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Life during world war ii essay
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1. I think the place of the movie is very important because even though World War 2 was happening it wasn't happening everywhere. I think that the setting of the movie was supposed to mean something to people of other countries, especially in America. If it had been set in America, it wouldn't have made much sense or as much as an impact because World War 2 wasn't a huge thing to Americans yet. The culture was also so different as well and I think it makes people look at that differently as well.
2. As Time Goes By is a very important part of the film, not only the emotional affect but also the lyrics of the song. In the movie, The song is a symbol of Rick and Iisa's love, but it also haunts Rick when Iisa leaves him. The lyrics, I believe are saying that even with all the crazy things going on in the world, love is still love and as long as people remember the little and simple things about love. it can overcome anything.
3. Films back then had more hidden meanings than the movies today. Movies today are straight forward but movies back then were made more for the production of it. As the time has gone by (haha) many things have happened that still can be related to World War 2. People fear a World War 3
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especially because of events such as 9/11 or the Paris attacks that just happened last month. I think that this movie was supposed to give America a jolt of reality to see just how bad a war can get and what it affects in the whole world. I think back then people didn't think about "what ifs" as often as we do because the uncertainty just keeps going up. Now as we look back on the movie we can see the hidden meanings and truths. 4.
The plot of Casablanca is that during World War 2 many people were trying to escape Europe and out of all these people we study three interesting characters. As we get to know these characters we learn that they are willing to sacrifice things that are important to them just so that humanity can be better. Getting to know the characters is a very important part of the whole movie because the characters can represent certain things. I think the climax of the movie is when Rick gives the transits to Iisa and her husband. He loves this woman so much that he is willing to do this for her. At the beginning of the movie Rick says "I stick my neck out for noboby" or something along those lines and this sacrifice proves how much love has changed him for the
better.
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
It is 1957 and the Algerian war is at its prime as the FLN fight against an elite troop of ruthless French paratroopers. The Battle of Algiers is a portion of the Algerian war which was fought in order for Algeria to gain independence from France. The film starts off with the torturing of an old man to gain information on where the last of the freedom fighters, Ali Pointe is hiding. A large segment of the film is shot in flashbacks focusing on the past of Ali Pointe. Pointe was a ruffian with theft and drugs on his record; he joined the militants to assist in getting rid of the problems in Algeria associated with the French. With the flashbacks the film tells the struggles of the insurgents and the persistence of the French to end the war. It shows the transformation of the insurgency into a full out revolution. When the flashbacks ends and it is now present time Ali Pointe, along with the rest of the FLN leaders captured are beheaded. Through this, the FLN reciprocate and the insurgency becomes a full on national revolution with growth in numbers and support. The film ends with Algeria gaining the independence it strived for in 1962. The film is important in understanding asymmetric conflicts because despite being the weaker side, Algeria had proved itself to be much stronger than the French and had its newfound independence to show for it.
The body of Kunze’s essay is broke down by the “three triangulations of desire” and these relationships are dissected to support Kunze’s argument. He elaborates on the importance of Rick, Ilsa, and Sam; Rick, Ilsa, and Victor; and what he believes is most important Rick, Ilsa, and Renault. He uses resources such as Kosofsky Sedgwick’s work on homosocial male desire to support his own argument that Casablanca “accurately depicts the emotional complexity of male friendships and the reductive role of women in these fraternal bonds not only to fulfill the film’s admittedly propagandistic goals, but as an inadvertent testament to gender dynamics in a power structure organized around male power and interactions” (Kunze pg.20). Using Sedgwick’s work as a model, Kunze constructs this erotic triangle between each group of characters mentioned above. Kunze examines each relationship and believes it serves as a sensitive register. Kunze explains that there is more power and meaning that the general content. Utilizing Sedgwick 's model, Kunze suggest that the viewer can see the “complexity of Rick 's interactions with Sam, with Victor, and with Captain Renault—each of whom represents different levels of homosocial desire, all trumping Rick 's love and respect for Ilsa” (Kunze pg.21). Throughout the body of the
Jaws' is the original summer blockbuster, setting the standard by which all others are measured. It's the Michael Jordan of cinema: there will never be another 'Jaws,' simply because the film so profoundly changed the way movies are made and marketed.
I think that the movies that portrayed World War I and World War II were different because in these films we had more pride. We knew what we fought for. People at the time supported their country and soldiers. It today the movies are all about blood and blowing things up. There is very little pride in our country. We don’t stand up for our soldiers the way that we should. We blame them when our government sends us to war. Our movies of resent wars have just been action movies and have lost the loyalty and pride we once had.
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
The film “Goodfellas,” directed by Martin Scorsese, is loosely based on the true story of mobster Henry Hill’s career with the mafia. The main characters in this movie are Henry Hill, played by Ray Liota, who was part of the mafia, James Conway who was a stickup/hit man, played by Robert De Niro, and Tommy DeVito, played by Joe Pesci, who was another gangster. At the beginning of the film a young Hill is seen admiring the gangsters who spend time across the street at one of their establishments. Hill can be heard talking about how much he admired gangsters, and that all he ever wanted to be was a gangster. Throughout the movie the audience gets a sense of what life as a gangster in the criminal underworld might have been like.
Gone with the Wind is a classic fictional love story that depicts life in the old south before, during and after the Civil war. The book was originally written in 1936 by Margret Mitchell, the movie adaptation was released in 1939, directed by Victor Fleming, and staring Clark Gable and Vivian Leigh. Ms. Mitchell grew up listening to Civil war stories from confederate veterans. It was reported that they told her everything; everything that is, except that they had lost the war, she found that out when she was 10 years old. Though the book was written 71 years after the Civil War ended, Ms. Mitchell did her research and appears to have drawn inspiration from those childhood stories that she was told. This is apparent in the detailed description of the clothing, houses, and everyday discussions and interactions of the characters throughout the book. Though not all historically correct most of what is in the book is accurate. During the time the movie was released, “damn” was considered to be vulgar and controversial and they used the term “darkies” to describe the slaves.
In 1990 a director named Jennie Livingston directed a documentary film called “ Paris is Burning”. The film’s revolves around black gay men and transgenders. They all come from a low social class. The movie chronicled the ball-culture that existed in New York during the 1980s between African-American gay & transgender communities.(in-text citation) So, the documentary shows and reflects the lives of these individuals within only one place:balls. A ‘ball” is basically a competition with different categories and prizes. It takes place in Harlem, New York. The main purpose or objective of these events is for these individual to feel their “realness”. (in-text citation) The significance of this place to the people participating in is that it represents
The war contributed to making the working class society believe that they were doing they’re part in helping “Big Brother” stop corruption and keeping the society in an orderly state. Big Brother manipulated the society by making up a war using previous pictures and images of a war that happened years ago. The war was also used to erase existing history that the government did not want the society to know. Furthermore, the war was used to keep the government and economy as the basis of power and maintain the balance of “Big Brother’s civilization”. The war mentioned in the film and book led to a conformed and controlled society.
Before the Second World War began Hollywood’s purpose lied within entertainment for the American people. After the war started, the main focus shifted to wartime propaganda. Film was used to display the war in a way that did not show its true colors—including the censorship of soldier causalities and other negative connotations that are a simple fact of war. There was even a time in which some actors became better known to America than politians. Through films, Hollywood began to make a statement of their anti-Nazi beliefs. They began to make motion pictures for American recruitment into the Army as well as many that supported the war effort, and intended to make other Americans more aware of the war’s effect on the United States, and how people can get involved. Many European countries banned these Hollywood films, as they began to affect not only America but many other countries that were involved in the war as well.
Rick Bliane, the protagonist of the movie, is a very mysterious and complicated man at the beginning of the movie. In many occasions, he says “I stick my neck out for nobody” and isn’t impressed very easily. Although he seems like the person who only cares about himself, his true nature can be seen as the movie progresses. One example is when he doesn’t allow a member of the Deutsche Bank into the back room of his café. In his past, he was fighting against Franco in the Spanish Civil war and was a antifascist, but he met Ilsa in Paris, Spain and fell in love with her. But when Axis power invaded Paris and she didn’t run away with him, he was heartbroken and became a cynical person. When he meets Ilsa in Casablanca he slowly forgets about his cynical side and become the person that he once used to be. Towards the end of the movie, he has a chance to run way with Ilsa, but he chooses to let Ilsa and her husband escape Casablanca in order to help fight against the Nazis.
During the time of the making of Casablanca (Michael Curtiz, 1942), the debate on World War 2 and the United States’ involvement reached its peak. The makers of Casablanca perfectly used the characters in the movie as an allegory to the current political sentiments of the major countries in the war. The most striking example is from Rick. Before the war, the United States’ policy was to try and avoid being involved in another world war and were openly neutral. The U.S. had an underlying hate for the Germans though and secretly helped the British and French. Rick is a perfect example of this U.S. sentiment. During the beginning half of the film, the isolationist policy of the U.S. was epitomized by the loner actions that Rick displayed. For
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
On March 24th, 1972, one of the most widely celebrated and renowned films of all time was released to the public. Ranked number two on the American Film Intitutes 100 Years... 100 Movies list, The Godfather by Francis Ford Coppolla is an enormous, groundbreaking film whose power and influence are impossible to deny. Upon its release, it instantly became an American classic, one to be remembered and celebrated for years to come. According to Vincent Canby's New York Times review published before its theatrical release, on March 16, 1972, "Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment."