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Types of justice in antigone
Why did the greeks view pride as they did? cstu
Types of justice in antigone
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Pride is defined in various ways. Depending on its cultural context, pride can be referred to a company of lions, the best of a group, or even a body decoration (“Pride”). However, people oftentimes think of pride as being “a high or inordinate opinion of one’s own dignity” (“Pride”). When used according to this definition, pride either has a negative or positive connotation, meaning it can be detrimental to oneself or beneficial to a person. A negative connotation of pride is best revealed in Antigone, a Greek tragedy written by Sophocles in 441 BC. This play chronicles a constant conflict regarding Antigone and Creon’s disagreeing reverence for Polynices’s dead body. Exhibiting an unrestrained level of pride, or hubris, leads to one’s hamartia, …show more content…
This concept of defiance is best illustrated in Antigone when Antigone views Creon’s edict with odium. Although Creon exercises omnipotent authority as the king of Thebes, Antigone defies him with hubris by disobeying Creon’s mandate to ban Polynices’s burial. Antigone disagrees with Creon’s law, and she alternatively decides to bury Polynices herself. This act of defiance causes Creon to think that Antigone is “guilty of double insolence...Breaking the given laws and boasting it...Who is the man here, she or I, if this crime goes unpunished” (Sophocles 16). This quotation exemplifies Antigone’s pride because she believes she exceeds Creon’s power, and thus she is superior enough to disobey Creon’s orders. Antigone unapologetically boasts about her insubordination to Creon, as she openly admits that she committed this infraction. Even though this event is not seen to be a significant event in this play, Antigone’s pride resulting from Polyneices’s burial marks the beginning of a domino effect: an increasing conflict between Antigone and Creon which causes the gods to be angered, Creon’s family to fall apart, and the mass corruption of the city of Thebes. Collectively, these effects characterize Creon’s and Antigone’s downfall. Despite Antigone knowing the severity of her defiant actions, she states that “Creon is not strong enough to stand in my way” …show more content…
Pride-induced arrogance is beneficial when utilized at a small extreme, but a considerable amount of arrogance can lead to one’s ruin. Such idea is prevalent in Creon’s ruling of Thebes. While Creon believes he holds almighty power over the citizens, he thinks, “As long as I am King, no traitor is going to be honored with the loyal man. But whoever shows by word and deed that he is on the side of the State-he shall have my respect while he is living and my reverence when he is dead" (Sophocles 6). In this quotation, Creon orders citizens to respect his ruling by instilling fear to them. In addition, Creon states, “I now possess the throne and all its powers...these are my principles, at any rate, and that is why I made the following decision concerning the sons of Oedipus” (Sophocles 6). Both of these quotations display Creon’s arrogance stemming from pride because he deems that no one should resist against his orders. However, as stated earlier, his arrogance and pride become excessive, to an extent that his authority overrides his moral duties as a leader. In other words, his pride leads to his downfall that he cannot control because by the time he realizes his mistake about Polynices’s burial, it is too late to change. Arrogance resulting from pride is optimal when moderately monitored, but too much has negative
The plot revolves around a story of Antigone’s struggle to give Polynices, her brother, his final rights by giving him a proper burial, despite the fact that Creon has forbid for anyone to do so as Polynices was a traitor to Thebes and its people. One major struggle throughout the play is the apparent conflict between Antigone and Creon. Creon and Antigone have temperaments that clash with each other. Antigone values passion while Creon values the state. Although they have very different values, Antigone and Creon have very similar personalities. They are both stubborn, independent people who are so similar that they can never see eye to eye on issues. Both Antigone and Creon are filled with pride and passion in their beliefs. These traits can be considered both very advantageous and moral as well as being a negative trait that represents the stubbornness in human beings. Antigone and Creon are incredibly proud, making it impossible for either one to concede defeat once they have taken a stand for what they believe in. As stated by Tiresias “stubbornness brand...
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In most cases pride always results from great accomplishments. Pride can lead to deception where people especially the ones in power, base their decisions on their ability to have dominion over everyone else. It is the major cause of broken relationships within family members. Pride has and will always be root of evil unless people change and humble themselves. Pride is most evidently seen in Antigone by Sophocles where Creon, the leader, refuses to listen to reasons as seen through Teiresias and Haemon. Teiresias gives him an advice that states; “And your house will be full of men and women weeping, And curses will be hurled at you from far Cities grieving for sons unburied, left to rot Before the walls of Thebes.” (Ant. 214). Instead of listening to the advice and taking actions, Creon mocks Teiresias and tells him that his prophecy is for sale. Creon's human flaws and emotions such as pride and arrogance lead to his ultimate downfall as well as his family’s, which ties into him being the tragic ...
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Even though pride can be a good thing at times, it is hurtful, it is an emotion that can make or break someone.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
“All men are liable to err; but when an error hath been made, that man is no longer witless or unblest who heals the ill into which he hath fallen and remains not stubborn” (Sophocles 44). This quote talks about how all men make mistakes but the good men know when they are making one. When men realize they are wrong, they would repair what they did and if you don't, it means you have pride. Understanding hubris is essential because in the play, you can see that all the characters have pride. Creon was the character that had...
To begin with, an in depth analysis and understanding of Creon's intents and actions must be established in order to evaluate the reactions of Antigone and Ismene. The central conflict of Antigone derives from Polyneices' betrayal to the city of Thebes. As the ruler, Creon naturally feels compelled to exert his authority by refusing Polyneices a proper burial "for the birds that see him, for their feast's delight" (162). The grotesque imagery evoked not only illustrates Creon's endeavor to discourage further rebellion, but also portrays a personal defense to protect his pride; this need to reassert his pride significantly heightens with Antigone's involvement. From Creon's perspective, leniency represents vulnerability within a leader "if he does not reach for the best counsel for [Thebes], but through some fear, keeps his tongue under lock and key"(167). Throughout the play, the symbol of "tongue" frequently recurs, illustrating how society cond...
To begin with, possessing power predisposes one to become pompous. In Antigone, Creon perpetually thought he was superior to everyone else. He believed that he was the best, and because of his authority, Creon thought everything revolved around him. For example, during one part of the play, Haimon informs Creon of his wrongdoing. He tells Creon how the entire state realizes Creon’s fault, and Creon should not punish Antigone for the burial of Polyneices. However, Creon does not succumb. Because of his arrogance and pride, he does not admit his blunder. Creon claims “My voice is the one voice giving orders in this City!” (Sophocles 220). This quote shows Creon’s egotistic character, as he understood the state to be entirely about himself. He never took the citizens’ interests or input into consideration, and always believed his ideas were right. Similarly, whenever so...
Pride is a person dignity from there own achievements. The Iliad shows pride being used to be the consequence to revenge from Achilles. In book one, Agamemnon and Achilles are seen of showing pride and revenge. Agamemnon who is an overly powerful king who only thinks about himself and having the biggest army in taking control of others can result in having pride. Achilles is known for his many battles and achievements during the war that he gains his pride. It is when Agamemnon has to suck up his pride by giving back Apollo priest daughter for the good of his people:
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.