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The role of fate in greek mythology
Creon as a tragic character
Creon as a tragic character
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“All men make mistakes--that’s not uncommon. But when they do, they’re no longer foolish or subject to bad luck if they try to fix the evil into which they’ve fallen, once they give up their intransigence. Men who put their stubbornness on show invite accusations of stupidity.” (Lines 1139-1145) In the Greek play, Antigone, Creon is an arrogant, self-centered king who has many foils throughout the length of the play. Teiresias’ character serves as the superlative foil towards Creon’s character by highlighting his sour attitude of disrespect, showing him what he has done wrongly through their negative interactions, and by exposing his fatal flaw. Teiresias is an old, blind prophet who has never been proven wrong, so when he tells Creon what …show more content…
all he has done wrong, and what it has caused, Creon begins to see things in a different light, but he realizes that he is too late to do anything about it, and everything he has ever loved is withdrawn. Teiresias challenges Creon’s sour attitude of disrespect when he confronts him about what he is doing wrong.
In Scene 5, the blind prophet comes in with a boy, and tells Creon about what he has seen and knows with good intent. “Our state is sick- your policies have done this. In the city our altars and our hearths have been defiled, all of them, with rotting flesh brought here by birds and dogs from Oedipus’ son, who lies there miserably dead. The gods will no longer accept our sacrifice, our prayers, our thigh bones burned in fire.” (Lines 1128-1134) He desires to help by warning Creon about what is happening and to fix what is wrong. “I’ve been concerned for you. It’s good advice. Learning can be pleasant when a man speaks well, especially when he seeks your benefit.” (Lines 1148-1151) Yet, Creon continues within his self pity and arrogance to tell the prophet that he is wrong for his advice and conflicting motives. He in turn, criticizes the prophet because he refuses to believe his own motives are the cause. “Old man, you’re all like archers shooting at me- For you all I’ve now become your target- even prophets have been aiming at me. I’ve long been bought and sold as merchandise among that tribe. Well, go make your profits. If it’s what you want, then trade with the Sardis for their golden-silver alloy- or for gold from India, but you’ll never hide that corpse in any grave. Even if Zeus’ eagles should choose to seize his festering body and take it up, right to the …show more content…
throne of Zeus, not even then would I, in trembling fear of some defilement, permit that corpse a burial. For I know well that no man has the power to pollute the gods. But, old Teiresias, among human beings the wisest suffer a disgraceful fall when, to promote themselves, they use fine words to spread around abusive insults.” (Lines 1152-1170) He does not truly realize this until Teiresias warns him about the consequences he could suffer from his choices. “Then understand this well- you will not see the sun race through its cycle many times before you lose a child of your own loins, a corpse in payment for these corpses.” (Lines 1194-1197) “Since my hair changed color from black to white, I know here in the city he’s never uttered a false prophecy.” (Lines 1222-1224) Creon knows that this prophet has never been wrong, and is not sure that he will be now. The negative interactions between Creon and Teiresias being about the conflict of Creon’s wrongdoings and make him realize all the damage he has done to his kingdom.
“I know that too- and it disturbs my mind. It’s dreadful to give way, but to resist and let destruction hammer down my spirit- that’s a fearful option, too.” (Lines 1224-1227) And so he tries to fix them before the prophecy comes true. “Tell me what to do. Speak up, I’ll do it,” (Line 1229) “you think I should concede?” (Line 1232) “Alas, it’s difficult. But I’ll give up. I’ll not do what I’d set my heart upon. It is not right to fight against necessity.” (Lines 1236-1238) By the time Teiresias had taken his boy and left, Creon realized his flaw and that the prophet was right, but it was too late to change his kismet. Creon had not known this yet, and began his journey to fix his wrongdoing. (Lines 1240-1245) “I’ll just go as I am. Come, you servants, each and every one of you. Come on. Bring axes with you. Go there quickly- up to the higher ground. I’ve changed my mind. Since I’m the one who tied her up, I’ll go and set her free myself.” His decision to not listen to the wise man when he was there trying to help, and his continuance to be intransigent until the last minute, led to his downfall. The interaction between these two characters helped develop the theme and plot by creating conflict, the realization for Creon of his downfall, and kept them busy while the plot moved forward behind the
scenes. Throughout the story from Teiresias’ appearance to the end, the plot was constantly moving, in the scene and the background to evolve the theme. As the two were arguing, Antigone had hung herself in a snare of fine woven linen, and the son, whom the prophet warned would die, had time to find his bride in their ‘horrifying marriage bed,’ to kill himself only moments later in front of him. Teiresias came in and caused conflict between himself and the king to highlight Creon’s major flaws, which were his arrogance, stubbornness, and intransigence when they argued.“Men who put their stubbornness on show invite accusations of stupidity. Make concessions to the dead- don’t ever stab a man who’s just been killed. What’s the glory in killing a dead person one more time?” (Lines 1144-1148) This quote succors Creon better understand his mistake, and warns him about what will lead him to his downfall, and it eventually destroys him in the end. If Creon had been more docile when interacting with other characters, his motives wouldn’t have been so conflicting, in turn preventing him from becoming a tragic hero and suffering such consequences. When Teiresias confronted him, he could have been cooperative and selfless, and changed his mind. Instead, he wasted his time arguing with the wise prophet, which could have been put towards ‘fixing his evil in which he had fallen’ and ‘his bad luck’ before it was too late. That few minutes of conflict could have been the difference between finding Antigone at her last breath and saving his family, or losing his loved ones. But now, he has made his mistake. He can no longer have bad luck because he’s already lost everything he has ever loved. If he had listened when he interacted with the enlightened, blind prophet, he could have become sophic without the suffering the gods put upon him for his mistakes. And in the process, prevented his downfall as a tragic hero. All of this leads back to the theme of the story, which is revealed by the chorus in lines 1491-1495. “The most important part of true success is wisdom- not to act impiously towards the gods, for boasts of arrogant men bring on great blows of punishment- so in old age, men can discover wisdom.” Creon did not listen to the wise one who expressed the disapproval of the gods, and exposed Creon’s arrogance when he did not listen. Consecutively, Creon suffered the unbearable blows of punishment from the gods, and now is on his way to being as foresighted as the decrepit prophet, Teiresias, who attempted to spare him of his woe.
The plot revolves around a story of Antigone’s struggle to give Polynices, her brother, his final rights by giving him a proper burial, despite the fact that Creon has forbid for anyone to do so as Polynices was a traitor to Thebes and its people. One major struggle throughout the play is the apparent conflict between Antigone and Creon. Creon and Antigone have temperaments that clash with each other. Antigone values passion while Creon values the state. Although they have very different values, Antigone and Creon have very similar personalities. They are both stubborn, independent people who are so similar that they can never see eye to eye on issues. Both Antigone and Creon are filled with pride and passion in their beliefs. These traits can be considered both very advantageous and moral as well as being a negative trait that represents the stubbornness in human beings. Antigone and Creon are incredibly proud, making it impossible for either one to concede defeat once they have taken a stand for what they believe in. As stated by Tiresias “stubbornness brand...
Creon has forgotten that the ruler is supposed to do what is best for the city and its citizens. Creon is under the impression that he is always correct in his judgments and his beliefs. Before the sentry even explains the event that has occurred, the sentry states that he is only a messenger and has not committed the crime. Yet Creon still accuses the sentry of receiving money to do the crime and threatens to punish him.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
First off, Creon’s belief in civil law caused him to do a grave action which in time lead to his downfall, he lied to the city of Thebes. Creon was never meant to be the king of Thebes, until the deaths of both princes, Polynices and Eteocles, he had no choice but to step up to the throne. He was unprepared and unqualified, he had to tell the city of Thebes the story of how both man died. So, Creon lied about what happened between the two brothers, making one the hero and one the villain; “Well, what else could I have done? People had taken sides in the civil war. Both sides couldn’t be wrong; that would be too much. I couldn’t have made them swallow the truth.” (Anouilh
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In Antigone by Sophocles, Creon is portrayed as a character with excessive pride. From the beginning, Creon demonstrates his authority and continues to make use of it throughout the play. At the end of Antigone, it may seem that Creon changed after realizing the consequences of his actions. However, his dialogue indicates that he still possesses a sense of pride. Creon remains a static character through the play. Creon’s arrogance is displayed in his language and behavior; interaction with others; and his reactions to his environment.
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
In addition, Creon disregards what had historically been the best counsel for the city, the blind prophet Tiresias. Despite Tiresias’ warnings that his “high resolve that sets this plague on Thebes,” will “strike [him] down with the pains [he] perfected,” Creon’s stubborn commitment to the laws of state turns to be his error. Eventually convinced by Tiresias’ warnings, Creon resolves to release Antigone from her isolated tomb. Regrettably, he’s too late and the consequences of his insolence for the divine laws were far worse than if he had “[L]ay[ed] [my] pride bare to the blows of ruin” (1220). Creon’s undoing can be viewed as an allegory of the calamities that ensue when the laws of man pursue to challenge the ancient laws of gods.
Creon first abused his power when he decided to go against the God’s law that every human deserved to be buried after death not depending on what that certain per...
When Tiresias arrives in Thebes to speak to Creon it at first appears that Creon will obey the advice the prophet has to offer. This can be seen through their exchange where Tiresias says, “I will teach you. And you obey the seer.” (1094) to which Creon responds, “I will,/ I’ve never wavered from you advice before.” (1095-96) through this dialogue it is clear that Creon values Tiresias’s opinion. It is also ironic because Creon later refuses to heed the advice he has been given by the prophet. In other Greek literature, such as Oedipus the King by Sophocles, the title character also chooses not to believe the blind prophet and in turn blinds and exiles himself. Considering that Creon was present for the events of Oedipus the King, it seems rather obvious that he should follow the prophet’s advice. What is truly ironic about both Antigone and Oedipus the King, the blind prophet Tiresias is the only character in both plays that can actually see what is really happening.
Paralleling ¨The Allegory of the Cave,¨ Creon, the king and antagonist of this play, foolishly believes that his opinion is infallible and the people of Thebes must blindly obey. Similar to how the cave dwellers naively accept the puppeteers images, the Thebans accept Creon's law for what it is, except for Antigone. Antigone is able to recognize that the law is incorrect, because she has seen the light and therefore the truth; this is the beginning of the unraveling of Creon’s reign. Creon rules as a King over those who remain in the dark; however, because Antigone has seen the light and can now recognize the truth, she stands in the path of Creon's leadership. Plato establishes that ¨ The state in which the rulers are most reluctant to govern is always the best. . . The state in which they are most eager, the worst;¨ contrastingly, Creon is represented as a power hungry tyrant ”declaring ¨Is not the city Held to be his who rules it?¨ Ultimately, Creon’s refusal to accept the truth leads to the death of his niece, son, and wife and the undermine of his rule as predicted by