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Literature is full of tragic heroes. A tragic hero is a character who makes a mistake that leads to his/her destruction. In the play Antigone, translated by Dudley Fitts and Robert Fitzgerald, Creon is a tragic hero because of the three main characteristics he has during the play. He was born into nobility, endowed with a tragic flaw, and at the end realizes he has made an irreversible mistake that he will regret for the rest of his life. As the play goes on, Creon gets more and more arrogant until he realizes the danger he has gotten himself and his family into. His situation gets worse when Creon tries to improve it. With these characteristics Creon has made decisions that caused some negative consequences.
Creon is a tragic hero because
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he is born into nobility and is the King of Thebes. He shows nobility when he is giving his speech about being next in line. “... and I as the next in blood, have succeeded to the full power of the throne.” Creon is saying that he has full power to the throne when he states “as the next in blood”. Since Oedipus as died and his sons he is now King of Thebes. During the speech Creon is giving his background and saying that he has more power than everyone else and the people of Thebes have to listen and obey his laws. There is a time where Creon talks to Haemon and he basically says that there is only one voice in the city and it’s his. “My voice is the one voice giving orders in this city.” Creon told Haemon just because he is king that he is the only one giving orders in the city. This is also a flaw that Creon has because he thinks that he has all the power and that he controls the city. Also, he is the one making laws for the city and everyone has to follow them. Creon is born into nobility which causes him to think all the power he has means that he is better than everyone else and his voice is speaking for all the people. Having a tragic flaw is described as being a tragic hero which is a characteristic Creon has.
. In the next quote Haemon is speaking with Creon and it gives details of having a tragic flaw. “ You are not in a position to know everything that people say or do, or what they feel: your temper terrifies them. Everyone will tell you only what you like to hear”. Haemon tells him that he doesn’t know everything there is to know. Also, Creon has a temper and gets angry easily if he doesn’t get the answer he wants. Then Haemon says that people are scared of him so they tell Creon what he wants to hear and that all the decisions he has are correct. For example at the beginning the Choragos follows Creon's decisions and says he is doing the right thing to Antigone. They told him this because the people didn't want Creon to get angry because they might be put to death. Creon did not want to show himself weak and he doesn’t want to admit that the decisions he makes are wrong. “ Do you want me to show myself weak before the people? Or to break my sworn word? No, and I will not. The woman dies.” Before this quote is said Haemon tries to change Creon’s mind about stoning Antigone. Creon then replies and says that he will not change his mind because the people will think he is gullible and will do what anyone tells him to do. This gives us the idea that he is very stubborn. Also, that Creon will rather be right than admitting he is wrong after he has made his decision already. In other …show more content…
words, Creon doesn’t want to change his mind about Antigone because the people might think that he is weak for taking someone else's advice and admitting he is wrong about the decisions that were made. In order to appear powerful and strong Creon gives orders and has laws that are some what harsh. Creon wants to make sure that people know he is in charge. The final reason why Creon is a tragic hero is because at the end of the play he realizes he has made an irreversible mistake.
Creon explains to the choragos that it is hard for him to admit the truth and to say that his decisions were inappropriate. “It troubles me, oh it is so hard to give in! But it is worse to risk everything for stubborn pride.” Creon realizes that he has made a mistake because of the stubborn pride he has. Creon says it is hard for him to give in to the fact that he is wrong but at the same time doesn’t want to risk everything. He is going to go release Antigone, even though it troubles him to think he was wrong, from the cave and finally sees that his decisions were too harsh. In this quote creon is is looking at Haemon, who killed himself, and has mixed emotions of what just happened and blames himself. “Here you see the father murdering, the murdered son, and all my civic wisdom: Haemon my son, so young, so young to die, I was the fool, not you; and you died for me. He states that his actions caused his Haemon to kill himself. Creon called himself a fool and because of his stubbornness Haemon and Antigone are now dead. Creon then receives news that the queen has killed herself too with a sword. His whole family is gone because of his irreversible mistake. Creon blames himself for not making the right decisions from the beginning and not listening to the people’s opinions. If he would have did that and not think everything he did was right maybe
none of this would have happened and now he is to blame and has to pick up the mess he had made. His mistake is now a consequence he will have to live with this guilt for the rest of his life. There are many characteristics of a tragic hero. Creon is a tragic hero because he made an irreversible mistake, has a tragic flaw, and was born into nobility. Overall, Creon wanted to appear stronger than he actually was and it lead to many consequences that would of never happened if he would of done the right thing and listen to other people’s opinions.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Creon's noble quality is his caring for Antigone and Ismene when their father was persecuted. Creon is a very authoritative person and demands control of others. When talking to the Chorus, Creon does not ask them to agree with the decree but demands that they follow it. Creon expects loyalty from others. It is apparent that Creon is very dominating and wants to be in control. "The man the city sets up in authority must be obeyed in small things and in just but also in their opposites"(717-719). Through this quote the reader realizes that Creon wants obedience in everything he decides even if he is at fault. "There is nothing worse than disobedience to authority" (723-724). Further supporting Creon's belief that everyone shall remain faithful to him even if he rules unfairly. This is proved true when Creon says, "Should the city tell me how I am to rule them?" (790).
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
Creon showed his stubbornness by not wanting to be proved wrong because of pride. When the Choragos tried to tell Creon that he made a mistake by telling that nobody can burry the body of Polyneices. Creon did not want to listen to the people of Thebes who tried to tell him that Antigone did the right thing, but of fear to Creon the could not really say anything. Creon thought by making an example of Antigone's execution, everybody would get scared and won't try to brake his laws. It actually worked for a while.
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
The fact that Creon persists in his actions despite the warnings of others (Tiresias, Antigone, Haemon, etc.) is part of what makes the tragedy so tragic -- he had chance after chance to back out. Antigone tries her best to persuade him, saying, "Surely, to think yours the only wisdom, / And yours the only word, the only will, / Betrays a shallow spirit, an empty heart," but Creon dismisses this because she is a woman. Haemon tries to tell his father that the people are not in agreement with him, but his father accuses him of being a weakling and arguing only to protect his fiancee. Finally, Tiresias the seer tries to warn Creon that what he is doing is not in accordance with the will of the gods, but Creon accuses him of lying for profit, saying, "Money! Money's the curse of man, none greater.
A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of noble stature. Tragic heroes are great, but not perfect. If they were perfect the audience would not be able to identify with the tragic hero. And lastly the hero's downfall is the fault of their own, the result of free choice, not of accident.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
In one of the three plays of Sophocles, “The Antigone” we come across a character who is trying to change the mind of a king who is his own father. In the middle of the play the character Haemon comes and tells Creon, “ I beg you, do not be unchangeable: Do not believe that you alone can be right. The man who thinks that, The man who maintains that only he has the power to reason correctly, the gifts to speak, the soul – a man like that, when you know him, turns out empty. It is not reason never to yield to reason!” Haemon tells his father this because he realizes that Creon is not going to change his mind on executing Antigone. Haemon realizes that the approach his father has taken towards this situation was wrong and that he is also wrong with his final decision. Antigone is the women who Haemon is suppose to marry and she is sent to die by Creon because she broke the rules that Creon set. The rule of the state that Antigone broke was that she gave her brother Polynices a proper burial knowing that Creon declared him as an enemy of the state and did not deserve the burial.
As the play opens one becomes acquainted with King Creon as the head of his society. This in itself meets one of Aristotle's criteria for being a tragic hero, yet as one reads further into the play it becomes obvious that Creon possesses the tragic flaw of arrogance. He refuses to admit that he is wrong in his judgment over Antigone. When Creon refuses to yield with his order for Antigone to die he exemplifies his own tragic flaw. Creon refuses to admit he is wrong because he believes within himself that he is right. This weakness can be compared to Romeo, in the famous play by William Shakespeare, Romeo and Juliet, who is impulsive and unyielding in his certitude. When Haemon comes to his father after hearing the news of Antigone's plight he pleads with Creon to be reasonable. Haemon compares Creon to trees in a flood. "You've seen trees by a raging winter torrent. How many sway with the flood and salvage every twig, but not the stubborn-they're ripped out." (Lines 797-799) Haemon wants his father to s...
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.