The forward-tracking movement as used in Ernie's restaurant suggests the forward-tracking shot that is used throughout the film to show Madeleine has an allure for Scottie. Ernie's scene evokes the backward-tracking shot used throughout the film to show how Scottie is bonded to his object of desire. Together they bring out the character that an individual is playing in the film. The camera movement in Ernie’s Restaurant brings out forward and backward tracks that defines the point-of-view structure, but here the camera movement does not straight forwardly articulate a point of view. Instead, the camera is self-consciously sets up to show the relationship between the elements of the point-of-view structure that the rest of the film enacts.
...elp convey this story and present themes and motifs central to the understanding of the film. Mise-en-scene, shot and editing, and sound are among these elements. The film form in Wendy and Lucy contributes strongly to the sense of realism that it leaves with the viewer.
Four key film extracts will be discussed. The introduction of Mina, starting of with a medium long shot of her in the Westenra house, which allows the audience to pay more attention to what is happening in the background, the mise-en-scene being a large decorated room of the Victorian era, including plants, chairs. The setting of the whole room is surrounded by glass, which has the ability to allow natural light.
This style of point of view adds a new feeling while reading the novel. The reader will be looking through the eyes of someone shadowing Jennifer Government and seeing it in one style, but then on the next page, the reader will see what's happening through the eyes of someone shadowing Billy NRA. Even though the narrator may change, the story will progress. You can compare the technique to a basketball game. One moment, the person is in the audience watching the game. The next moment the person is a player on the bench. Then the person becomes a player on the court taking shots. After that, the person changes into a referee calling the game. At the end, the person becomes the coach and calls the shots of the game.
Chinatown is regarded by many as one of the best films ever created. In 2007, The American Film Institute named “Chinatown” as #21 on their list of 100 greatest films! Chinatown is a great film because it is able to show how far people are willing to go to obtain riches and how a detective is willing to go to great lengths to solve the mysteries in front of him. The movie has been talked about in abundance and has even been influenced by real life events from the water company in Los Angeles. It is closely related to corruption and the 1% which people still talk about till this day. In the movie “Chinatown” directed by Roman Polanski, a private detective hired to expose an adulterer finds that he is caught up in a web of deceit, corruption, and murder. Somewhat relating to this is the article “Of the 1%, by the 1%, for the 1%” written by Joseph E. Stiglitz. In the article Stiglitz writes about how democracy in America is a mirage and that the rich
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
As with the lighting, many of the angles of the film are the same. Hallström uses eye-level angles throughout most of the film. The simplicity of this technique adds to the minimalism characterized throughout the film, the town of Endora is a simple place and the Grapes are a simple family, using mostly eye-level angles supports the simplistic vibe of the story. Hallström uses a few oblique angles at times of distress and panic. One example of this is when Gilbert wakes up with Becky in the field and he realizes he needs to go home and fix the damage that he has done to his family. Another example of this technique is when Mama Grape dies and Arnie finds her. She is shot at an oblique angle, which emulates the distress that Arnie then feels for the loss of his mother. One other varying technique is when he shows Arnie up in the tree. He is shot from below, putting him in somewhat of a power position at the top of the shot shows the power he has over the family. Arnie is what is keeping them together and keeps them working hard for a better life.
1. I think the place of the movie is very important because even though World War 2 was happening it wasn't happening everywhere. I think that the setting of the movie was supposed to mean something to people of other countries, especially in America. If it had been set in America, it wouldn't have made much sense or as much as an impact because World War 2 wasn't a huge thing to Americans yet. The culture was also so different as well and I think it makes people look at that differently as well.
The Hollywood movie “Guess Who” (2005) is a remake of “Guess Who’s Coming to Dinner” (1967). Both film’s premises are about the same situation of an interracial marriage. The original revolved around a daughter bringing her black fiancée to meet her white middle class family. This was a touchy and even controversial subject in 1967 but the film became an award winner. The 2005 update switches the roles around and with a stroke of genius we now have a white fiancée meeting a black family.
Many live attempting to decipher the riddle of life. What is life? What is the purpose? What makes? Even though we only seek happiness why can’t we ever seem to achieve it? When we do reach happiness why can’t we seem to grasp it and hold it for more than the few short hours that pass like seconds? The question we must answer first is “What makes happiness, true?”
Mise-e-scène is one of the most recognizable conventions in filmmaking. It translates literally from the French to “staging” or “to put in the scene” in English. When applied to film studies, mise-en-scène refers to all the visual elements within a particular shot or sequence. Mise-en-scène consists of 5 distinct categories which assist in the development of a film’s visual narrative: Setting and Design, Costume and Make-up, Lighting, Acting and Movement, and Framing. These elements together and separately help to inform the viewer by giving them visual cues as to the nuances of meaning within a film’s structural form. Mise-en-scène may gives the viewer insight into the nature of a film’s characters and their subsequent state of mind, the time and place in which events are occurring, the mood and meaning intended by a particular scene, and also help the viewer to form expectations based upon the filmmaker’s interpretive point of view. In the film, The Eternal Sunshine of the Spotless Mind, Director Michael Gondry utilizes mise-en-scène to denote the complex temporal relationships between his characters, their circumstances, and a fragmented plot structure which progresses through elliptical patterns between memory and reality. In fact, the use of mise-en-scène in Spotless Mind is central to understanding the inner construct of Joel (Jim Carey) and Clementine’s (Kate Winslet) personalities and personal motives, as well as the antagonistic mechanism at play in their relationship.
"The Breakfast Club" begins with an old dramatic standby. You isolate a group of people in a room, you have them talk, and eventually they exchange truths about themselves and come to new understandings. William Saroyan and Eugene O'Neill have been here before, but they used saloons and drunks. "The Breakfast Club" uses a high school library and five teenage kids.
in two different scenes: the scene at the kitchen table, and the scene on the
The initial interaction between Lucy and Cheng Huan at the store creates an interesting dynamic of uneven attraction. Objects and figures within the frame emphasizes this fact, such as an unconscious Lucy in the center. The organization of objects, and set-pieces in the shot is referred to as the setting. As an integral component in mise-en-scene, setting helps locate the actors and even control how the story is. The one-sided adoration prevalent in this scene exemplifies the possible alternative motivations behind Cheng’s kindness. In these shots, Lucy’s face always points towards the camera so that the audience can see both characters clearly, and while Lucy sleeps, Cheng stares at her with considerable intensity. By acknowledging his lust, many of his actions can be interpreted in a completely different way. At (46:22) Cheng ...
My Mise-en-scene analysis is on American Beauty on page 217: number 1(The dinner scene). The frame itself is a very closed, tight shot; there is no way for the characters to escape and they're left with only confronting each other in this very little space. The shot of the camera isn't necessarily far away or close either. It's neutral, and we can see the full action of the family's dinner conversation happening right in front of us. My eyes were immediately attracted to the bright, white table and then my eyes focused on the faces of the family. The scene's texture is slightly fuzzy, and is not very detailed. But the character's faces are still recognizable. The foreground of this scene is the table with the man and woman sitting at each end; the middle is the girl-who is
In the film adaptation of Cormac McCarthy’s No Country For Old Men, Joel and Ethan Coen assert that society has lost the moral on which it was built. The Coen brothers develop this claim by manipulating the traditional characteristics of a Western film in order to create an anti-Western through which they depict the hopelessness of humanity within the current state of society. Through their use of mechanics such as innovative camera angles, sound manipulation and editing the film adaptation successfully portrays the immorality of society as an abyss of depraved humanity.