Even though pride can be a good thing at times, it is hurtful, it is an emotion that can make or break someone.
“Pride only breeds quarrels, but wisdom is found in those who take advice.” (Manimtim-Proverbs 13:10). In Sophocles, The Three Theban Plays translated by Robert Fagles, advice is one thing both Creon and Oedipus did not want to hear from people. A wise man will make mistake, take advice and learn, but a fool will not, they will let their pride get in the way. When I think of Creon and Oedipus, I think of them as fools; even though they both become king, they still lost something in the end due to their arrogance and excessive pride. Pride can be both negative and positive; when Pride takes over someone’s life, that person becomes arrogant, because that person tends to look down on others. I am not saying that pride is not a good quality to possess, but too much of a good thing can be a burden.
In Antigone, The prophet Tiresias told Creon that “all men make mistakes, it is only human. But once the wrong is done a man can turn his back on folly, misfortune too” (Antigone-lines 1132-1134). All human beings hate being wrong, that is a fact, but it takes a lot for someone to realize and admit it. A lot pride can make one seem very ignorant, even though it may not be intentional. The prophet also told Creon how pride is a crime, but that apparently offended Creon because his response was “ No, Reverend old Tiresias, all men fall, it’s only human, but the wisest fall obscenely when they glorify obscene advice with rhetoric all for their own Gain” (Antigone- lines 1158-1161). Creon had numerous opportunities to realize he had too much pride, and that his pride was hurting himself and others, but he was too blind t...
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...lines 1445-1446). Creon just could not take the guilt anymore, knowing that the cause of their death was his fault, all because of his excessive pride. Pride can be portrayed as confidence, it can bring one great success, but it is a deadly emotion that can also take everything away from one when it exaggerates. When it is too late to fix an issue, the only thing left are regrets of what could have been said or done to prevent the obstacles caused.
Works Cited
Sophocles, Robert Fagles, Bernard MacGregor Walker. Knox, and Sophocles. The Three Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus. New York, NY: Penguin, 1987. Print.
Manimtim, Jedley. N.p., n. d. 8 Oct 2013. .
. N.p.. Web. 8 Oct 2013. .
Pride is something that is essential in human life. Due to pride, we are able to see the joys
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Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
Being in power yields the assumption that everything is possible. In Creon’s case, he states that “never, if I can help it, shall evil triumph over good.” Creon’s pride in his position as King skewed his perception of what is just. He opens his Kingship commenting on this very feature of kingship, that “no other touchstone can test the heart of a man” like that of utmost power. Ironically, Creon reaches this touchstone, only to fail, causing many tragic deaths....
“I know that too- and it disturbs my mind. It’s dreadful to give way, but to resist and let destruction hammer down my spirit- that’s a fearful option, too.” (Lines 1224-1227) And so he tries to fix them before the prophecy comes true. “Tell me what to do. Speak up, I’ll do it,” (Line 1229) “you think I should concede?” (Line 1232) “Alas, it’s difficult. But I’ll give up. I’ll not do what I’d set my heart upon. It is not right to fight against necessity.” (Lines 1236-1238) By the time Teiresias had taken his boy and left, Creon realized his flaw and that the prophet was right, but it was too late to change his kismet. Creon had not known this yet, and began his journey to fix his wrongdoing. (Lines 1240-1245) “I’ll just go as I am. Come, you servants, each and every one of you. Come on. Bring axes with you. Go there quickly- up to the higher ground. I’ve changed my mind. Since I’m the one who tied her up, I’ll go and set her free myself.” His decision to not listen to the wise man when he was there trying to help, and his continuance to be intransigent until the last minute, led to his downfall. The interaction between these two characters helped develop the theme and plot by creating conflict, the realization for Creon of his downfall, and kept them busy while the plot moved forward behind the
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
A popular teaching of ancient Greek philosophers, was the ideal of “Sophrosyne” (wisdom), which rooted from self-knowledge, or “Know thyself” which was intended to be learned throughout a life time. Self knowledge would eventually lead to wisdom, good judgement, balance, control and harmony. In the play Antigone written by Sophocles we are presented with King Creon who believes he is righteous and blessed with wisdom from the heavens declares a ruling that no traitor of the nation shall receive burial, which goes against divine law. Did Creon make a wise judgement when dictating his new law or was it his pride that got the best out of him, leading him to his downfall.
One of Creon’s many failures as a statesman is his prideful attitude. For example, Creon believes that gods chose him to lead the kingdom: “But see, the king comes here, /Creon, the son of Menoeceus, /Whom the gods have appointed for us/In our recent change of fortune.” (Par. 122—125).This quote explains how authoritative Creon was when he first became king. Also, Sophocles explains how Creon’s divine rights made him feel superior to everyone else, which made him more insolent. In addition, Creon believes that he is the sole leader of the kingdom: “We’ll have no woman’s law here, while I live.” (Sc 2.444). Sophocles illustrates the dangers of pride in kingship. He emphasizes more on how kings should be reasonable to the citiz...
“All men are liable to err; but when an error hath been made, that man is no longer witless or unblest who heals the ill into which he hath fallen and remains not stubborn” (Sophocles 44). This quote talks about how all men make mistakes but the good men know when they are making one. When men realize they are wrong, they would repair what they did and if you don't, it means you have pride. Understanding hubris is essential because in the play, you can see that all the characters have pride. Creon was the character that had...
Sophocles. The Three Theban Plays: Antigone, Oedipus The King, Oedipus At Colonus. Penguin Books. New York, New York. 1982, 1984.
Wisdom reflects the values and criteria that we apply to our knowledge. Its essence is discernment. Discernment of right from wrong, helpful from harmful, truth from delusion. Being wise is not just being knowledgeable – it is applying that knowledge. Not just making statements – but also asking questions. It is giving but also listening to good advice, and it is learning from one’s mistakes. Also, wisdom and years are not always directly proportional. In Sophocles' “Antigone”, wisdom proves to represent a significant theme throughout the play. Creon, the king of Thebes, initially explains the importance of a ruler's duty of setting the city on its wisest course. However, as the play progresses, Creon fails to live up to his promises, by being irrational and selfish. Sophocles play emphasises how a lack of maturity and wisdom can have adverse effects on society.
Creon, after he learns of his mistake, intends to correct them. “I and my better judgement / have come round to this-I shackled her, / I’ll set her free myself.” (Sophocles, Antigone, 1234-1235). In comparison to Xerxes, Creon intends to “lay my pride bare to the blows of ruin” (1221). Creon’s reaction when he learns of the death of his niece, son and, and wife was one of intense grief: “herald of pain, more words, more grief? / I died once, you killed me again and again” (1414-1415). In these passages, Creon shows a willingness to have a perpeteia, or a reversal in action. Creon thought he had the authority to govern something only the gods could, and he attempted a perpeteia in this course, but ultimately was too late and was in a state of perpetual grief afterward. The people around Creon also sympathize with him: “for mortal men / there is no escape from the doom we must endure” (1457-1458) In this the leader of the chorus is identifying with Creon, in the acknowledgement of hubris and hamartei, a mistake in judgment, in life. However, a tragic heroes’ perpeteia sets them apart from a tyrant, in that the tyrant will continue to be hubris driven, whereas a tragic hero will have a moment of perpeteia and attempt to repent. The tragic hero will repent to prevent grief in his downfall, whereas a tyrant won’t even have a moment of
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...
The conflict between Antigone and Creon in Sophocles’ Antigone brings to life a battle that we all have within us. Many times it is written that this play portrays a conflict between pride and morality. However, it can also be seen that Antigone isn’t a show of pride versus something else, but pride versus itself. With the two main characters we are shown two different sides of pride, a passionate pride and an authoritative pride. The pride of the characters ultimately leads to their deaths. Reading this play from the surface level, it, along with many other works can cause one to say that pride is an all around negative characteristic, but pride is much more two-faced than that, being both beneficial and destructive. Some may be quick to argue that pride is evil and deadly, but it could also be argued that it is the exact opposite. It all depends on how it is used and to what extent it is being used. The goal of this paper is to use the conflict between Antigone and Creon to examine the two types of destructive pride and discuss how pride, when used in a right way, is absolutely essential to who we are as humans.
In 1297AD, pride was described as “A consciousness or feeling of what is befitting or due to oneself or one's position, which prevents a person from doing what he considers to be beneath him or unworthy of him; esp. as a good quality, legitimate, ‘honest’, or ‘proper pride’, self-respect; also as a mistaken or misapplied feeling, ‘false pride’” (OED 4). This type of pride is personal pride and the image a person must maintain to keep it. A person cannot allow them self to act in such a way that would be demeaning. An example of this would be a drill sergeant getting down with his recruits and performing the same demeaning drills as they are. The sergeant’s years of hard work and service would not be taken seriously if he were to lower himself to the level of their recruits therefore lowering his sense of pride.