Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dracula blood symbolism essays
Dracula literary analysis
Literary devices in dracula
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Common threads in The Lost Boys, Dracula and Peter-Pan
In The Lost Boys there are similar occurrences and references to both of the novel Dracula, by Bram Stoker and Peter Pan, by Sir James Barrie. There are many similarities between the three story lines. In the stories of all three works there is a common thread of story it all started with Dracula.
The story of Dracula has many components of it used in the film The Lost Boys. The comparison’s begin with the vampire. Dracula is centered around the main vampire, Dracula. Dracula has many powers and ways he can alter reality. In the novel Bram Stoker's Dracula we see that there is a power struggle. In all of the universe, no one being has complete control over another. In Dracula God, Dracula, Nature, and Humanity have some form of dominance over another, whether it be direct control or as the instrument through which another must exert its power. In this paper we will examine the different ways that control and power are used.
Just some of The vampire’s numerous powers are: He can turn humans into the Undead, he is virtually immortal, he has the ability to grow younger by drinking blood, he casts no shadow, he casts no reflection, he has the ability to crawl along walls, he has the ability to control animals, he can control the weather and he also has the power to transform his own shape. Here we can see these powers.
Dracula can turn humans into the Undead. An example is the three women whom he has turned into vampires, creatures of the night. Renfield desires to be made into a creature of the night. He views Dracula as his master and seeks only to serve him. Lucy is made into a vampire by Dracula. However, the most memorable person he has given birth t...
... middle of paper ...
...and mayhem. The boys from Peter Pan exhibit the same traits. They are all young and wild. The carnival in The Lost Boys is equivalent to the Neverland in Peter Pan. It has all the things that children want, admire, and adore.
Bibliography
Primary Sources
Stoker, Bram; Dracula, (1897) Barrie, J.M.; Peter Pan, (1911)
Schumacher, Joel; The Lost Boys,(1988)
Secondary Sources
Dunbar, Janet, J. M. Barrie: The Man Behind the Image (1970)
Florescu, Radu, and McNally, R. T., Dracula: A Biography of Vlad the Impaler, 1431-1476 (1973)
Sorescu, M., Vlad Dracula the Impaler, trans. by D. Deletant (1987).
Florescu, Radu R., and McNally, Raymond T., Dracula, Prince of Many Faces: His Life and Times (1989)
Green, Roger Lancelyn, J. M. Barrie (1960).
McNally, Raymond, and Florescu, Radu, In Search of Dracula (1972; repr. 1994)
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Similar to Dracula, Twilight’s vampires have many of the same characteristics. The vampires in Dracula and Twilight both are very pale. People in both books often mention how pale the vampires are. Along with pale skin their skin is usually very tough. This meaning that it is very strong and does
Stevenson, John Allen. A Vampire in the Mirror: The Sexuality of Dracula. 2nd ed. Vol. 103. N.p.: Modern Language Association, 1988. JSTOR. Web. 6 Jan. 2014. .
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
In Senf’s essay she points out that modern readers of Stokers novel are more likely to be surprised by this version of Dracula. In Stokers novel most of the action occurs in nineteenth-century London. Senf also shines a light on the fact that Stoker has made it so he cannot comment directly on his characters’ failures in judgment, or their lack of self knowledge with the type of narration selection he has chosen, Dracula as well is never allowed a voice in this novel.
After two years, Bronya married and invited Marie to Paris to conduct her studies. Maria denied at first, for she did not have to money for tuition and was ...
One striking characteristic of the 20th century was the women's movement, which brought women to the forefront in a variety of societal arenas. As women won the right to vote, achieved reproductive freedom through birth control and legalized abortion, and gained access to education and employment, Western culture began to examine its long-held views about women. However, before the women’s movement of the 20th century, women’s roles were primarily of a domestic nature. Trifles by Susan Glaspell indicates that a man’s perspective is entirely different from a woman’s. The one-act play, Trifles, is a murder mystery which examines the lives of rural, middle-aged, married, women characters through gender relationships, power between the sexes, and
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
of typhus as well. Her oldest sister, Bronya, had to leave school early to take
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
In chapter eight of Bram Stoker’s novel, Dracula, Mina Harker’s journal entry serves to illustrate using the rational mind to combat the supernatural. In Mina’s entry, she recounts the strange event that has just occurred to her and caused her not to be able to sleep. In times of stress, Mina translates everything into analog, which is a familiar and understandable medium for her. After the events of the evening, instead of going into a dream state where she would be met with irrational dreams fueled by her subconscious, she chooses to write, which, unlike her dreams, she can control. The precise nature of writing is a comfort to Mina.
The Bell Jar by Sylvia Plath is recognized as an autobiography. But The Bell Jar was also laced with fictional events. Plath was inspired by Catcher and the Rye by J.D. Salinger, as you can see that the protagonists both have similar struggles to find a sense of themselves in an adult world. You could say that Plath was living through her character Ester, she imagined herself getting better and escaping that bell jar that held her in its inescapable glass walls. The Bell jar follows the protagonist Ester Greenwood and her descent into mental illness. It narrates a story of her successful beginnings where she won a writing internship in New York (1). But when she got there, everything slowly started to crumble and her descent into madness began. Ester struggles to
The Scope of Nursing Practice describes the “who,” “what,” “where,” “when,” “why,” and “how” of nursing practice. Each of these questions must be answered to provide a complete picture of the dynamic and complex practice of nursing and its evolving boundaries and membership. (ANA, 2010). Nursing is the protection, promotion, and optimization of health and abilities, prevention of illness and injury, alleviation of suffering