Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character analysis in Antigone
Antigone character analysis
Character analysis antigone essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
When people fail to attempt to tolerate, listen and understand others ideas it often results in adversities and distress amongst themselves and their acquaintances. This is exemplified in the actions of Antigone and Creon in the playwright of Antigone. Both Antigone and Creon are headstrong and tenacious and stick to their ideals and ambitions. However, with their tunnel vision personality traits, it often leads them to fail to recognize the views of others, which ultimately results in tragedy. Both Antigone and Creon’s lack of consideration into the views of others leads to the the outcomes of many unnecessary deaths, and the suicide of both Antigone and Haemon. However, the tragedies exemplified from the failure to recognize the views of
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Not understanding or listening to the opinion of others can frequently have unfortunate consequences and even lead to tragedy. In the play, Antigone, written by Sophocles, the two main characters, Antigone and Creon, both failed to listen which led to the death of several people. It was exhibited how important it is to acknowledge the truth and this was the central theme of the play. The conflict between Antigone and Creon started because they had opposing viewpoints of whether or not Antigone’s brother, Polyneices, should have been buried after he died in battle. Antigone strongly believed that Polyneices should have because it was the law of the gods and they are eternal, while man’s laws are not. However, Creon, on the other hand,
Choosing to follow authority and the law is admirable and important in order to have a stable society; however, prioritizing family over all is imbedded in humanity. Family is part of one’s identity and greatly affects one's morals and opinions. If a person solely lives a rigid life, following authority over family, then compassion and the ability to be flexible is lost. Sophocles poses if authority or family is superior through the characters Antigone and Creon as their actions and opinions drastically contrast. Creon puts more importance on his rule and the law, while Antigone emphasizes the devotion to her bloodline and the gods. Antigone, although depicting that authority and the king’s rule is important, puts more importance
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
Heroes emotional state can hinder the effects of their heroic characteristics, which in turn will manipulate their self-confidence. Every hero shares similar and different emotional tragedies, but these poignant feelings can turn heroes into epic legends. These influential heroes, such as Odysseus, Aeneas, and Antigone were faced with emotional defeat, but they evolved their heroic characteristic traits through their mental challenges. Emotional qualities not only built these stories, but built these heroes. While these poetic stories differ, each of these heroes were cultivated by their personal emotional events in their lives.
Power, it can be a great thing, but in media we have seen thousands of examples of how it can turn you into your worst self. For, example, Scar from The Lion King, the Red Queen from Alice in Wonderland, Governor Ratcliffe from Pocahontas, or really any Disney villain-ever. In the play Antigone, the author Sophocles shows us just how power changed Creon into a power hungry arrogant child, and how his actions and the actions of others made consequences for not just them, but others too. The theme in the play that connects the actions and events of the play Antigone is power. The most distinct traits that Creon has in the play is that he is childish, oblivious to other people’s words, and has qualities of a tyrant.These traits became more
Is one right to disobey civil law when one’s conscience dictates? Is it ok to break the law to make yourself feel right, and to take a heavy law off your shoulders? In the play Antigone by Sophocles, Antigone disobeyed civil law when her conscience dictated and buries her brother, when she knows it is against the rules since he has been a traitor to their city. She does this because she knows that if she had not it would have made her feel guilty. It is right to disobey civil law to clear your conscience and do something right.
The conflict between Antigone and Creon in Sophocles’ Antigone brings to life a battle that we all have within us. Many times it is written that this play portrays a conflict between pride and morality. However, it can also be seen that Antigone isn’t a show of pride versus something else, but pride versus itself. With the two main characters we are shown two different sides of pride, a passionate pride and an authoritative pride. The pride of the characters ultimately leads to their deaths. Reading this play from the surface level, it, along with many other works can cause one to say that pride is an all around negative characteristic, but pride is much more two-faced than that, being both beneficial and destructive. Some may be quick to argue that pride is evil and deadly, but it could also be argued that it is the exact opposite. It all depends on how it is used and to what extent it is being used. The goal of this paper is to use the conflict between Antigone and Creon to examine the two types of destructive pride and discuss how pride, when used in a right way, is absolutely essential to who we are as humans.
Antigone is a character with fierce devotion and loyalty to the gods and her family rather than the societies laws constricting her choices. Sophocles specifically wanted Creon and Antigone to represent opposing forces to show the contrast between human ideological laws and laws of the gods. This extends to the philosophical ideology of what purpose humans have on this earth, whether it is to act ‘right’ in the ethical world, or believe in a higher power and follow the laws created by the society at a given time. By introducing these characters and ideologies, Sophocles dives in the idea of justification, as society creates its own set of boundaries for what is justified. This shows how society shapes people's morals and judgement of what is
Through the investigation of the writing of a culture, the peruser can find what was of genuine worry to the nationals. The tale of Antigone is an account of a young ladys search for importance to her life inside within the guidelines set around her the grown-up, the administration, in the individual of King Creon. In Julius Caesar, as translated in the English Renaissance by Shakespeare, is the tale of a gathering of nationals who question the get for control by one man. Both plays manage the idea of individual flexibility and activity versus laws to secure the welfare of the gathering in the city or state.
George Bernard Shaw said, "Life isn't about finding yourself. Life is about creating yourself." While analyzing Sophocles's play "Antigone", we studied the different characters to discover which character we relate to most. We learned about their trials and values; we read about their lives in ancient Greece around 430 B.C. They had an evil, cruel leader whose laws prohibited them to bury their beloved family and friends after an intense, gory battle. Throughout this play, Antigone refers to her pure morals and breaks the law to bury her brother. She confronts death but does so honorably. She becomes a role model and a great example to the town of Thebes. She becomes a hero in her sister's eyes! I have found that I am most similar to Antigone. I've evaluated my life and her story and have discovered that Antigone and I have complementary physical capabilities, personalities, backgrounds, and responsibilities.
Antigone, a famous tragedy written by the ancient Greek playwright, Sophocles, follows after the civil war between the two sons of Oedipus. In the war, the two sons of Oedipus, Eteokles and Polynices fight for the throne, but by each other’s hands, both sons die. Due to their brotherly feud, Eteokles and Polynices’s uncle, Creon takes upon the role of becoming the new king of Thebes. As a new king, Creon creates a law forbidding the burial of Polyneices, the brother who attacked Thebes. Polyneices, the exile who rebelled against Thebes. Meanwhile, Eteokles, who defended the country from the attack, would be honoured with a proper burial. He furthermore stated, if the body of Polynices were to be buried by someone, the burier must be executed. This law, however, is disobeyed by the daughter of Oedipus, Antigone, whose values were a contrast to Creon. Antigone’s value system contrasted Creon’s values throughout the play. However, all these conflicts were worsened, because Antigone is a woman and is refusing the traditional passive role of
In Antigone, the main struggle is between Antigone and Creon, which can also be seen as a struggle between the supremacy of legal and political institutions and the will of the Gods. The discourse of the play embodies the debate between the will of Creon and his faith in the laws and and the will of Antigone and her belief in the Gods. In this paper, I will defend Antigone’s burial of her brother and explain why she was correct in the context of Ancient Greece using other sources from the time.
This is not to say that there are not conceptual issues involved in the characters of Creon and Antigone. But the issues are too complex to be satisfactorily reduced to a single antithetical formulation. We must avoid seeing the protagonists as one-dimensional representatives of simple oppositions: right and wrong, reason and emotion, state and individual, or the like (62).