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Blood symbolism in dracula
Blood symbolism in dracula
The history of vampires short essay
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Renfield is not yet a vampire, but he longs to be one. So much so that he begins to eat organisms, starting with flies, spiders, and birds. This obsession with vampirism drives him to be seen as mentally insane, which shows that Dracula is not only physically strong, but also mentally manipulative. Since Dracula has the power to convert Renfield into a vampire, there is a bond created that will exist until the conversion happens. By remaining in the human form, Renfield serves as a link between humans and the supernatural world.
Renfield is also important due to the fact that he provides insight into Dracula’s whereabouts. Without Renfield, this connection would be lost and the quest for Dracula’s death would become much more difficult for
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the characters. 2.
In Dracula, sleep represents the susceptibility to vampirism. A person is most vulnerable in his or her sleep. Physically they are in a tranquil state of being. Mentally, people are in another state of mind (dreaming). This is why Lucy has someone who stays in her room while she sleeps. Since she is unable to protect herself against forces of evil while sleeping, she requires assistance from an able-bodied guard.
Jonathan’s closest coming to death occurs when he is at Dracula’s castle. The Count warns him by saying “should you leave these rooms you will not by any chance go to sleep in any other part of the castle” (Stoker 38). The one time that Jonathan does accidentally fall asleep in another room, he is almost bitten by the three brides of Dracula. Also, Lucy is bitten while she is sleep walking. This is because she is unable to defend herself because she is not aware of what is going on around her.
3. Blood represents life as well as the transfer of life from one person to another. This is particularly seen in two instances. Renfield yells out “the blood is the life! The blood is the life” (155). This is in response to him cutting open Seward’s wrist and licking up the blood from the floor. Renfield attempts to live as a vampire until his time comes to be one. The whole objective of spreading vampirism is asserting one’s dominance over another. Essentially, vampires take a person’s life in order to provide eternal life to
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themselves. Another example of the blood signifying the transfer of life is the literal definition of a blood transfusion.
Arthur is Lucy’s true love and says “my life is hers, and I would give the last drop of blood in my body for her” (134). Not only is he speaking symbolically of his life, but also literally in the sense that he would give up all of his blood, which would take his life and give it to her. After the blood transfusions, Lucy has “the blood of four strong men” inside of her (165). This also displays the superiority of men over women, meaning that the blood (life) of a woman is not of equal value to that of a man.
4. During this time period, fin de siècle brought upon fears of the unknown dealing with the turn of the century. Many of these fears were due to the unfamiliarity that was to come. Technology also began to modernize which can be seen throughout the entire novel. Blood transfusions were a medical breakthrough that had not been very common at the time. Also, many people switched to using telegrams rather than writing hand written letters. However, technology, past and present, has a tendency to falter. This caused some of the telegrams to delay, which slightly altered some of the events in the
plot. 5. The first sign of Christian rituals in the novel is the crucifix. In the very first chapter, Jonathan meets an old woman who “[took] a crucifix from her neck and offered it to [him]” (9). The crowd around the inn “all made the sign of the cross and pointed two fingers towards [him]” (10). In the Bible, the crucifix symbolizes Jesus’ sacrifice of his own life to better the lives of his people. Thus, this furthers the fight between the forces of good and evil. Showing this literal symbol to an antichrist diminishes his power during that moment. He is faced with the power of good which ultimately overrides evil. Another Christian ritual that is presented is when Renfield says “the blood is the life” (155). This is a biblical allusion to the Last Supper and Communion. Jesus tells his disciples to drink his blood that he shed for them for the remission of his sins. Jesus says “whoso eateth my flesh, and drinketh my blood, hath eternal life […]” (English Standard Version, John 6:53-54). This is also the basic belief of vampires. Once a person is bitten, he or she must drink blood in order to maintain his or her promise for eternal life.
Dracula can turn humans into the Undead. An example is the three women whom he has turned into vampires, creatures of the night. Renfield desires to be made into a creature of the night. He views Dracula as his master and seeks only to serve him. Lucy is made into a vampire by Dracula. However, the most memorable person he has given birth t...
In All the Pretty Horses, Cormac McCarthy uses blood as a unifying concept allowing it to flow within the body of the text; the reader gets a sense that the novel is giving life to someone while simultaneously bringing upon its death. The reality of John Grady exists within the use of blood, connecting his life to the natural beauty and animals through which his character emerges. Blood is essential for the human race; we need it to live, once having bled we learn and if we lose it all, we die. Nonetheless, blood associates us to the world around us; its flow so similar to the flowing waters, its color so alive and “nothing can be proven except that it is made bleed.” (p.230)
Dracula kills Lucy who is a sweet, victorian woman that did not deserve to be bit by Dracula. Killing people, to most people, would be an action only a purely evil person would do “Lucy’s eyes in form and colour; but Lucy’s eyes unclean and full of hell-fire, instead of the pure, gentle ors we knew” (226). Lucy getting bit not only hurt Lucy, but it caused all the people near and dear to her hurt also. Vampire-Lucy still looks pure and sweet which is even harder on the people she loves because they see that she looks beautiful and like herself but she is not herself. When something evil is being hidden as something good it is extremely evil and hurts the people that love and care for her. He does not act how a civilized and well manored man should act. He hurts other people to benefit himself. Clearly such actions are incredibly evil and no sane person would think to do such a
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
While Cullen chose the path of compassion and became a doctor (Meyers, 2005; pp. 339), the Count planned to invade the British empire (Stoker, 1897/2001; pp. 328). Healing or invading, both can get lonely with time. Cullen, as a physician had decided to turn a human into vampires only if he could save them from death. All the humans that Cullen changed, he called them as his family. They were part of his coven and moved with him wherever he went (Meyer, 2005). On the other hand, count Dracula took by force and against the will of his victims. He possessed the power to hypnotize and control his victims, as he controlled Mina when he forced her to drink his blood (Stoker, 1897/2001). He lives with three beautiful female vampires in his castle, but their relationship to the Count is not clarified in the book. In chapter 3, when they are scolded by the Count for attacking Harker, they taunt him that he does not love, Dracula responds that “Yes, I too can love; you yourselves can tell it from the past” (Stoker 1897/2001; pp. 39). Although they exist in the castle and are fed by the count as noted in Jonathan’s diary entry, Dracula has no apparent interest in them. Similarly, after he changes Lucy Westenra to a vampire he stops visiting her. He feels no need to connect or form relationships with the humans he changes. As immortals, both Cullen and Count Dracula are destined to
His main victims, Lucy and Mina, are the best examples of how he expresses these desires. Lucy Westenra is the first victim and the first point of emphasis for Dracula's desire to create in the novel. Once Dracula arrives in Whitby a mysteriousness comes about Lucy. She is sleep walking and seems like she has someplace to go or someone to get to. Mina observes this unusual sleepwalking “Strangely enough, Lucy did not wake; but she got up twice and dressed herself” (Stoker 74). The notion of sleepwalking describes the fact that Dracula is somehow trying to draw Lucy to give in and execute his creative desires. Eventually, Lucy escapes from her room, not seen by Mina and is later found in the middle of a graveyard. This is where Dracula executes his desires and makes Lucy his victim: “There was undoubtedly something, long and black, bending over the half-reclining white figure….I could see a white face and red, gleaming eyes” (79). This mysterious figure is Dracula and his making of vampire Lucy was marked with two hole punctures in her neck. These punctures are made from a bite. This action of biting someone's neck is both aggressive and sexual. A pleasure spot on a human beings body is the neck, it is sensitive to the touch of fingers/lips. It is an arousal technique and it just so happens that this is the common method for Dracula to create his vampires. This is a direct evidence to the unleashing of Dracula`s sexual repressions. Dracula’s desire to create and releasing of sexual repressions is also evident when he victimizes Mina. After Lucy’s death, Dracula goes after Mina and the first major event evident to this is when he makes her drink his blood through his chest. “Her white nightdress was smeared with blood, and a thin stream trickled down the man’s bare breast which was shown by his torn open dress” (242). The notion of blood and Mina being victimized by having to suck
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
In the novel, Dracula, Bram Stoker puts together a variety of characters with several characteristics that are unique and somewhat alike in many ways. One way that some of the characters are similar is that they show signs of being a degenerate. A degenerate is a person who has sunk below a former or normal condition and lost normal or higher qualities. These people most likely have mentally and sometimes physically become deteriorated to the point where they no longer can think and function as a normal person would. Two characters in the novel that stand out as degenerates are Dracula and Renfield. Both are degenerates in their own ways and also have characteristics that are in some ways the same. They follow most of the traits that degenerates contain and portray it throughout the novel.
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
‘Dracula’ is a novel that probes deeply into people’s superstitions, fears and beliefs of the supernatural. The creature Dracula is an evil being with no concern for others, he kills for his own ends and cannot be stopped, and this is what makes ‘Dracula’ truly frightening.
This begins with Jonathan Harker's journal, in which he records his adventures in the Carpathians. This is important, because his journal is an important clue in finally determining what exactly is happening. His fiancé, and later wife, Mina transcribes the journal, and then shows it to Dr. Van Helsing, a noted physician, attorney, philosopher, and metaphysicist. Through the journal, Van Helsing is able to determine what exactly happened to Lucy, who earlier in the novel was a victim of The Count. The phonographic journal of Dr. Seward was useful in observing Mr. Renfield, also a victim of Dracula, who the protagonists used in order to locate The Count's London abode.
That morning he is to leave, a crowd is awaiting him and muttering strange things. Harker says, "I could hear a lot of words often repeated, queer words" (Stoker 6) to address his confusion about what was going on around him. He Count Dracula, a hermit who lives on a cliff, detached from society, strikes at night to find anyone alone--whom he considers easy prey. A prime example of one of these victims is Lucy Westenra, who ends up outside in the middle of the night after she sleeps walks to the town square. When Mina Murray finds her, she describes the discovery, “There was undoubtedly something, long and black, bending over the half-reclining white figure.”
Symbols are present in every person’s daily life. Symbols are seen everywhere, whether it is through art, religion, culture, or road signs, they are all around. Blood is a symbol that is seen in art, religion, literature and many other visual forms. Its direct connection to the human body is a significant aspect of its symbolism. People in the medieval period, which was right before Shakespeare’s time, thought that the blood was a person’s life force, and to some extent they were right. Literature uses blood to represent a variety of things such as a character’s desires, emotions and conscience. In the play “Macbeth,” by William Shakespeare, blood symbolizes many things, however, the most significant
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
Dracula is “un-dead”, once human before his vampire state and clearly separate from human form, establishing his frightening allure. His fangs, hands and sharp nails are horrifying up close. He is not corpse at first look, mysteriously resisting the decay of death. Dr. Seward comments, “she was, if possible, more radiantly beautiful than ever; and I could not believe she was dead” on Lucy’s vampire state (Stoker 200). At several points in the novel Dracula is life like, “simply gorged with blood; he lay like a leech, exhausted with his repletion” (Stoker 52). The monstrous life in death is an “essential gift of Stoker’s vampires to the twentieth century; a reminder, not of the dreadfulness of death, but the innate horror of vitality” ( Auerbach 95). Edward is opposite in appearance to Dracula. The venom from the bite that transforms human into vampire freezes their appearance forever. Edward was bitten at 17, and never labeled as horrifying.