dancer in the performance, is quoted, remarking, “I feel dizzy every time we complete the Waltz section, but I don’t feel dirty or scandalous, as I would after, say I maybe danced in a club. I think I speak for many of us when I say that the Waltz feels like a dance my grandmother would do.” In fact, the performance is misleading seeing as it is paired with very formal and controlled dances such as the Pavane and the minuet. In fact, modern historians such as Mark Knowles have compared the Waltz to social hip hop dances of today such as “krumping and grinding” since through the ages social dances have been “manifestations of society’s beliefs, values, attitudes, confusions, and concerns.” If the performance was to correctly convey this notion, it would have beneficial to place the nineteenth century Waltz in the second half of the performance, along with dances like the Quan and the Whip. However, in order to maintain chronological accuracy, the Waltz was placed in the beginning of the performance, overall failing to reveal the true nature of the nineteenth century
Burke, Siobhan. “Who Needs the Drama?” Dance Magazine – If It's Happening in the World of
Dancing is a tremendously difficult task. That is why all dancers must have a mind mentally
The main message behind the Cinderella fairytale is that you should always stand up for what you believe in and never stop fulfilling your dream because the main title role Cinderella never gave up even after being enslaved by her stepmother for many years. These same characteristics are also shown in Strictly Ballroom because Scott continues to follow his dream which is to dance his own steps at the all-important Pan-Pacific Grand Prix Dancing Championship. Even though he was told numbers of times by his family and friends that he has to stick to strictly ballroom dance steps. However, both films have a character that guide them in the right path to accomplish there fantasy. For Cinderella, her fairy godmother comes into the film when Cinderella