Daniel Defoe has frequently been considered the father of realism in regards to his novel, Robinson Crusoe. In the preface of the novel, the events are described as being “just history of fact” (Defoe and Richetti ). This sets the tone for the story to be presented as factual, while it is in of itself truly fiction. This is the first time that a narrative fictional novel has been written in a way that the story is represented as the truth. Realistic elements and precise details are presented unprecedented; the events that unfold in the novel resonate with readers of the middle-class in such a way that it seems as if the stories could be written about themselves. Defoe did not write his novel for the learned, he wrote it for the large public of tradesmen, apprentices and shopkeepers (Häusermann 439-456).
Gavin argues, “During the seventeenth and eighteenth centuries, empirical philosophy recognized a perilous disconnect between knowledge and the actual existence of things in the world” (Gavin 301-325). These ideas of knowledge, and those of the real world, were shaped by Descartes’ theory that reality is perceived by the individual and is not attached to previous ideas of reality. Unlike the novels before, realistic novels appealed to middle-class readers who wanted to read about ordinary people; they could see themselves as main characters in the story (Mario). With the influence of Descartes, novels and the genre of realism came together forming realistic novels. Realism is the attempt to depict all characteristics of human life with such attention to detail that the events seem as realistic as possible, as if readers could perhaps know the characters personally or even be them. Regarding Crusoe, he faces many realistic chall...
... middle of paper ...
...nson Crusoe because they can empathize with the issue Crusoe is facing of trying to find his place in society.
Through realistic literary elements of the novel and the themes of individuality, isolation, society and being content versus being ambitious, readers of Robinson Crusoe can relate to many experiences that Crusoe faced. Crusoe’s story represents the genre of the middle class; it is the narration of middle-class lives with the help of realism elements and prominent themes that reflect on middle-class issues and interests. Crusoe represents mankind in the simplest form, he stands on middle ground no higher or lower than any other. He represents every reader who reads his story; they can substitute him for themselves. His actions are what every reader can picture himself or herself doing, thinking, feeling or even wishing for (Coleridge and Coleridge 188-192)
Literary realism has been defined by George J. Becker in an essay called Modern Language Quarterly with three criteria: “verisimilitude of detail…an effort to approach the norm of experience…and an objective, so far as an artist can achieve objectivity, rather than a subjective or idealistic view of human nature and experience” (Pizer 1). This, however, is not the only definition of realism that exists. Donald Pizer proposed to define realism as is applied to the “late nineteenth-century American novel” (2). This is important ...
A deeper understanding of the book clearly reveals that despite his flaws, Robinson Crusoe was admirable. Three obvious and commendable reasons for this are the facts that he kindled a
James Joyce on Robinson Crusoe: “…the man alone, on a desert island, constructing a simple and moral economy which becomes the basis of a commonwealth presided over by a benevolent sovereign” (Liu 731).
Realism is a literary style in which the author describes people, their actions, their emotions and surroundings as close to the reality as possible. The characters are not perfectly good or completely evil; they exhibit strengths and weaknesses, just as real people. The characters often commit crimes or do immoral things, and are not always just good or just evil. In a realistic novel, aspects of the time period or location are also taken into consideration. Characters dress in clothes that befit them, and speak with local dialects. Most importantly, characters are not sugar coated or exaggerated. The characters do things as they would normally do them, and are not worse or better then their real life counterparts.
Watt argues that the characters in a novel owe their individuality to the realistic presentation. "Realism" is expressed by a rejection of traditional plots, by particularity, emphasis on the personality of the character, a consciousness of duration of time and space and its expression in style.
Firstly, the attitude of Crusoe changes throughout the novel when he realizes how important religion is. Crusoe is talking he explains what his father thinks about his idea of going out to sea. Crusoe making his finally decision he says "I consulted neither Father or Mother any more, nor so much as sent them Word of it; but leaving them to hear of it as they might, without asking God's Blessing, or my Father's, without any Consideration of Circumstances or Consequences and in an ill Hour, God knows"(Defoe,9). At the beginning of the novel Crusoe disobeys his family. He runs away to go on his adventure; even more he does not ask God for guidance and his blessings. Without asking for the help of God, Crusoe is now going on his adventure with God not on his side. Making his decision to go out to sea Crusoe finds him self in a dilemma; he is stuck in the middle of a huge storm while he is at sea. He cries out to God asking for help, but as soon "as the Sea was returned to its Smoothness of Surface and settled Calmness by the Abatement of that Storm, so the Hurry of my Thoughts being over, my Fears and Apprehensions of being swallow'd up by the Sea being forgotten, and the Current of my former Desires return'd, I entirely forgot the Vows and Promises that I made in my Distress"(10). At the beginning of the novel, Crusoe continues to call for help from God when he is in a situation that he might lose his life. When God saves his life he forgets about everything and God. Crusoe starts to notice God little by little even though he forgets about him after his crisis is done. Crusoe is now very sick, He goes to sleep and wakes up saying "God's Justice has overtaken me, and I have none to help or hear me: I rejected the Voice of Providence...
Perceptions of exceptionalism are embedded throughout countless works of literature, encouraging readers to take strides against the institutions holding them back and to develop a stronger sense of individualism. Order and rebellion, and the balance between them, play significant roles in molding exceptional individuals apart from the society that shaped them. The ideal “exceptional individual” is depicted through characters such as Robinson Crusoe in Daniel Defoe’s novel, Robinson Crusoe, and Jim Hawkins of Robert Louis Stevenson’s Treasure Island. These characters dare to disobey others, seek greatness, and challenge the suffocating societies they came from. Both Crusoe and Jim manage to defy societal and class expectations and achieve their
Daniel Defoe wrote his fictional novel Robinson Crusoe during the 18th century, a time of colonization, and the British agricultural revolution. In the novel Robinson Crusoe desires civilization and comforts during his years on the island, so much that he alters the ecology of the fictional “island” in order to fulfill his craving. Consequently, Robinson Crusoe changes the ecology of the island, with the introduction of invasive species, European crops, and enclosures. Crusoe uses the practices of the British agricultural revolution to colonize the island, and to better his life during his stay.
This paper is an attempt to examine the seeming opposition of religion vs. self-interest with respect to the character of Robinson Crusoe. I will venture to demonstrate that in the novel, Defoe illustrates the contradictions with which Crusoe must contend as he strives to please God while ensuring his own survival in the world. In part, I will endeavor to show that a distorted sense of Puritanism as well as the existing colonial mindset exacerbated this opposition, and resulted in what I propose to be Defoe's (possibly retroactive) imposition of a religious justification for Crusoe's actions.
From the beginning of some life, people make many choices that affect their personal growth and livelihood, choices like what they should wear and/or what they should do. Even the littlest choices that they make could make a big difference in their lives. In the book, Robinson Crusoe retold by Daniel Defoe, Robinson Crusoe, while on the island, made many choices, big and small, that affected his personal growth and contributed to why he survived for so long. On the island he made a lot of smart decisions of what to do in order to stay a live. On his second day he made a choice to go back to the ship to explore what was there. He spent a lot of time building his home when he could have done something more important. He also took a risk and helped out a person that he did not know. These were some of many choices that Robinson Crusoe made throughout his many years on the island.
In conclusion, there were many ways Daniel Defoe expressed his own life experiences in Robinson Crusoe, but the comparisons that showed the most were their income, their living conditions, their troubles and even their writing. There were other similarities, but these were the most broad and comparable. The book Robinson Crusoe is like Daniel Defoe writing about himself but in another life as another person. All of the events may not have been exactly the same, but the message behind them remained the same. All in all, Robinson Crusoe and Daniel Defoe were very different people, with similar lives. You can always tell a lot about a person by what and the way they write. Sometimes, you just have to read between the lines.
"Daniel Defoe achieved literary immortality when, in April 1719, he published Robinson Crusoe" (Stockton 2321). It dared to challenge the political, social, and economic status quo of his time. By depicting the utopian environment in which was created in the absence of society, Defoe criticizes the political and economic aspect of England's society, but is also able to show the narrator's relationship with nature in a vivid account of the personal growth and development that took place while stranded in solitude. Crusoe becomes "the universal representative, the person, for whom every reader could substitute himself" (Coleridge 2318). "Thus, Defoe persuades us to see remote islands and the solitude of the human soul. By believing fixedly in the solidity of the plot and its earthiness, he has subdued every other element to his design and has roped a whole universe into harmony" (Woolf 2303).
If the book is not holding the reader's attention because of the suspense, then it is held by the profound spiritual insight that Defoe includes within the pages of his work. This was the biggest surprise to me of all. For example, in chapter 12, Robinson Crusoe states: "From this moment I began to conclude in my mind that it is possible for me to be more happy in this forsaken solitary condition, that it was probable I should ever have been in any other particular state in the world, and with this thought I was going to give thanks to God for bringing me to this place." Crusoe was convinced that the reason for all of his calamities was the result of his disobeying the counsel of his father. The theological discussions with Friday are wonderful. Indeed, every Christian can relate to Crusoe's wrestling with faith and fear. I finished the book with the conclusion that this book should be standard reading for every Christian, particularly preachers. Preachers will find a wealth of sermon illustrations in Robinson Crusoe.
Daniel Defoe tells tale of a marooned individual in order to criticize society. By using the Island location, similar to that of Shakespeare's The Tempest, Defoe is able to show his audience exactly what is necessary for the development of a utopian society. In The Tempest, the small society of Prospero's island addresses the aspects of morality, the supernatural and politics in the larger British society. In Defoe's Robinson Crusoe, the island's natural surroundings highlights the subject of man's individual growth, both spiritually and physically. Nature instantly exercises its power and control over man in the tropical storm that leads to the wreckage of Crusoe's ship. "The fury of the sea" (Defoe, 45) thrusts Crusoe to the shores of the uninhabited "Island of Despair" (Defoe, 70). Isolated on the island, Crusoe is challenged to use his creativity in order to survive.
The Progression of the Eighteenth Century Novel Shows How Society Takes Over the Role of God The progression of the Eighteenth Century novel charts the transformation of the role of God into the role of society. In Daniel Defoe’s early Eighteenth Century novel, Robinson Crusoe, God makes the laws, gives out the punishments, and creates the terror. By the end of the century, the French Revolution and the Reign of Terror announce to the world that society is taking over the role of God and now people will make laws, give out punishments, and incite terror. Early Eighteenth Century novel, Robinson Crusoe, shows the development of a new self, one conflicted with the idea of both relying on God’s Providence while also realizing their own power to make things happen. The novel shows the development of Homo Economico, the economic man. With the voyages to the new colonies, many lower and middle class men prove able to create their own fortunes overnight. The concept of the Great Chain of Being becomes lost when members of the lower classes become wealthier than many of the upper class aristocrats. Now many men from the lower classes buy land and/or titles. When lower class members become landowners, the idea of Divine Right to rule over the land no longer proves valid. Defoe illustrates society’s changes through Crusoe, who battles with the notion of God’s Providence. At certain moments he thanks God for His Providence, but then later conceives that actually God did not cause the ...