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Essay about the history of dance
History of dance
Essay about the history of dance
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Renowned choreographer Alonzo King is the Balanchine of a new style of dance, his style of dance, a style shying away from the expected and catapulting its audience into a state of wonderment. Alonzo King uses sharp lines intertwined with severe movements all engaging a classical technique in order to create movements, unseen to the dance world. King’s impressive résumé includes having trained with a number of world-renowned ballet companies, and setting works on an even more substantial number of companies, along with establishing his own celebrated company: Alonzo King’s LINES Ballet in San Francisco, California.
Alonzo King began dancing at a young age in Santa Barbara, California. He continued his training in New York at the Harkness School of Ballet, Alvin Ailey Dance School, and then the American Ballet Theatre School and School of American Ballet as a scholarship student. After his training he apprenticed at the Alvin Ailey American Dance Theatre and performed with a number of companies, many of which were from Europe. Shortly after, he returned to California where he began his LINES Ballet Company in San Francisco, California. King introduced his first season in 1982 by reviving a piece “Maya”, which he originally choreographed and set on the South Coast Contemporary Dance Theatre. From that point on, the company continued its growth and creation of a fresh spin on an incredibly old technique.
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
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...ce, or to better sum it up: “Alonzo King's choreography is a call to the spirit, and also an intimate form of listening for the spirit's response” (Linesballet.org).
Works Cited
Asantewaa, Eva Yaa. "Alonzo King LINES Ballet." Dance Magazine. 08 May 2012: n. page. Web. 18 Feb. 2014. .
Jensen, Jill Nunes. "Transcending Gender in Ballet’s LINES." When Men Dance: Choreographing Masculinities Across Borders (2009): 118.
Keen, Laurel. E-mail Interview. Feb 2009.
“Alonzo King: Dancing with the Moon” 2008. The Pew Center for Arts and Heritage. 10 Feb 2014 .
“Repertoire.” Alonzo King’s LINES Ballet. LINES Ballet. 10 Feb 2014 .
Ulrich, Allan. “The King of Lines.” Dance Magazine. Ed. Allan Ulrich. November 2007. Macfadden Performing Arts Media LLC. 9 Feb 2014 .
Haskins, James. "Geoffrey Holder and Carmen De Lavallade." Black Dance in America. N.p.: n.p., 1990. 130-37. Print.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
When José Limón began to choreograph his own pieces, he brought to his work all the abandon of a twenty-year old trying to find out what his body could and could not do. It was a raw style that came quite simply out of the process of his own discovery of dance, before he learned the technical “craft” of dancing; that is, before he learned how to point his feet or straighten his legs in the air. He threw himself into everything he did, without worrying about his balance, shape, or what dancing was supposed to look like - and audiences were enchanted
One of the first concerts ever produced by his company was titled Blues Suite, which was a well-received depiction of poverty in the deep south set to a soundtrack of blues music. This concert was an integral part in defining Alvin Ailey’s choreography technique, which is loosely based on the technique associated in ballet with strong legs and feet, while still maintaining a more evocative, modern-style torso. However, the most critical element that determined the specific style of each piece was solely dependent on the story he wanted to tell. Revelations was a magnificent showcase of storytelling that quickly became Alvin’s signature dance concert. He drew inspiration for this piece from his memories as a child growing up in the south. According to the Dance Heritage Coalition, the concert, which has been viewed by twenty-three million people worldwide, featured the sounds of negro spirituals and gospel music with depictions of common worship rituals including baptism in Wade in the Water, the sacred act of taking communion in I Wanna Be Ready, and prayer in I’ve Been Buked (1). Additionally, Alvin also focused a great deal of his energy into creating a dramatic atmosphere for his dancers to perform in. He had a very strong creative influence in
As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an extremely talented dancer and choreographer, Ailey’s success is attributed to his dedication and passion for expression through dance, but what is often overlooked is his resilience to the hardships he faced, the mentors he had, and the opportunities
Ross, Janice. “Judson Dance Theatre: Performative Traces.” TDR: The Drama Review 53, no. 2 (2009): 161-164
7.Jerome Robbins started his dancing career when he majored in chemistry in his college days. He went to American Ballet Theatre when he graduated from the university. He was always pursuing to introduce traditional ballet into Broadway. For years’ hard work, Robbins successfully produced a lot of dramas to the public and made huge success. He was featured by giving young actors pressures of producing dramas by themselves and mixed classical musicals with modern dancing.
This writer’s brother danced for 16 years and he mostly did ballet. One time when he was practicing for a show he lifted his partner and she twisted wrong and he got a hernia in his groin area. He danced on it for the longe...
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
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