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Character Analysis Of Antigone In The Play Antigone
Character analysis of antigone
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From the monarchs of the ancient era to the democracy of today, order has been maintained by means of rules and regulations known as laws. Compliance with these laws is enforced through punishments ranging in severity according to the crimes committed to reduce violence and misconduct from individuals within a society. However, just as citizens consent to abide by the laws of the state in which they reside, one is compelled to preserve justice and condemn the unjust decisions of man when the social contract contradicts the laws sanctioned by God. Approaching this conflict between natural and manmade laws in a non-violent manner is called “civil disobedience”. One of the most well known activists of civil disobedience was Martin Luther King Jr. during the American civil rights movement of the 1960s. King’s theory of a non-violent approach to injustices consisted of a process that promoted dialogue of a peaceful nature in order to gain understanding while reconciling differences. Nevertheless, when the laws made by man attempted to negate the laws of God, King urged people to use creative tension in the form of civil disobedience to establish awareness that injustice existed. Within this philosophical and political concept, it would seem that Antigone from Sophocles’ Antigone participated in an act of “civil disobedience” that King would have praised due to her dedication to uphold justice at the cost of her own life. However, closer examination of Antigone’s actions and conduct reveal that although she participated in an act of insubordination to promote justice for her departed brother, her failure to promote negotiation and accept her punishment freely were not considered a part of King’s theory of civil disobedience. Before ... ... middle of paper ... ... And if my present actions strike you as foolish, Let’s just say I’ve been accused of folly by a fool. (ll.519-525) Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Exploration of Civil Disobedience in Sophocles' Antigone, King's Letter from Birmingham Jail, and Plato's From Crito
Dr. Martin Luther King Jr. believed that sometimes laws were unjust. In these cases, King would first attempt negotiating with those who were proponents for the unjust issues or laws. If the negotiations were found to be unsuccessful, King would arrange non violent direct action. Antigone on the other hand, didn’t attempt negotiations, she believed that in certain cases, civil disobedience was necessary, and would do whatever was necessary to do her part of doing what she felt was just.
Both Antigone and Dr. Martin Luther King Jr. engaged in civil disobedience as a means of eliciting a revolutionary societal change; however, Antigone never seemed to get past her own pride to see if she could have negotiated with Kreon. Antigone never intended to evoke change in the long term; in contrast, Martin Luther King Jr. used his moral argument to challenge the law in order to leave a long term change for future generations. Martin Luther King Jr.’s actions possessed more merit than Antigone’s actions because he attempted to negotiate. On the other hand, Antigone proceeded to break the law which ultimately led to her demise. Martin Luther King Jr. broke the law to leave a legacy behind him for not just himself, but for the masses, whereas Antigone died and caused additional suffering without a purposeful societal change.
Justice is often misconceived as injustice, and thus some essential matters that require more legal attentions than the others are neglected; ergo, some individuals aim to change that. The principles of civil disobedience, which are advocated in both “Civil Disobedience” by Henry David Thoreau and “Letter from Birmingham Jail” by Martin Luther King Jr. to the society, is present up to this time in the U.S. for that purpose.
Martin Luther King, Jr. defines “civil disobedience” as a way to show others what to do when a law is unjust and unreasonable. As King stated in the letter from Birmingham, “Any law that uplifts human personality is just. Any law that degrades human personality is unjust.” When Negros were being treated unfairly, Martin Luther King, Jr. stepped in to show people how to peacefully protest and not be violent. The dictionary definition of civil disobedience is the refusal to comply with certain laws or to pay taxes and fines, as a peaceful form of political protest (Webster Dictionary). That is what Martin Luther King, Jr. did when nothing was changing in the town after the law for public school to be non-segregated. In Antigone, Creon created an edict that states that nobody could bury Polynices’s body because he was a traitor to Thebes and his family. Under Martin Luther King’s definition of an unjust and a just law, Creon’s edict is unjust and degrades Polynices’ right to be buried because of lack of information and favoritism of one brother.
Civil disobedience is the purposeful violation of a law to show that it is unconstitutional or morally defective. In the plays, Antigone and Trifles, the female main characters commit an act of civil disobedience. The plays are respectively written by Sophocles and Susan Glaspell. Antigone, the main character of Antigone, protects her dead brother's honor as she disobeys the laws of King Creon. Mrs. Hale, the main character of Trifles prevents a neighbor from being charged with homicide as she breaks the law in front of two lawmen-The Sheriff and the County Attorney. Both characters' crimes are similar; however, their differences lie in how they handle their violations. Antigone boldly and proudly breaks the law, does not care if she is caught, and loudly admits to the crime in front of her fellow Theban citizens. On the other hand, Mrs. Hale performs her crime artfully and quietly, does not want to be caught, and has no intentions of exposing her crime. Both characters accomplish their tasks, but Mrs. Hale's actions are carried out more effectively. She saves her neighbor and herself from imprisonment.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
We unanimously have agreed upon that the scene where Antigone is taken to see Creon about breaking the law for giving proper burial rites to her brother, Polynices, as the most emotional piece in the play. The element of tension permeates the atmosphere as soon as Antigone is brought in under guard and does not abate until the end for the verdict, leaving the reader feeling spent. Antigone is far from the only person who has courageously placed morals over state laws. There are a lot of modern examples of people who have chosen to fight for justice rather than preserve their own safety. Consider Dr. Martin Luther King, Jr. or Gandhi, both advocates of civil disobedience and peaceful demonstrations, who were assassinated as a result of their
In the prologue Antigone tries to convince her sister, Ismene, to help her bury Polyneices. They go back and forth arguing. Antigone calls her sister a traitor to their family, and how the law Creon made was a mortal law and she follows the laws of the gods. This is where the reader first meets Antigone and her belief. In this scene, her belief and rebelliousness are heavily contrasted with Ismene’s lawful and peaceful attitude. In Scene II Antigone is brought before Creon by a sentry. Creon accuses Antigone of defying his law, she responds with a comment about how it was not a proclamation of the gods, but merely a mortal law. And says that she will die for this if she has to and that she would rather die than have let her dead brother suffer. Antigone is willing to be condemned for her actions because she is not ashamed of what she did. Her belief allows her to face Creon and possibly death. Also in Scene II Antigone controls the scene saying that others do agree with her but that Creon has silenced them. In addition, she tells him that he has no right to judge what is wicked and that the gods are the ultimate judges. Antigone stands up for herself and her beliefs. Belief gave her the power to overpower the voices of
One major theme in Antigone is the abuse of power. Creon and Antigone cause doom to their lives as they display resistance to power. The two characters attempt to override divine law with the law of the states, which leads to ruin. Creon, displaying a resistance to moral law, denies Antigone the opportunity and rightfulness to bury her brother, Polynices. This is due to Polynices’ rebellion against Creon, the King of Thebes. Antigone serves as a threat to the status quo. She gives up her life out of her commitment to principles above human law—moral law. Creon believes that the laws created by the King must be obeyed no matter how big or small they are. Creon argues that the law created by the King is the platform for justice. On the other hand, Antigone feels that there are unjust laws, despite who made them. She believes she has a moral obligation t...
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.