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Why are symbols important
Symbolism in gothic literature
Symbolism in gothic literature
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Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Through sheer lack of knowledge, Lucy was unable to show
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Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including …show more content…
An example of survival can be found in the novel Frankenstein by Mary Shelley. The town’s people were scared of this unknown creature and were afraid for their lives. In an act of survival, they hunted the beast down in a full town riot. Lucy, John, and Van Helsing hold a significant part in the novel as far as surviving goes. Even though they shared more than others, their survival skills left a significant impact on the
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
While Cullen chose the path of compassion and became a doctor (Meyers, 2005; pp. 339), the Count planned to invade the British empire (Stoker, 1897/2001; pp. 328). Healing or invading, both can get lonely with time. Cullen, as a physician had decided to turn a human into vampires only if he could save them from death. All the humans that Cullen changed, he called them as his family. They were part of his coven and moved with him wherever he went (Meyer, 2005). On the other hand, count Dracula took by force and against the will of his victims. He possessed the power to hypnotize and control his victims, as he controlled Mina when he forced her to drink his blood (Stoker, 1897/2001). He lives with three beautiful female vampires in his castle, but their relationship to the Count is not clarified in the book. In chapter 3, when they are scolded by the Count for attacking Harker, they taunt him that he does not love, Dracula responds that “Yes, I too can love; you yourselves can tell it from the past” (Stoker 1897/2001; pp. 39). Although they exist in the castle and are fed by the count as noted in Jonathan’s diary entry, Dracula has no apparent interest in them. Similarly, after he changes Lucy Westenra to a vampire he stops visiting her. He feels no need to connect or form relationships with the humans he changes. As immortals, both Cullen and Count Dracula are destined to
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Dracula: a name that inspires thoughts of intrigue, fear, romance and in some a life style that is all its own. Yet one thing that is not always known is that there is a true story hidden behind the legend of Dracula. More than one actually, one in which a man is a demon who executes a hundred thousand men, impaling them, and dinning on their blood. Then there is the story of a patriot who cares for his people and is only doing what he must to protect them from the invading armies. The latter of which is less known, yet in the most famous book about Dracula, Bram Stoker brings forth many of the true facts about Vlad Țepeș also known as Vlad the Impaler. The tricky thing comes when we look at why Bram Stoker chose what he did for the book, and later what Coppola chose to leave out or modify from the novel when he directed the movie adaptation of Bram Stoker’s Dracula in 1992. Stoker wrote his based more on a German view of Vlad while Coppola modified his based on a more educated modern understanding of the times in which Vlad Țepeș lived, one of which Vlad was seen as a hero to the people of Hungary not initially the savage he is made out to be in many of the earlier studies.
Bram Stoker took the legend of Vlad Tepes and used it as an idea for Dracula. He was the ruler of an old country called Wallachia. He is most famous for impaling his enemies on sticks around his castle. He taught himself how to miss vital organs in the body, causing the victim to die a slow painful death. This is why people consider him an ancient vampire. What people don’t know about him is that the rich loved him, but the poor hated him. To anyone that didn’t have to seal to make it by he was great. But to the poor people who couldn’t buy food, they were always in fear of him. He was abused as a child, and this is what is thought to have caused his behavior. (Melton 1053)
Bram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as “foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best” (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of popular literary works representing epistolary novels written in the nineteenth century. The term “epistolary novels” refers to the novels composed of different types of documents, such as journals, letters, newspaper clippings and so forth. One of the effects created by using an epistolary format is providing the characters’ inner state throughout the story, which “focuse[s] on a broader exploration of the insights that made up the conscious self by and [the broader context]” (Ştefan 73). Consequently, Stoker’s use of fragmentary narratives delivers the main characters’ emotions and thoughts in more picturesque ways. In Dracula, the epistolary format of the novel increases terror and suspense, which derived from tension when the story alters after alluding characters’ insecure future and immense power of Dracula affecting not only the main characters, but the third parties who are irrelevant to them.
Vampires have long been an icon that challenges the idea of ‘myth’ while also being a perfect example of the term itself. Long before Bram Stokers Dracula, there was Carmella, the lesbian vampire. Before this there were the ancient Greek tales of the Lamia, who are best described by Lawson "....the chief characteristics of the Lamiae, apart from their thirst for blood, are their uncleanliness, their gluttony, and their stupidity" (LAWSON) that would suck the life essence of children. The difference with the vampire, however, is that while other monstrosities of literature and entertainment are considered mostly a natural evil, that is, in and of themselves capable of harm to general human interest, vampires are a commentary of relationships through a sort of
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
AGFS: Do you believe the power of any emotion can drive a person to do the impossible?
Women are viewed as the downfall of men and evil things are typically portrayed as feminine or of that nature. It is no coincidence that “the novel's “villains”, or vampires, are disproportionately female while the novel's heroes are disproportionately male”(Carol). The witches are described as beautiful temptresses who had a “deliberate voluptuousness which was both thrilling and repulsive”(Stoker 32). In Dracula, they are his subordinates and are supposed to follow his orders and obey his commands. He is much more powerful than them, so they operate in fear of his wrath. This can symbolize the actual relationships which Stoker has witnessed in which the wife or spouse is completely dominated by their male counterpart and submit to his every demand in fear of not fulfilling their husband's wishes. The three vampires disobey their master's commands when the main character, Jonathan, comes across them and they attempt to prey on him in a very sexual manner and grasp him by arousing his sexual desires. Dracula becomes furious by this disobedience and lashes out on them. After he does this he grabs a child as a sacrifice and gives him to the witches as a person throws a steak-bone to a dog. They devour the child like rabid animals as Dracula looks down upon them as inferiors and pure
You see the clear divide between the good and the bad characters of the novel itself. Stoker makes you believe that Dracula may only be capable of negative emotion. The main character traits being hunger, hate, bitterness, and contempt. Being s vampire though Dracula has some unexplained abilities that puts him at predatory level compared to humans. He has the ability to hypnotize others, to influence the weather and change his own shape not to mention his immense physical strength. He is portrayed as a tall, thin old man, with red eyes and unusually sharp teeth. But this white haired man explained at the start of the story begins to appear to be getting younger the more human blood he consumes. But with becoming younger and a more approachable with his look and clothing choices he still seemed to on the outside looking in on the world around him. Dracula lives alone in a rural area in a castle; that may not be to appealing and welcoming to other guests. Why would anyone bother going there in the first place, it brings out that type of feeling that just says “stay away”. It is like when Dracula would travel to London and interact with different people he just never seemed to look quite right, he could never really blend in with human society. Dracula would often come across as if he felt superior to humanity and it was as if they were only there for
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.