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Cervantes purpose for writing don quixote
Realism in theater
Essays on cervantes
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Pedro the Great Pretender Reality is an idea that many singers, artist and writers have been trying to show through their work. Cervantes’ intention was to portray a story of life for others to hear his story but believe it. The display of the story needs to be told in a truthful manner as possible, and can help a production go from a play to an experience of witnessing history for the viewer. In a production reality is based on how much believability the audience is willing to believe and how close the piece of work resembles real life. The piece of work needs to have a realistic feel, giving the audience illusion of that things are real. Creating reality starts with honest and true thoughts for any production whose goal is to represent reality. Pedro the Great Pretender goal is to represent reality through costume, actions, and dialogue.
Costumes for Pedro were made authentic and personalized to each
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The production attempt of displaying things in familiar way that is accurate to life. Costumes give a visual appealing sense of how people were likely to wear. Each character’s costume needs to match their class standing in the society that the people could have worn. Actions that done by the characters as a response because of something that has happened or due to the fact that they have a motive, is important to the play but have to be done in an understandable or reasonable way. Dialogue has to close to what someone say as if they are having a real life conversation. In the production that was so important to showcasing any play is portraying it something with as much accuracy to where it becomes hard to distinguish what could happen versus what is not really likely to happen. The more a production pays attention to details such as costumes, actions, and dialogue and the more the actors can succeed in performing a truthful
This reflects the despondent mood and foreshadows Haemon’s suicide. The set of the play is successful in generating a suitable atmosphere and is reflective of the chaos that will occur. A significant aspect of the play is the acting and wardrobe, because it helps demonstrate the personalities of the characters.
And for this voluptuous Lucy he has no pity: "the remnant of my love passed into hate and loathing; had she then to be killed, I could have done it with savage delight" (249; ch.16).
This interesting and partially modern day depiction of the Shakespearian play, Romeo and Juliet, was shocking and bodacious. The direction, Bas Luhrmann, successfully clashed the 400 year culture differences between the late 1590’s and the late-1990’s. Similarities and differences both were separated through ideas as well as physical objects. Two ideas that were evident similarities between the written play and the movie was the list of characters and the speech exchanged-which was the exact script as Shakespeare’s original writings. Frankly, the idea of the deliverance of this particular speech was delivered in a way of nonchalance. The characters in the movie differentiated from the written form’s characters because of their idea of proper etiquette. The movie characters acted less composed and very lenient, with an air of easy-going casualness. The most obvious physical differences of the time period between the two individual uses of entertainment would be the objects dealt with and the clothes worn. The clothes worn ranged from unceremonious, modern attire such as patterned butt...
This is where Tyree’s false friendship can best be demonstrated; vampires will make friends of their food before feeding on occasion. With Let The Right One In and Dracula, both vampires are shown to be more than evil at the beginning of their respective novel. Eventually, it is revealed that Eli, who Oskar believes is a girl, is actually a boy who has been mutilated and has no actual genitals. This brings a new type of perversion when Eli tells Oskar that he is “Not really a girl.” Eli is eventually revealed to be a character that has been molested, raped and mutilated. In the same vein, Dracula is a character that has fought to preserve his homeland and is well educated. When Van Helsing comes upon Dracula’s library, he remarks how astonished he is with the extent of its contents. Van Helsing’s astonishment makes Dracula’s threat genuine in a more honest manner; he is able to use technology and research just as well as his Victorian counterparts. In essence, he is the same as them, and not this evil vampire myth, just as Eli is not some feral and evil child, but a complex
Arthur is Lucy’s true love and says “my life is hers, and I would give the last drop of blood in my body for her” (134). Not only is he speaking symbolically of his life, but also literally in the sense that he would give up all of his blood, which would take his life and give it to her. After the blood transfusions, Lucy has “the blood of four strong men” inside of her (165). This also displays the superiority of men over women, meaning that the blood (life) of a woman is not of equal value to that of a man.
Dracula is “un-dead”, once human before his vampire state and clearly separate from human form, establishing his frightening allure. His fangs, hands and sharp nails are horrifying up close. He is not corpse at first look, mysteriously resisting the decay of death. Dr. Seward comments, “she was, if possible, more radiantly beautiful than ever; and I could not believe she was dead” on Lucy’s vampire state (Stoker 200). At several points in the novel Dracula is life like, “simply gorged with blood; he lay like a leech, exhausted with his repletion” (Stoker 52). The monstrous life in death is an “essential gift of Stoker’s vampires to the twentieth century; a reminder, not of the dreadfulness of death, but the innate horror of vitality” ( Auerbach 95). Edward is opposite in appearance to Dracula. The venom from the bite that transforms human into vampire freezes their appearance forever. Edward was bitten at 17, and never labeled as horrifying.
As Jonathan Harker enters the East, he immediately faces a warning of the evil that awaits him, as a Transylvanian woman offers him a sign of protection on the train. The situation occurs when he is assisted by a woman obtaining much knowledge on the danger of that area, as he explains, "Taking a crucifix from her neck, she offered it to me" (Stoker 9). Harker instantly notices not only a change between the scenery of the Eastern and Western cultures of Europe, but also the importance of superstition to the East and the dangers of evil versus the savior of the good. If Dracula were an ordinary human that created danger, the crucifix would not be such a necessity. However, through the English men's discovery of Dracula, they suggest the vampire as an unclean being that does not belong on Earth, and is shunned by God. After being attacked, Mina places a piece of sacred wafer on her forehead to be cleansed through God and His holiness, displaying the salvation of God. Dracula presents a dangerous threat as an Anti-Christ like figure because he is prevented through the crucifix and Christian icons, and contradicts the safety and lovingness of God. His thirst for blood however, relates to the drinking of the blood of Christ in mass; a sign of respect and love for God. In relation to God the almighty, Dracula wishes to be praised like a god as he contains his highness in Transylvania and dreams of more power “in the
Dracula's foreign nature and supernatural presence proceeds his perception as other, being a vampire from Transylvania seeking to invade England.In conversation with Jonathan Harker, Dracula emphasizes his abnormal ways professing his foreign identity. “‘Our ways are not your ways, and there shall be to you many strange things. Nay, from what you have told me of your experiences already, you know something of what strange things there may be.’”(Stoker 42) Dracula not only confesses to his strange nature he owns it while confirming with Harker from his early experience traveling to the castle. This statement by Dracula indicates his foreign nature
‘Blood transfusion’ and ‘sexual intercourse’ are interchangeable in Dracula, just as ‘blood’ and ‘semen’ are considered one in the same. Lucy becomes more degraded and more defiant during each “blood transfusion”. She also needs more blood from multiple men in order to survive. Stoker's idea behind this is that a woman with a sexual appetite will always be hungry for more, and she will always look for more partners. Van Helsing understands that the transfusions are sexual and both participants are being degraded with each transfusion, yet continues on. He exclaims, “Ho, ho! Then though this sweet maid is a polyandrist, and me, with my poor wife dead to me, but alive by Churches laws, though no wits, all gone-even I, who am faithful husband to this now-no-wife, am bigamist” (Stoker 187). Lucy is sucking the very life out of the men during blood transfusion as sexual women are draining men of their power. The idea is that a whorish woman will turn a decent man into a barbarian whose only focus is
Shakespeare was a very fine play writer, who examined human nature and exposed it through literature. One of his famous plays, Romeo and Juliet, depict many different themes such as, fate vs. freewill, duty vs. self, feuds, appearance vs. reality, parents choose who we marry, love at first sight and confidante. Appearance vs. reality is one of the themes that are portrayed through out the play. It means, things aren’t always what they seem to be. Something or someone might appear to be another thing, but the reality is different. Romeo and Juliet show appearance vs. reality through out the play because of their secret marriage. Examples of appearance vs. reality are when Juliet finds out about Tybalt’s death and Romeo’s banishment. Juliet’s parents think that Juliet is crying about Tybalt’s death, but she is crying about Romeo’s banishment, when the couple (Romeo and Juliet) get married, but everybody thinks they are still single and when the nurse finds Juliet dead and the Capulet’s have an unnecessary funeral for Juliet even though she is not dead and had only swallowed Friar Lawrence’s potion, which put her into a long sleep.
The whole idea of vampirism has very dark and negative connotations to it, but still innately we are fascinated by it. In Dracula by Bram Stoker, we see each of the characters battling with the theme of good vs bad. We see characters facing situations where they either respond with good actions and words or evil actions and words. Many of the characters try to figure out if we are people who make mistakes or we are either completely bad or good. Count Dracula’s castle is a very dark place filled with “darkness” and taboos that society outcasted and shunned away, but yet this is where Dracula chooses to reside. In the castle all the characters seem to experience and do things, that makes us question; does the presence of Count Dracula make
Blood to vampires is like water for humans, so they depend on bloodto keep everything in their world working. Their youthfulness is preserved through blood, as well as allowing them to keep their immortal body strong. Blood is incredibly important to Dracula because he needs to feel like he is taking asomeone elses powers and life force...
The next day he woke up, but he did not wake up in his cozy little home he woke up in a huge room that was very fancy. He looked in the mirror but he could not see himself, he found this awkward. Two minutes later someone walked into the room and it was Attila. Everyone knew Attila, but Attila did not look normal he had pale skin and sharp teeth, with bright red lips that looked like blood, his nails was so sharp like a werewolf. “Hello, my new Dracula I have been waiting for this moment for years, and finally that day has come, shouted Attila! Daniel was not a mortal, now he was immortal and he was a vampire. He did not see the changes at first, but slowly he started getting sick, very sick and his teeth grew sharper and nails grew longer. Daniel started sleeping in the day and awake at night and was always thirsty for blood. Daniels parents searched for him everywhere but never found him. Poor Daniel I mean Dracula was stuck in a castle that had no contact with the outside world. Before Attila died form the vicious mob, he had taught Daniel how to shape shift and how to be a supernatural vampire. Ever since Dracula has been murdering poor innocent people because of his needs for blood. So that is how a little
The Theme of Appearance vs. Reality in William Shakespeare's Works Characters within one of William Shakespeare's greatest tragic plays,
Gavin argues, “During the seventeenth and eighteenth centuries, empirical philosophy recognized a perilous disconnect between knowledge and the actual existence of things in the world” (Gavin 301-325). These ideas of knowledge, and those of the real world, were shaped by Descartes’ theory that reality is perceived by the individual and is not attached to previous ideas of reality. Unlike the novels before, realistic novels appealed to middle-class readers who wanted to read about ordinary people; they could see themselves as main characters in the story (Mario). With the influence of Descartes, novels and the genre of realism came together forming realistic novels. Realism is the attempt to depict all characteristics of human life with such attention to detail that the events seem as realistic as possible, as if readers could perhaps know the characters personally or even be them. Regarding Crusoe, he faces many realistic chall...