Is one right to disobey civil law when one’s conscience dictates? Is it ok to break the law to make yourself feel right, and to take a heavy law off your shoulders? In the play Antigone by Sophocles, Antigone disobeyed civil law when her conscience dictated and buries her brother, when she knows it is against the rules since he has been a traitor to their city. She does this because she knows that if she had not it would have made her feel guilty. It is right to disobey civil law to clear your conscience and do something right.
In the play Antigone by Sophocles, Antigone vs self supports the theme because antigone says “Creon buried our brother Eteocles with military honors, gave him a soldier's funeral, and it was right, and polyneices fought just as bravely and died just as miserably.” (line 17, page 751) This shows
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that she would feel guilty if Polyneices wasn’t buried and honored as Eteocles because he fought in battle just as hard and he deserves to be buried and honored just as Eteocles has been. Also in the play Antigone by Sophocles, creon and haemon supports theme because haemon says “She covered her brothers body. Is this indecent? She kept him from all the dogs and vultures. Is this a crime?” (line 68, page 773) this shows that haemon is on antigone's side even though he should be on his dad's side since Creon is king and Haemon is the heir to the throne. These both show that in antigone multiple characters went above the law to clear their conscience. In the play Antigone by Sophocles, Ismene and antigone vs creon supports the theme because Creon says “Snake in my ordered house, sucking my blood stealthily- and all the time u never knew.” (line 141, page 764)) This shows that Ismene and Antigone both have conflict with Creon because creon is blaming them both, when in fact only Antigone has done anything wrong.
Also in the play Antigone by Sophocles, antigone and ismene shows the theme because when creon tries to get ismene in trouble because he thinks ismene helped antigone ismene says “Yes, if she will let me say so. I am guilty” (line 147, page 765). This shows that ismene feels bad for not helping antigone and feels she should get punished too. Although ismene is trying to be punished, antigone says “no, ismene. You have no right to say so. You would not help me, and i will not have you help me” (line 148 page 765) this shows that antigone feels that she shouldn't let ismene get in trouble because it would make her feel guilty since ismene is innocent. Man vs man conflict shows the theme because in these examples the characters don't want to make themselves feel guilty by affecting
others. In the play Antigone by Sophocles the author’s purpose supports the theme because in the play antigone buries her brother and that even though it was against the law she decided that she couldn’t live with that guilt. Another example of the author supporting the theme is when teiresias states that creon will lose one of his kids and even though he knows it is not right to threaten the king he does because he knows he can save antigone from a lot of pain. These all show that the author supports the theme because the author clearly is showing that sometimes morality is worth breaking the law. In conclusion the theme that it is right to break the law when one's conscience dictates is seen throughout the play in various examples, and in conflicts such as man vs man and man vs self. Some of the characters such as ismene and antigone have a strong moral because they would go through harm to do what is right to them. The author supports the theme because the author clearly shows that the people that are going with their moral are considered the “good guys” in the story. Finally, the answer to the question Is one right to disobey civil law when one’s conscience dictates? Is that it is right to break the law when one's conscience dictates because it is sometimes fine to break the law when you know you will feel guilty if you don't go against the law.
In the play Antigone by Sophocles, the differences in Creon’s and Antigone’s passions and responsibilities helped illustrate both characters central flaws. By doing so, the play was also able to imply that in order to achieve a sense of inner peace and political stability; one has to be able to balance the two powers equally. Antigone and Creon are both very determined, zealous characters who were unable to achieve the stability because they were both unwilling to compromise. Often times, personal events or emotions can cause people to overlook moral or civil laws.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
Antigone Sophocles When a dictator dies, his image and fame dies with him, but when a self-sacrificing individual dies, their legacy begins. This statement is true because oppressed citizens do not fondly mention a mean ruler, such as Creon from Antigone, after he passes away. Yet a martyr, such as Antigone, also from the story Antigone, is remembered for her self-sacrificing deeds. Creon will not be remembered because he did not allow Antigone to bury her dead brother Polynices, and decides to execute Antigone for trying while Antigone’s legacy will live on because she has the courage to defy Creon, and chooses to sacrifice herself for Polynices' honor.
Creon also defied the laws of the gods. This is what is expressed in the line, "No wisdom but submission to the gods." In Antigone, the edicts and decisions that Creon made demonstrated that his law was more important than the gods laws. His defiance of the laws eventually made him believe, by talking to Teirisias, that something bad would happen to him, so he gave in to his decision. When he gave into the gods, he gained wisdom and learned that his actions would be punished.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
Antigone is the daughter of Oedipus, she has a sister, Ismene, two brothers, with a mother and an uncle, Creon. Antigone has watch her two brothers battle each other and soon slain each other. She is torn between the law and what is morally right. The brothers defended a side of their own in a war, one with the law, the other against it. Antigone’s father has passed away hence Creon being the new ruler. Creon's sworn to prohibit anyone to bury Polyneices, because of his treachery against the kingdom. While Eteocles, who fought with the kingdom, was given a soldier's funeral with military honor. Antigone begs her sister, Ismene, to help her bury Polyneices, but she declines in fear. Ismene warns Antigone not to harass the law and leaver their
Possibly the most prominent theme in Sophocles' "Antigone" is the concept of divine law vs. human law. In the story the two brothers, Eteocles and Polyneices have slain each other in battle. The new King Creon, who assumed the throne after Eteocles' death, decrees that because Polyneices committed treason against the king, he shall not be buried, but instead "He shall be left unburied for all to watch
After burying her brother, Antigone is caught, and is seems that the state is more powerful than the gods for a time. “And yet you dared defy the law.” (208) Creon thinks that his law is all-powerful and ...
This concept of defiance is best illustrated in Antigone when Antigone views Creon’s edict with odium. Although Creon exercises omnipotent authority as the king of Thebes, Antigone defies him with hubris by disobeying Creon’s mandate to ban Polynices’s burial. Antigone disagrees with Creon’s law, and she alternatively decides to bury Polynices herself. This act of defiance causes Creon to think that Antigone is “guilty of double insolence...Breaking the given laws and boasting it...Who is the man here, she or I, if this crime goes unpunished” (Sophocles 16). This quotation exemplifies Antigone’s pride because she believes she exceeds Creon’s power, and thus she is superior enough to disobey Creon’s orders. Antigone unapologetically boasts about her insubordination to Creon, as she openly admits that she committed this infraction. Even though this event is not seen to be a significant event in this play, Antigone’s pride resulting from Polyneices’s burial marks the beginning of a domino effect: an increasing conflict between Antigone and Creon which causes the gods to be angered, Creon’s family to fall apart, and the mass corruption of the city of Thebes. Collectively, these effects characterize Creon’s and Antigone’s downfall. Despite Antigone knowing the severity of her defiant actions, she states that “Creon is not strong enough to stand in my way”
The relationship between father and son is like water and fire. Fire being Creon father of Haemon being the water. Power hungry fire Creon sparks in power. A small flame but quickly grows into a forest fire that no amount of water can stop it. Whatever Haemon suggest doing what's right, Creon promptly burns through his opinion like it didn’t faze fire when water touches just a hiss of the evaporating allying with Haemon assumptions.
... middle of paper ... ... The first theme is present when Antigone continues on with her plan to bury her brother, even though she knows she will be killed. Another theme Sophocles' play portrays is foolish pride:
From the tragic plays Oedipus and Antigone, Sophocles exemplifies Creon’s dramatic character shift. In the beginning of Oedipus, Creon is seen as honest and short-tempered. Although he did not have the intention to end up as king, towards the end of the play, he gains interest in the throne and desires to take power over Oedipus to become the ruler of Thebes. When Creon is finally king in the second chapter, Antigone, he begins to adapt similar personality traits as Oedipus, having troubles with certain decisions made.