Reality Television and the Dance World

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A great deal of the world possesses a vague sense of the existence of the dance world, but they do not know much past that. The assistance of reality television shows, such as Dance Moms, So You Think You Can Dance, and Dancing with the Stars, present the inner workings of the dance community to the general public. Unfortunately, the publicity can change how society perceives the dance world. Reality television affected the dance world by contributing an air of commercialism to it, influencing younger dancers to suppose the main focus should be in the eye-popping tricks rather than artistry, and it drives audiences focus on the glitzy costumes and dazzling on stage performances rather than exhibit the sweat, blood, and tears that go into putting together the final product.
Reality television provides the dance world with a negative connotation because it supplements an air of commercialism. Choreographers may undergo a need to “water down” their routines to entertain the audience so they would understand. “I definitely always go for creative and artistic-but I’m very much aware of our audience, too, so I don’t go to the point where it’s just so internal that they wouldn’t get it,” stated Mia Michaels, a choreographer on So You Think You Can Dance, (The Real Deal N.P). The dancers and choreographers must remember that it is not a concert dance venue; their obligation makes it so the audience is able to relate to the performance. Michaels went on to say, “We’re spoon feeding people who don’t dance. Give them too much all at once, they won’t get it,” (The Real Deal N.P). Commercialism has also affected how the dancers portray themselves. Sure the audience wants to watch a passionate dancer, but “the portrait of a dancer that emerg...

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... always think about how their dances would look from all angles rather than just from head on; creating a challenge and learning experience for those choreographers. As Wade Robson, who headed up one of the first dance competition shows, “The Wade Robson Project,” states, “ What comes along with good opportunities for choreographers in big prime-time situations is a responsibility to fight to keep the integrity in the work,” (The Real Deal N.P).

Works Cited

Burke, Siobhan. “Who Needs the Drama?” Dance Magazine – If It's Happening in the World of
Dance, It's Happening in Dance Magazine. Dance Media, July 2013. Web. 31 Mar. 2014.
Macel, Emily. “For Real?.” Dance Magazine – If It's Happening in the World of Dance, It's Happening in Dance Magazine. Dance Media, Sept. 2008. Web. 31 Mar. 2014.
“The Real Deal.” Dance Spirit. Dance Media, 10 Nov. 2008. Web. 25 Mar. 2014.

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