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Stephen Crane and realism
Stephen crane biography
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Stephen Crane Stephen Crane entered into the world of writing when realism was prominent. He had adopted this new view on writing called naturalism. Naturalism attacks composing text from a philosophical sense and dives in deeper than realism. It was a struggle for him to be successful writing in a style that people had not been exposed to yet. Because of Stephen Crane’s friends and family influence, he was able to write the Red Badge of Courage and help begin the naturalistic movement (American Lit) In the year 1871 on November first Stephen Crane was born to Jonathan and Mary Helen Crane in Newark, New Jersey. Stephen was the youngest of the fourteen Crane children, however Mary Helen, George Peck, Jonathan Townley, William Howe, Agnes …show more content…
In 1891 Crane met a fellow leading American realist of the time, Hamlin Garland. The two had very similar ideas when it came to writing. Garland had come to the conclusion about writing that, “to be true, not to the objective reality, but to the objective reality as the author sees it” (Glencoe). The young writer’s discussions with Garland helped him to establish his ideas about writing and jumpstart his career as a novelist. Stories told by veterans helped Crane tremendously when writing his novel. He also referenced many popular magazines written just after the battle. Many veterans also wrote memoirs that portrayed going to war “as an experience of initiation, or growing up, in which a young person moves from innocence, to familiarity, to wisdom” (Glencoe). Although Crane based his novel off these reencounters, the story that he told stood out from the rest. Unlike most adventure stories of the war, he focused his book about the violence and confusing of the battlefield (Glencoe). Naturalism was unheard-of in the 1895 when the Red Badge of Courage was published (History). During the mid to late 1800s realism was prominent in American literature. This movement focused on the average everyday life of an American through literature. Realism interprets any aspect of life without prejudice or romantic color. Naturalism and Realism do share a few ideas in common, however
Stephen Crane, author of The Red Badge of Courage, in regards to the American Civil War once despondently wrote, “It was not well to drive men into final corners; at those moments they could all develop teeth and claws” (Crane). Such describes the desperate and harrowing atmosphere of the time during which Abraham Lincoln was president of the United States. As Abraham Lincoln once perspicaciously reflected upon the significance of the Civil War, "The struggle of today is not altogether for today — it is for a vast future also" meaning that the war was paramount to the survival of the union and thus, one of the most momentous occurrences of American history (Lincoln). Nathaniel Hawthorne, a transcendentalist and author of The Scarlet Letter, cogitated upon the significance of having Lincoln as president during the Civil War while simultaneously conveying the idea that he deeply venerated president Lincoln for his strength of character in times of dire crisis. Hawthorne employs the use of vivid imagery, scintillating diction, striking juxtaposition as well as a reverent tone to effectively accomplish his purpose of conveying the fact that while Lincoln is superficially unprepossessing, his approachable attitude and his insightful nature make him an excellent president.
Stephen Crane firmly cemented himself in the canon of American Romanticism with the success of works such as The Red Badge of Courage and "The Blue Hotel." His writing served to probe the fundamental depths of the genre while enumerating on the themes vital to the movement's aesthetic. Such topics as heartfelt reverence for the beauty and ferocity of nature, the general exaltation of emotion over reason and senses over intellect, self-examination of personality and its moods and mental possibilities, a preoccupation with genius and the heroic archetype in general, a focus on passions and inner struggles, and an emphasis on imagination as a gateway to transcendence, as well as a predilection for the exotic, the remote, the mysterious, and folk culture are all characteristic of his stories.
Naturalism is the most interesting type of literature, because it describes the actual circumstances of human life through its characters by giving the author the opportunity to make his/ her stories factual or realistic. The short story “Greasy Lake” by T C. Boyle is naturalistic because nature is literally referred to as the key to the progression of life. As for the novel “The Outsiders” by S. E. Hinton the author expresses naturalism through a 14- year old boy named Pony Boy Curtis. Pony struggles with right and wrong in a society in which he believes he is an outsider.
Though in his short life Stephen Crane was never a soldier, his novel The Red Badge of Courage was commended by Civil War veterans as well as veterans from more recent wars not only for its historical accuracy but its ability to capture the psychological evolution of those on the field of battle (Heizberg xvi). Walt Whitman, on the other hand, served as a field medic during the Civil War. He was exposed perhaps to the most gruesome aspect of the war on a daily basis: the primitive medical techniques, the wounded, the diseased, the dying and the dead. Out of his experiences grew a collection of poems, "Drum Taps" , describing the horrors he had witnessed and that America suffered. As literary artists, a wide chasm of structure and style separates Crane and Whitman. The common cultural experience, the heritage of the Civil War connects them, throwing a bridge across the darkness, allowing them, unilaterally, to dispel notions of glorious battles and heroic honorable deaths. By examining Crane's Henry Fleming and the wound dresser from 'Whitman's poem of the same name, both fundamental literary differences and essential thematic consistencies emerge.
In Cranes story, The Red Badge of Courage, he has more of a naturalist point of view however in some of his other short stories he shows more realism. His point of view from story to story changes, however throughout The Red Badge of Courage he keeps a naturalist point of you. Henry’s views of instinct, luck, and death all point towards naturalism.
“The Red Badge of Courage” was written by Stephen Crane in 1985 as a fictional tale of a soldier of the Civil War. With its accurate depictions, readers were led to believe that Crane had at one time been a soldier. This was however not the case. Crane has a unique way of using themes and symbols in “The Red badge of Courage” to relay a very realistic portrayal of war.
The descriptions of war that he read in magazines were usually dry and too matter-of-fact. He also believed that they lacked connection to the real emotions that are brought about by warfare; “dates and locations of battles cannot even begin to reproduce the essence of combat” (“Naturalism”). Due to his yearning to learn more and provide a realistic representation of war, Crane researched many aspects of the battlefield and often referred to scenes he wrote about as “skirmishes on the football field” (“Biography of Stephen Crane”). Ultimately, Crane “saw the opportunity to craft the first novel that explored warfare from the point of view of the psyche” and he “attempt[ed] to show that humans were not designed to commit such atrocities on each other”
Stephen Crane's purpose in writing The Red Badge of Courage was to dictate the pressures faced by the prototypical American soldier in the Civil War. His intent was accomplished by making known the horrors and atrocities seen by Unionist Henry Fleming during the Battle of Chancellorsville, and the conflicts within himself.
The Red Badge of Courage, by it’s very title, is infested with color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes both the literal image of a dead soldier and Henry Fleming’s vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers’ physical wounds and Henry’s mental vision of battle. In the process, it gains a symbolic meaning which Crane will put an icon like the ‘red badge of courage’. Stephen Crane uses color in his descriptions of the physical and the non-physical and allows color to take on meanings ranging from the literal to the figurative.
Realism and naturalism arose out of a world which was increasingly becoming scientifically advanced. Airplanes,railroads, automobiles, steamboats and communication advances such as television, radio, the telephone and the telegraph
The world of Stephen Crane's fiction is a cruel, lonely place. Man's environment shows no sympathy or concern for man; in the midst of a battle in The Red Badge of Courage "Nature had gone tranquilly on with her golden process in the midst of so much devilment" (89). Crane frequently anthropomorphizes the natural world and turns it into an agent actively working against the survival of man. From the beginning of "The Open Boat" the waves are seen as "wrongfully and barbarously abrupt and tall" (225) as if the waves themselves had murderous intent. During battle in The Red Badge of Courage the trees of the forest stretched out before Henry and "forbade him to pass. After its previous hostility this new resistance of the forest filled him with a fine bitterness" (104). More omnipresent than the mortal sense of opposition to nature, however, is the mortal sense of opposition to other men. Crane portrays the Darwinian struggle of men as forcing one man against another, not only for the preservation of one's life, but also the preservation of one's sense of self-worth. Henry finds hope for escape from this condition in the traditional notion that "man becomes another thing in a battle"‹more selfless and connected to his comrades (73). But the few moments in Crane's stories where individuals rise above self-preservation are not the typically heroicized moments of battle. Crane revises the sense of the heroic by allowing selfishness to persist through battle. Only when his characters are faced with the absolute helplessness of another human do they rise above themselves. In these grim situations the characters are reminded of their more fundamental opp...
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.
113-117. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New York: Chelsea House Publishers, 1987. Cody, Edwin H. Stephen Crane. Revised Edition.
Naturalism and realism are tremendously similar in literary style, but their slight differences in details, such as environment and instincts, commence a dramatic effect in the author’s portrayal of the underlying themes. Realist literature developed in mid-19th century France in effort to progress toward literature not consisting of neoclassic romanticism. In this effort, literary works developed into characters and settings that are relatable to the audience, much like the compatibility of naturalism and the readers of its time period during industrialization. Even to this day, when people search for an enticing book to read, it is presumed that fictional novels that are relatable would be more appealing to the audience. However, unlike naturalism, realism depicts tales of optimism rather than that of pessimism....
There are many characteristics in Crane’s novel that would more readily fit within the category of realism: the ordinariness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and the positive ending of the story. Realism, often described as "slice of life" or "photographic" writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into preconceived notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers; rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henry’s regiment curse, fight, and argue just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the reader of his characters’ existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character – a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles.