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Analyze Cinderella story
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The main message behind the Cinderella fairytale is that you should always stand up for what you believe in and never stop fulfilling your dream because the main title role Cinderella never gave up even after being enslaved by her stepmother for many years. These same characteristics are also shown in Strictly Ballroom because Scott continues to follow his dream which is to dance his own steps at the all-important Pan-Pacific Grand Prix Dancing Championship. Even though he was told numbers of times by his family and friends that he has to stick to strictly ballroom dance steps. However, both films have a character that guide them in the right path to accomplish there fantasy. For Cinderella, her fairy godmother comes into the film when Cinderella
is at her lowest point but her godmother makes all of her wishes come true by using the three magic words “Bibbidi Bobbidi Boo,” Even though Frans grandmother doesn’t have powers she does build up both Fran and Scott’s confidence by making them dance the Paso Doble the right way. The evil step-mother is like Shirley in Strictly Ballroom. The step-mother makes Cinderella a sort of “slave” and tells her she cannot go to the Ball and Shirley makes Fran wash up around the dance studio and tells her she cannot dance at the Pan Pacific's. Both stories are a classic example of a stereotypical love story, which makes Strictly Ballroom more believable because it happens in most fairytale-type films. The meaning behind their romance becomes more clear from the implicit allusion to Cinderella because the viewers apply their pre-conceived ideas of the unlikely romance of people from two different social classes, to Fran and Scott's relationship. Fran breaks free of the thoughts of people and the labels they gave her, just like Cinderella does. Fran is told that she cannot dance with Scott and is portrayed as ugly and an amateur, but in the end, she defies all those things and becomes who she truly is. Cinderella breaks free of her label as a “slave” and “unworthy” when she goes to the Ball and marries the Prince, even when she was told that she couldn’t. Meaning Created: This reinforces what we associate with dance. In the two movies, dance brings the two couples together, but it is also what brings the families of the couples and the crowd together.
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
The forward-tracking movement as used in Ernie's restaurant suggests the forward-tracking shot that is used throughout the film to show Madeleine has an allure for Scottie. Ernie's scene evokes the backward-tracking shot used throughout the film to show how Scottie is bonded to his object of desire. Together they bring out the character that an individual is playing in the film. The camera movement in Ernie’s Restaurant brings out forward and backward tracks that defines the point-of-view structure, but here the camera movement does not straight forwardly articulate a point of view. Instead, the camera is self-consciously sets up to show the relationship between the elements of the point-of-view structure that the rest of the film enacts.
A young girl is forced to live with her step-mother and step-sisters after her father and mother die. She becomes the maid of the family, tending to their every need. Eventually there is a ball; she acquires a fairy Godmother, goes to the ball, falls in love with the prince, blah blah blah. All you really need to know is that she has a happy ending. A happy ending. No matter how much suffering she went through in her early years, at the end, it all came together and she had no more worries. And this is the problem. Cinderella is not realistic. It never was and never will be. Watching this movie when I was young made me believe there was a prince waiting for me somewhere. I grew up thinking that life was simple and uncomplicated, that I did not need to worry about the future because there was a man that would provide everything I wanted and needed. But as I got older, I realized this was not the case. I saw many of my friend’s parents divorce, people die, and the world fight with each other. My fantasy died off, and I realized I had to work hard for myself, and not others. The poem Cinderella by Anne Sexton made fun of the ending of Cinderella. She states, “Cinderella and the prince / lived … happily ever after … / their darling smiles pasted on for eternity. / Regular Bobbsey Twins. / That story.” (Sexton 11). Notice who she referenced and how she has a sarcastic tone. Cinderella and the prince smiled for others, trying to convince
How the film techniques used by Baz Luhrman to influence the portrayal and development of characters in the film Strictly Ballroom?
The classic film 42nd Street (1933), directed by Lloyd Baken, follows the coming-of age story of breakout Star Peggy Sawyer in Julian Marsh 's Pretty Lady musical production at the height of the Great Depression. Marsh needs to make enough money for retirement and is on the edge of another nervous breakdown. According to Chapter 3 entitled "Musicals," classical Hollywood Musicals are a form of escapist entertainment, coping with war, depression, and re-building. Most importantly, they were constructed to be pleasurable for film viewers and thus it was vital that the narrative resolved. In the lecture, Gillian states that the classical narrative counters verisimilitude, the appearance of realism. The ideological subtext of the Hollywood Musical
Dirty dancing is a movie that defines social classes and expresses different types of social themes in the 60’s. It identifies the differences between upper class, middle class and lower class. At the same stand point it also it expresses how division in our society could be stereotypical and not accurate, as not all is as it seems. From the beginning of this movie one could see the difference between the classes. There are the waiters and the dancers and the guest. One might say there is no difference between one another, guest, waiters and dancers work for a living. Therefore they should be categorized as the working class. There also could be seen thru out the film only one couple of black dancers that always remained together.
A re-imagining is when you want to recreate the experience that the audience had when first presented the piece . For example like when the people first read Great Gatsby or when the people first watched Shakespeare’s play Romeo and Juliet. An adaptation is the process of change. In media it is the change from a book to a movie film and in biology is it the change that an organism does undergoes to become better suited to its environment. I think Baz Luhrmann uses slight adaptations to re-imagine the films we studied (Romeo&Juliet, Great Gatsby, Strictly Ballroom ) .
The Cinderella that I will be focusing on is the most commonly known European version, the story told by Charles Perrault. The Brothers Grimm also have a well-known adaption but it differs in many respects. Perrault’s Cinderella starts with the wistful maiden being treated poorly by those around her, specifically her stepmother and two stepsisters. Her father dies and in turn she becomes the house maid. Cinderella is not allowed, by the command of her stepmother, to attend the three ball’s set for the Prince’s potential engagement. In Perrault’s story the stepsisters ask Cinderella if she would like to attend, only for Cinderella herself to shoot the notion down; “you only jeer me” said Cinderella, “it is not for such as I am to
The Berry College Theater Company preformed the risqué, yet Tony award winning play, Cabaret On February 18-28, 2016. Berry’s own Alec Leeseberg instantly became a sensation as his roaring voice perfectly enunciated each foreign syllable in this full length musical, loosely based on the stories of author Christopher Isherwood. Leeseberg assumed the leading role of Emcee, the proprietor of and master of ceremonies for in an infamous fictional nightclub in Berlin, the Kit Kat Club. Cabaret is set in the 1930’s, a devastating era in German society that marks the rise of Nazism. The residences of Berlin are fearful of the extremist political climate and the prolonged period of economic uncertainty resulting from the previous World War. Emcee provides
“No one puts baby in a corner” and “no one will ever put the movie Dirty Dancing in a corner as long as it exists.” Dirty Dancing is one of my favorite movies. It has a great cast, awesome classic music, and fantastic choreography. Released in 1987, this romance film stars one of my favorite actors, Patrick Swayze. The story is a coming of age drama that documents a teenage girl’s coming of age through a relationship with a dance instructor whom she encounters during her family’s summer vacation.
The characterization of women in film is a major point of analysis by scholars and consistently explored in popular culture. The role of female characters is coded based on their physical features and affectations. Whether it is the beautiful and subservient leading lady or the overtly masculine and threatening female villain, these stereotypes are largely determined by societal standards of beauty and what is considered "normal" or "natural." Embedded in notions of what is "normal" or beautiful, there also exists ideas of racial exoticization and xenophobia towards foreign people. One classic example of the stereotypical portrayal of women is the James Bond film From Russia with Love (1963). Using the articles “Staging Tourism: Bodies on display” (Chapter 2 “Picturing Hawaii”) and “The Importance of Appearance and the Costs of Conformity,” by Deborah Rhode, this paper will examine how From Russia with Love 's portrayal of women reflects societal standards of the beautiful and exotic and how these roles influence the audiences’ views.
For my second media critique, I chose to focus on the 2011 film Bridesmaids. Bridesmaids is a comedy written by Kristen Wiig and Annie Mumolo, directed by Paul Feig. With grossing almost $300 million worldwide, 44 nominations, and 11 awards won, Bridesmaids has been a relevant film in popular culture over the last three years (“Bridesmaids”).
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life associated with the peasant culture. Perrault’s and Grimm’s Cinderella’s have the same plot, but their writing style is different which completely modifies the tale.
In the production of its film iteration, The Emperor’s Club, filmmakers added and omitted a number of key elements of Ethan Canin’s The Palace Thief. While of course there is no way to know for certain what the filmmakers’ intentions were, perhaps these changes were made in order to appeal to a wider audience—as the original tale is set at an elite, East Coast school for boys, which is something to which only a relatively small fraction of the population can relate, so it is possible the filmmakers added certain elements to the movie to make it seem more relatable. In addition, it is also very likely the filmmakers simply added certain instances to the film to deliver the story in what they believe a more enjoyable manner. Both of these would improve the overall quality and success of the film.
There are many fairy tales that have been discussed in this class. The most interesting stories to me are Snow White by Brother Grimm and Ever After: A Cinderella Story directed by Andy Tennant based on Cinderella by Charles Perrault. There are many different versions of Snow White and Cinderella from numerous cultures. In every version, both stories are known as children bed time stories. In addition, the purpose of both stories is to give a life lesson to the children about overcoming evil to attain happiness. At first, every fairy tale has to deal with evil that threatens the protagonist, but in the end, good must always win. In the same way, both of the fairy tales have a similar scenario of a character that is beautiful and has an equally sweet disposition, but is thwarted by an antagonist