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Characterisation in the play Antigone by Sophocles
An essay on sophocles- antigone
An essay on sophocles- antigone
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In Antigone by Sophocles, Creon is portrayed as a character with excessive pride. From the beginning, Creon demonstrates his authority and continues to make use of it throughout the play. At the end of Antigone, it may seem that Creon changed after realizing the consequences of his actions. However, his dialogue indicates that he still possesses a sense of pride. Creon remains a static character through the play. Creon’s arrogance is displayed in his language and behavior; interaction with others; and his reactions to his environment. After the two brothers, Eteocles and Polyneices, kill themselves in battle, Creon becomes the King of Thebes. Creon quickly establishes his authority over the City of Thebes. He states, “Polyneices, I say, is to have no burial: no man is to touch him or say the least prayer for him; he shall lie on the plain, unburied; and the birds and the scavenging dogs can do with him whatever they like” (Sophocles 1808). As for the brother Eteocles, Creon demands that he has a proper burial because he was fighting for his country. In addition, Creon explains to his senators that they are not to support anyone who breaks the law. Without hesitation, Creon expects everyone in Thebes to follow his decree. He does not care that the tradition has always been to give everyone a proper burial. In this case, Creon defies the laws of the Gods further demonstrating his stubborn ways. Within his establishment as King, Creon automatically has various demands and expectations from the senators and the people of Thebes. In addition, Creon continues to display his pride through his language and behavior. Sentry informs Creon that someone buried Polyneices and that they did not have a clue as to who did it. Creon then gives a lengthy response in which he says, “Find that man, bring him here to me, or your death will be the least of your problems” (Sophocles
One of Creon’s many failures as a statesman is his prideful attitude. For example, Creon believes that gods chose him to lead the kingdom: “But see, the king comes here, /Creon, the son of Menoeceus, /Whom the gods have appointed for us/In our recent change of fortune.” (Par. 122—125).This quote explains how authoritative Creon was when he first became king. Also, Sophocles explains how Creon’s divine rights made him feel superior to everyone else, which made him more insolent. In addition, Creon believes that he is the sole leader of the kingdom: “We’ll have no woman’s law here, while I live.” (Sc 2.444). Sophocles illustrates the dangers of pride in kingship. He emphasizes more on how kings should be reasonable to the citiz...
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
It is very common for us to ignore a problem or refute the idea of its existence. we certainly can’t solve a problem by pretending that it isn’t there. Once the problem has been acknowledged, we can proceed to explore what the causes are. Shortly after Creon placed himself at odds with the will of the Gods with his new law that forbade burial to Polyneices, he is presented with the issue that someone has disobeyed his law. Choragos, his advisor, in an attempt to make him reason that the Gods do not favor his new establishment of the law, suggests that it may have been the will of the Gods for Polyneices to have been buried by an unknown person. We notice how Creon reacts furiously and orders Choragos to stop. “Must your doddering wrecks. Go out of your head entirely! The Gods! Intolerable! The Gods favor this corpse? Why? How had he served them?” (Sophocles Scene I 236-240). Creon has twisted Choragos’s words by interpreting that the Gods may have favored Polyneices over his rule. He feels as if questioning his final word is a sign of anarchy. He is presented with the problem and yet refuses to acknowledge it. Creon has failed to realize that he has challenged the Gods and once again his pride made him lack perception and overcomes his wisdom.
Creon is an antagonist in Antigone he is the bad guy and he opposes certain things like the right to burial. An example of his actions is can be seen here: “Polynices, who returned from exile with hopes of burning his native land and ancestral gods from top to bottom, wishing to feast on kindred blood and lead the rest into slavery, it has been decreed that in this city he shall be neither buried nor mourned by anyone, but everyone must leave him unburied, a feast for birds and dogs, an outrage to see” (Sophocles 200-209). Even though he is known for doing bad things he is still considered superior to everyone of Thebes. Antigone was known as the niece of Creon but she did not express herself as a famous and important person. Creon is proud of his position as king and he takes pride in his city and his decisions. “Do you realize you speak these lies to your king?” (Sophocles 1065). Creon shows his dominance in this quote. Antigone, however, is only recognized for being the niece of the former king and committing a crime against her own family member.
Creon showed dramatic irony when he said, “only a crazy man is in love with death” (scene 1 line 60). This shows irony because Creon keeps saying any man who defies him will be punished, but Antigone is the one who goes against him. This shows how Creon is ignorant and how he rushes to conclusions believing that only a man could do this when it was Antigone. This shows Creon as sexist and that he is an ignorant man. Creon showed dramatic irony when he said, “As long as I am king…” (Scene 1 line 49). This shows irony because he was prideful and we knew he would not be king for long. Creon was being prideful and cocky even though he will not be king for much longer. This shows that Creon as a character was very
Creon is depicted as a clear-headed, Calm, and rational character in “Oedipus the King” as he deals with a crazed Oedipus’ accusations of treason, as well as losing his sister, also Oedipus’ wife, through a suicide. He does not change from this personality until the very end of the play, when he gets his first glimpse of power as Oedipus’ reign begins to crumble. Even so, he remains gentle to Oedipus. His character takes a drastic turn for the worse after becoming the King of Thebes in “Antigone,” a position of now absolute power that begins to corrupt him. This corruption, in the form of pride, leads to Creon dismissing the rites of the Gods, believe his laws are absolute, a fatal mistake for him.
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
Though both brothers, Polynices and Eteocles, died at the hands of each other at the same time, Creon only paid proper respects for Eteocles because he died protecting the country. However for Polynices, he issued “a proclamation [that forbid] the city to dignify him with burial, morn him at all” and allow “his corpse, carrion for the birds and dogs to tear, an obscenity for the citizens to behold” (lines 227-231). Though it is typical for people of exile to have a different burial than regular Theban citizens, Creon’s barbaric instructions for Polynices burial is beyond immoral. Instead of being buried outside the city, Creon’s order is to not have him buried at all. This is a very torturous ending because when people die they need some type of burial to enter into the underworld, so Creon’s issue of this law meant that Polynices’ soul would be lost and without a home. Creon’s bizarre instructions are rooted in his personality as king and has less to do with Polynices himself. Instead of being a Theban king of honor, Creon let his pride get in the way which spoiled his leadership skills. His arrogance goes so overboard that he mocks the gods more than once. After proclaiming Antigone’s death, he first mocks Zeus by stating “let [Antigone] cry for mercy, sing her hymns to Zeus who defends all bonds of kindred blood” and again when he says “there let her pray to her god she worships” (lines 735-736) (line875). His outrageous mockery here is an example of how obnoxious he is and has no respect for his citizens or the gods they worship. It is safe to assume the Creon thinks he has taken the place of a god because of his position as king. However, in the end Creon finds out that he was wrong for the proclamation and sentencing Antigone for standing up for what was
In Antigone, Creon becomes king of Thebes after Polynices and Eteocles commit fratricide in battle. Antigone commits her ‘crime of reverence(74)' by burying Polynices after a direct order from Creon dictating that everyone leave him on the ground, unburied. Creon first accuses the council of elders of being stupid and old (281) when they suggest that the gods were behind Polynices' burial. After this, he goes on a tirade against men who supposedly were not happy with his leadership and therefore paid off the watchmen to bury the body. Creon blames the watchman of burying the body for money and the watchman tells him that, "It's terrible when false judgment guides the judge (323)."
Using Creon and Antigone, Sophocles illustrates the way that nomos and physis support their opposing viewpoints. When Antigone's two brothers, Eteocles and Polyneices, kill each other in battle, Creon, her uncle, succeeds to the throne. Once in power, he makes a law that no one can bury Polyneices because he was un-loyal to his native land. If anyone defied his new law by burying him, then the perpetrator would be killed and left unburied. However, Antigone felt that both of her brothers should have a proper burial, and disobeyed Creon's law by burying Polynneices knowing she would have to suffer the consequences. When brought before Creon, she defended her actions through phys...
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...