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Film analysis on jaws 1975
Film analysis on jaws 1975
Film analysis of jaws
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On September 5th, 1975 “Jaws” by Steven Spielberg turned into the fastest grossing film in the history of the motion picture industry. According to Variety, “Jaw” proceeded to surpass the previous record gross of “The Godfather” by Francis Ford Coppola with an extra $38 million (Variety, Sept. 10, 1975). This immense success suggests that “Jaws” express the society’s underlying consciousness, and should be approached critically with a different point of view. By producing fictional structures which involve the audience viewing the shark as an image, the creators of the film capitalized on the emotions attached to the sharks. Rather than being just a series of individually narrative events, the structures constantly express the shark’s image …show more content…
First, audio effects are artificially enhanced sounds used to artistically emphasize a play. In this case, “Jaws” requires major sound effects in order to display the prowess of the shark. Not only that, but the waves of the ocean and the horrified screams from actors need to be enhanced as well to gain reactions from the audience. Alongside the elements, audiences are unable to visualize the images without a setting. Meaning every objects on stage, including the background, the curtains, the floor would work together to display the mood of the scene as well as expressing the tone of the play. Lastly, the costumes play an important role in any theatrical plays. Costumes illustrate the images, thus, making it relatable to the viewers. Not to mention that costumes also shine a light on another part of a theatrical performance, it tells a story and sets the timeline of the play. For example, if “Jaws” was a Broadway show in 1975, costumes like graphic tees or dress-shirts will not be appropriate for the setting of the play. Together, these three elements will projects the director’s reflection and concept of the play, in this case, a man-eating shark that unseemingly represents the dark spiral of our
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The film Blackfish, a documentary created by Gabriela Cowperthwaite, is a film about the cruel punishment of killer whales at SeaWorld. It suggests that killer whales should be set free from captivity in marine mammal parks because of the threat and danger towards humans and each other. Blackfish is an explicit example of how logos, ethos and pathos are used to create an argument that is impressive, valid and effective.
Even though it is most commonly known as of the first modern horror films that has made its way on the top ten highest grossing films of all time, Steven Spielberg’s classic 1975 film, Jaws, illustrates the unquenchable human desire for purpose and wholeness which advocates that adopting the belief of “anatta” or “no-self” is the way to be liberated from this “fragmented state of unelightenment” (Sluyter 97-98). In the bigger picture, the main antagonist of the film, the shark itself, reflects us as individuals according to Sluyter. To be more specific, the shark is meant to symbolize our “fragmented point of view” we have of our lives and our constant search to remedy our emptiness by “trying to concretize ourselves” with impermanent items
Classic stories remain a classic because they convey a message which appeals to people of multiple generations despite changes in society. King Kong was released in print in 1932, a year prior to its release in Hollywood, as a part of the film’s advance marketing. The public of this generation easily accepted the story’s racist, colonialist, and sexist themes. Today, literary critics such as Cynthia Erb view the novel and film as representation of the early 30s and thus a resource to understand the cultural context of the times. In particular, King Kong provides a window through which a modern audience can understand and interpret racism of the 1930s.
History can be learned through several different mediums, and it is arguable that the most popular methods are through film and literature. Each come with their own respective advantages and disadvantages, and can each have a different effect on how an event is both portrayed and conceptualized. When comparing the 1987 book Mutiny on the Amistad: The Saga of a Slave Revolt and its Impact on American Abolition, Law and Diplomacy by Howard Jones, and the 1997 film Amistad directed by Steven Spielberg, it is apparent that both the book and the film are able to effectively retell the story of the events that took place aboard the Amistad in 1839. Yet each shed a different light on the matter and have been received by people in a different way.
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
The classic 1975 film, Jaws, takes place in a coastal New England tourist town. After a young woman is killed by a shark the police chief and the mayor have differing opinion on what to do about the shark. The police chief, Martin Brody, wants to close the beaches while the mayor, Larry Vaughn, does not want to lose any tourist revenue and overrules him. After another shark attack a bounty is put out for the shark. While a shark is caught it is not the one who has been terrorizing the community. However, the beaches open once again and there is another attack. Brody, along with oceanographer Matt Hooper and local fisherman Quint set out to find the shark.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The costumes which are used for this particular production are also essential in dramatizing the on-stage action.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Nobody wants to be unextrordinary, unremarkable, unmemorable. Tim Burton’s Big Fish and Yann Martel’s Life of Pi, both together and individually, teach that sometimes the best story stretches the truth, because of an aversion to “dry, yeastless factuality” or simply an aspiration to be remembered.
The production attempt of displaying things in familiar way that is accurate to life. Costumes give a visual appealing sense of how people were likely to wear. Each character’s costume needs to match their class standing in the society that the people could have worn. Actions that done by the characters as a response because of something that has happened or due to the fact that they have a motive, is important to the play but have to be done in an understandable or reasonable way. Dialogue has to close to what someone say as if they are having a real life conversation. In the production that was so important to showcasing any play is portraying it something with as much accuracy to where it becomes hard to distinguish what could happen versus what is not really likely to happen. The more a production pays attention to details such as costumes, actions, and dialogue and the more the actors can succeed in performing a truthful
Parisi, P. (1998). Titanic and the making of James Cameron: the inside story of the three-year adventure that rewrote motion picture history. New York, NY: Newmarket Press.
...n, the use of sound in films is highly significant in the development of the plot and in turn the development of the theme. Although, the sound components play a very significant role individually, it is through the combination and manipulation of such components that the sound design of the sound track has a greater impact emotionally upon the audience. Moreover, the effectiveness of this emotional impact can be significantly increased through the implementation of an effective combination sound to the image. Such combination can be seen within Gravity which exhibits a soundscape that successfully assist in bringing the world of the film to life. Sound is important to films and is an essential feature, many a time an audience will not even self-consciously acknowledge the music or sound effects but if they weren’t there the viewing pleasure would not be as pleasing
Every scene and the order in which they are place has a reason, a film can be put together by recording a multiple shots that take into account different elements. For example when Viola was for first time in front of an audience where outfit told the audience who she was and the importance she had at the movie event with not having to say a word yet. She was wearing a golden gown that made her stand out from everybody and everything else in the shot, it also made her look more feminine and delicate but at the same time important and strong. Costumes are the ones who tell the story behind each character with out the need of flash backs, and their personality without even having to act out or spoken. A set is a controlled environment where everything needs to be in its right place to convey the emotions the director want the audience to feel and see the thing he want them to see. Again the in the same shot when Viola was in before the audience for the first time, the Nurse was in a gray scale color blending in with the columns in the middle of the