Reality programs have dominated television networks since their rise in popularity began in the early 1990s with MTV’s The Real World. The reality genre quickly gained viewership as it redefined the formulaic set up of televisions shows from the past. Reality television has infiltrated television because networks prefer low budgets for their programs that also generate high ratings (Hasinoff, 2008). People watch reality shows because they are intrigued by the seemingly “real” drama with ordinary people as characters (Dubrofsky, 2006). Now at its peak of growth, reality television evokes ideas of social order and cultural norms to its audiences, while perpetuating racial stereotypes in society (Mendible, 2004). My purpose of the review of literature is to examine and analyze reality television’s influence on people’s perceptions of African American stereotypes.
Reality Television
Reality based television has a broad landscape ranging from competitive game-like shows to programs following the daily lives of a group of people. Every major network now has some form of reality programming because the genre’s shows are high in viewership and require low costs for production. The genre is appealing to viewers because it provides them with a first-hand look into the lives of everyday people, which allows them to observe social behavior that helps them determine what is appropriate or not (Tyree, 2011, p. 397). Since the majority of modern reality stars start out as unknowns, frequent viewers of reality programming believed that fame is obtainable if they appear on a popular show (Mendible, 2004). According to Mendible’s evaluation of the genre in the article Humiliation, Subjectivity, and Reality TV, people enjoy reality programs beca...
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...evision and other forms of mass media.
References
Bell-Jordan, K. E. (2008). Black, white and a survivor of the real world: Constructions of race on reality tv. Critical Studies in Media Communication, 25, 353-372
Boylorn, R. M. (2008). As seen on tv: An autoethnographic reflection on race and reality television. Critical Studies in Media Communication, 25 (4), 413-433.
Dubrofsky, R. (2006). Whiteness in the harem. Crticial Studies in Media Communication, 23 (1), 39-56.
Hasinoff, A.A. (2008). Fashioning race for the free market on america’s next top model. Critical Studies in Media Communication, 25 (3), 324-343.
Mendible, M. (2004). Humiliation, subjectivity, and reality tv. Feminist Media Studies, 4 (3), 394-413.
Tyree, T. (2011). African american stereotypes in reality television. Howard Journal of Communications, 22 (4), 394-413.
helping. Television is making the shows out to seem like one race is better than another. For
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
There are many, many forces — physical, historical, cultural, and political — that shape and constrict the life chances of black males in the U.S. Some of these are longstanding legacies that may take generations to shift. But in other ways, the social, economic, and symbolic place of African-American men and boys is recreated and reinforced every day. In particular, public perceptions and attitudes toward black males not only help to create barriers to advancement within this society, but also make that position seem natural or inevitable. Among the most important mechanisms for maintaining (or changing) these perceptions are the mass media with their significant power to shape popular ideas and attitudes.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Besides, in cultivation theory, George Gerbner proposes that heavy users of media treat the content of media as a primary source to perceive the world and assert what they see in media is very similar to the reality (Bryant, Thompson and Finklea, 2013), so there is a high possibility that audience will bring the perception of stereotyped portrayals of African-American from media into the real world. Based on the above unhealthy situations, this paper is going to illustrate how the racial stereotypes in media negatively affect people’s perception, attitude and behavior toward African American in the reality....
Henderson, Jennifer Jacobs; Baldasty, Gerald J. 2003 “Race, advertising, and prime-time television” Howard Journal of Communications 2(14): 97-112.
Stereotypes strongly influence how people interact, communicate, and establish relationships with others around them (Fries-Britt and Griffin 2007). In mainstream America, black women are often stereotypically portrayed as sex workers, welfare queens, blue-collar service workers, video vixens, and entertainers (Collins 2004). Within these stereotypical depictions, black women are viewed as loud, angry, ghetto, hypersexual, and sometimes violent (Chavous et al. 2004; Childs 2005; Collins 2004; Nguyen & Anthony 2014; Wilkins 2012). In contrast, positive stereotypes of black women showcase them as strong, independent, resilient, loyal to their families and romantic partners, and responsible for sustaining the African American family. These images promote constructive illustrations of black women even though popularized images negatively portray black women (Chavous et al. 2004; Settles 2006; Wilkins 2012). These stereotypes of black women describe positive characteristics that many black women tend to ascribe to and attain. I argue that even though these stereotypes may yield positive behaviors from black women, they are still considered stereotypes because the majority will utilize these stereotypes to negatively categorize black women. In the words of Pat Hill Collins (2004: 263), “African American women’s race and gender classification disadvantages them”. Thus, these
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
According to Poverty & Prejudice: Media and Race, co-authored by Yurii Horton, Raagen Price, and Eric Brown, the media sets the tone for the morals, values and images of our culture. Many whites in American society, some of whom have never encoun...
We, the audience, are entertained and interested by the interviews, the balls and the featured persons. bell hooks sees audience enjoyment as exploitative and says, "...It is this current trend in producing colorful ethnicity for the white consumer appet...
For as long as I could remember plenty of races are being stereotyped, but African Americans are one of the most frequent racial groups stereotyped against. African Americans have been portrayed on television and other forms of media unfairly and unrealistically. Movies and TV shows have played a major role in stereotyping African Americans, mostly reflecting them as being less intelligent, more vulgar, poor, uneducated, and more violent than other ethnic groups. African Americans have been perceived to be someone they are not in the media, history, and in everyday life. Although some stereotype portrayals made about Africans Americans may have some truth to them many on the other hand are harmful and inaccurate. Africans Americans are mainly in the spotlight of the news, when involved in crimes. When an African American becomes successful they are glorified, and seen as the person who made it and got out the “hood”, as if all black people are poor and living in rundown neighborhoods. Television networks depict whites as the perfect family with no problems and blacks with a household with only one parent and a long list of problems. Many African Americans believed that in order to be successful in the media industry they had to portray themselves as being idiotic and lazy. African Americans are mainly portrayed in the media as a pleasing aspect. Rather than focusing on the positive and good side to African Americans, the media would rather on the negatives. One of the main reasons why it is so easy to target an African American is because; it is so much harder to point the finger at a more dominant power ethnic group, Caucasians. I think this alone tells us a lot about where our society is and that racism still does exist.
“The media serve as a tool that people use to define, measure, and understand American society” (Deo et al., 149). Thinking of the media as a tool for the American people also extends into the realm of race and ethnicity. The United States has had a long and difficult history pertaining to the racial and ethnic identities of the many different people that reside within and outside of it’s borders. That history is still being created and this country still struggles with many of the same problems that have plagued this area since before the founding of the U.S. As stated above, the popular media has a large impact on the way that race and ethnicity are understood by people, especially when considering the prevalence of segregation in the U.S.
Reality Television has changed television in a way that no one could have imagined. Being the one of the most talked about genre in history, it is seen by millions of viewers. It has more ratings than any other kind of show (Breyer 16). From its start, there have been many Reality Television shows. Shows like The Real World, Survivor, Big Brother, and Jersey Shore. All of these give off a negative portrayal of reality. While Americans watch these shows, it seems that the show is real life, but in reality, no pun intended, before the show is even filmed, it’s written, edited, and produced (Breyer 21). Writers humiliate and degrade people just for the plot of the show, making their private lives public (Breyer 16).
Ethnicity and appearance has become a tremendous problem in the media due to the fact that they try to use it as a power to control creativity of abstaining the truth in media. According to journalist Nishijima, A, she refers to the Oscars and explains that it is very absurd how the media is slowly progression in lacking diversity. This was recognized when watching the Oscars and seeing that based off predominantly white nominees. Nishijima quotes “Boone Isaacs decl...
Barton, K., & Raney, A. A. (2002, August). Disposition and ethnicity in competition-based reality television programming: An examination of the effects on viewer enjoyment. Presented at the annual meeting of the Association for Education in Journalism and Mass Communication, Miami, FL.