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Dracula and its supernatural element
Analysis of draculas character
The character of dracula
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The whole idea of vampirism has very dark and negative connotations to it, but still innately we are fascinated by it. In Dracula by Bram Stoker, we see each of the characters battling with the theme of good vs bad. We see characters facing situations where they either respond with good actions and words or evil actions and words. Many of the characters try to figure out if we are people who make mistakes or we are either completely bad or good. Count Dracula’s castle is a very dark place filled with “darkness” and taboos that society outcasted and shunned away, but yet this is where Dracula chooses to reside. In the castle all the characters seem to experience and do things, that makes us question; does the presence of Count Dracula make …show more content…
people evil or does it bring evil out of us? The first character in Dracula that has developed into something different after first stepping foot into Count Dracula castle was is Jonathan Harker.
After first meeting the Count, Jonathan was uneasy about the way he conducted himself and his lifestyle, but it didn't take long for his infatuation with the Count to only be explained by a creature in which he probably only heard stories about. After learning that the count was a vampire he “A terrible desire came upon me to rid the world of such a monster...the shovel turned in my hand...merely making a deep gash from above the forehead” (Dracula 52). Before Jonathan came to this castle I'm pretty sure he was not a murder so his first instinct probably should have been to run away instead of kill Count Dracula. Killing is out of character for Jonathan but that was his first instinct which shows that Dracula is already inside his head. As Jonathan stays in the castle as a hostage, we see his sexuality start to break his surface of sexual modesty. Jonathan feels “a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain; but it is the truth.” (Dracula 38). Although Jonathan has guilt and remorse for the feelings of arousal that he has right now, he is supposed to be in love with the woman he is going to marry and he is betraying the marriage already. Jonathan’s internal conflict that we see is him trying to not give into is temptation because he thinks it is wrong, but he wants it
nonetheless. The next character that has been affected after Count Dracula entered their lives was Lucy. Sexuality was a topic that was condemned in any and all contexts. In the society in which Dracula was made for over sexualwomen were not tolerated however in the castle of the Count we see women expressing their sexualtiy to the extremaes. We see this when Lucy turns into a vampire the first thing she said was “Arthur! Oh my love, I am so glad you have come! Kiss me!” (Dracula 161). In most stories we see newly turned vampires have a thirst for blood but Lucy’s sexuality was her “blood” and satisfaction that she was never able to express. Lucy’s hidden desire of sexual expression was overcame by the nature of the vampire. Lucy told Arthur, “Come to me Arthur. Leave these others and come to me. My arms are hungry for you. Come, and we can rest together. Come, my husband, come” ( Dracula 211). Women even to this day rarely approach men, and back during that time it never happened, except in the Count’s castle. We see Lucy and the other female vampires approaching the men in this castle and it is very taboo for this to happen. The female vampires are taking hold of their deepest desires and fulfilling them as the “New Woman”. In Dracula human nature is the source of all negative emotions when it comes to desires and being a vampire is freedom of society’s opinions and rules. A lot of things happened in Count Dracula’s castle that society was frowned upon but people like Jonathan and Lucy became accustomed to it in some manner and fashion. Society tends to dictates what is good and what is bad. As a result there is a lot repressed feelings and emotions despite having conflicting judgements. Dracula is challenging social judgement and making the audience re-evaluate that we think is acceptable and unacceptable.
Throughout many types of literature, violence exists to enhance the reader’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off, the whole ordeal with the wolf escaping and jumping into Lucy’s, room and Lucy’s mom having a heart attacked is never even mention in the movie. Second, The night when the four men go to Lucy’s grave and find it empty is stated both in the book and in the movie however what unfolds after this is different. Finally, the end of the book differs severely from what Francis Ford Copolas rendition and that of the Bram Stoker see it to be. The differences are as follows…
Dracula kills Lucy who is a sweet, victorian woman that did not deserve to be bit by Dracula. Killing people, to most people, would be an action only a purely evil person would do “Lucy’s eyes in form and colour; but Lucy’s eyes unclean and full of hell-fire, instead of the pure, gentle ors we knew” (226). Lucy getting bit not only hurt Lucy, but it caused all the people near and dear to her hurt also. Vampire-Lucy still looks pure and sweet which is even harder on the people she loves because they see that she looks beautiful and like herself but she is not herself. When something evil is being hidden as something good it is extremely evil and hurts the people that love and care for her. He does not act how a civilized and well manored man should act. He hurts other people to benefit himself. Clearly such actions are incredibly evil and no sane person would think to do such a
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
While Cullen chose the path of compassion and became a doctor (Meyers, 2005; pp. 339), the Count planned to invade the British empire (Stoker, 1897/2001; pp. 328). Healing or invading, both can get lonely with time. Cullen, as a physician had decided to turn a human into vampires only if he could save them from death. All the humans that Cullen changed, he called them as his family. They were part of his coven and moved with him wherever he went (Meyer, 2005). On the other hand, count Dracula took by force and against the will of his victims. He possessed the power to hypnotize and control his victims, as he controlled Mina when he forced her to drink his blood (Stoker, 1897/2001). He lives with three beautiful female vampires in his castle, but their relationship to the Count is not clarified in the book. In chapter 3, when they are scolded by the Count for attacking Harker, they taunt him that he does not love, Dracula responds that “Yes, I too can love; you yourselves can tell it from the past” (Stoker 1897/2001; pp. 39). Although they exist in the castle and are fed by the count as noted in Jonathan’s diary entry, Dracula has no apparent interest in them. Similarly, after he changes Lucy Westenra to a vampire he stops visiting her. He feels no need to connect or form relationships with the humans he changes. As immortals, both Cullen and Count Dracula are destined to
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Dracula most definitely contains degenerate characteristics throughout the novel. He has a lack of compassion for people’s well being, and has signs of selfishness. Vampires fit under the degenerate theme very well. How he became a vampire we are not sure, although Van Helsing calls him King-Vampire, because of his consistency and power driven obsessions towards his cravings. His powers include a wide range of abilities in which some are beyond the powers of the other vampires or immortal people in the novel. Degenerates are predestined to crime and don’t know why it is wrong. Van Helsing wrote of Dracula by saying, "The Count is a criminal and of criminal type. Nordau and Lombroso would so classify him, and qua criminal he is of imperfectly formed mind" (Stoker chapter 28). With all his killings and bites he proceeds on people, Dracula fights the degenerate theme.
The vampire, or monster, could be seen as the unfavorable downturn in social status. The trust that the family put into Dracula only to be betrayed by him could be looked at as fraud. The hypothetical of what Dracula stands for, being the lower class, tricks the high class family into believing he is higher class than he really is. This makes him the villain. It also means that he needs to be outed for what is really is. This being shown when Van Helsing figures out that Dracula is a vampire. This would mean that the overt is a monster killing people, and the covert is secretly being lower class.
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
Stoker has rendered the reader to see the Count as physically strong and powerful, through Jonathan Harker and his confinement and Lucy Westenra and her failing health. Although the reader does not understand all the omniscient powers and control that Count Dracula possesses over people, they are brought to light through Dr Steward’s accounts of his patient R.M. Renfield. The ‘strange and sudden change’ (Stoker, 86), that has happened in Renfield evokes the reader to contemplate the Count’s influence over people. Dr Steward suggests it is as though a ‘religious mania has seized’ Renfield (Stoker, 87), and is controlling him. The reader is aware that Renfield can feel the Counts presence and that there is a connection between them. This eventually leads Van Helsing to recognize the bond between Mina Harker and the Count, which helps them to find Dracula and finally kill him. Dracula’s invasion over Renfield also reveals a weakness in the Counts power. Renfield, an obedient servant of Dracula, claims he is ‘here to do Your bidding, Master. I am Your slave’ (Stoker, 88). Renfield’s devotion is quickly reversed when he sees that the Count is taking life from Mina. It is his care for her that causes him to turn against Dracula and try to fight for her. Again Renfield’s actions mimic that of the other men as it becomes their goal to save Mina from the invasion running through her body. The key to this invasion is the blood.
He is on his way to Transylvania to complete a property transaction with Dracula at his decaying castle (Swan). Then Jonathan soon realizes he is a prisoner at the castle with Dracula and the three sisters who reveal themselves as vampires to Jonathan (Stoker). But there are differences between the novel and the film with the first being in the movie when Jonathan ask the Count why are you buying houses in these specific locations (Bram Stoker’s)? The movie never answers this question, but the novel explains the fifty boxes that have Transylvanian dirt in them need to be at these locations neighboring London, so Dracula could rest and rebuild his strength which must be in a coffin with his homelands dirt (Bram Stoker’s). Next are the variations of how he became to know the sisters of Dracula (Canby). The movie shows the sisters morphing up through his mattress while he is trying to sleep. Although the novel states he wanders into their room where he sits down to write in his journal when he becomes sleepy and they appear out of nowhere trying to feast on his neck (Canby). Next is the contrasting effect of Jonathans religion. In the novel, he is a devout religious God-fearing man praying and asking Him to help and keep him safe each step of his way while in the movie Jonathan wears the crucifix he received on his carriage ride to the
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
Mina Murray was engaged to Jonathan Harker and when Dracula kept him prisoner, the Count wrote letters to Harker’s boss and pretended to be Jonathan and to inform his boss and his fiancé that things were going good with his business trip. The Count was giving Mina and Jonathan’s boss false hope and keeping Harker prisoner at his castle. Dracula would even dress up in Harker’s clothes and mail the letters so it would not arise any suspicion. The Count seemed to only focus on turning women into vampires and he used the men to lure the women into his trap. Therefore, that is why he was keeping Jonathan alive. Everything Dracula did was made with lots of forethought. Such as when Lucy a young woman who also was a friend of Mina was mysteriously getting ill and sleep-walking during the night no one knew what was happening to Lucy because she would get sicker after they discovered she was sleepwalking. Lucy was sleep walking because she had gotten bite by Dracula and every night he called to her so he could feed off her again. He also made sure she was alone and waited a few days before attempting to suck her blood again. Although, Dracula was a smart man in his cunning actions he could not hide the fact that something evil was
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
The first part of Dracula's insanity to address is his devious planning throughout the novel. Even at the start of the book, he holds Jonathan Harker hostage inside Castle Dracula. For example, he has no care for Jonathan when he is staying at his castle. He replies to the vampires saying, “Well, now I promise you that when I am done with him you shall kiss him at your will. Now go! Go! I must awaken him, for there is work to be done" (Stoker 105). This shows Jonathan as just a part of Dracula's plans. This is what makes Dracula ...