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Personal identity cultural identity
Personal identity cultural identity
The importance of one’s cultural identity
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Throughout life, it is important for individuals to obtain their own sense of self and individuality. Jhumpa Lahiri narrates a story of this young man, Gogol, who is caught between two worlds, through her novel The Namesake. Through the progress of the novel, Gogol comes to terms with his multicultural and complicated identity. Gogol’s struggle with his identity is the focus for the novel, and his name becomes a symbol for this difficulty. Gogol grows up never understanding the significance of his name and grows up hating it. By choosing one name over the other, Gogol decides to define himself under a different self. And last but not least, the narrative depicts Gogol's fractured identity as he tries to disassociate himself from both his family and his cultural heritage to forget his own self.
Gogol grows up never understanding the significance of his name and grows up hating it. The name that eventually defines a being's individuality becomes a burden for him. Gogol’s name does not give him an identity but puts him in a dilemma about his original identity. From the start, Gogol tries to evade others’ efforts to choose his name for him. On Gogol’s first day of Kindergarten, keeping tradition, Gogol’s parents try to assign him the “good name” Nikhil. Even though Gogol knows “his parents want him to have another name,” Gogol “shakes his head” when asked if he wants to be called Nikhil (59). Notwithstanding his parents’ desires, Gogol, an otherwise submissive child, attempts to take control of his identity in the only way that he can: his name. During his time at school, Gogol comes to realize that his name separates him from his classmates. When substitute teachers arrive at his name on the roster, they "always pause," forcing Gog...
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...himself from the customs and culture with which he was raised, Gogol forges himself to like and put up with things that he would not have otherwise liked.
Gogol’s struggle with his identity is the focus for the novel. Jhumpa Lahiri narrates us a story of this young man, Gogol, who is caught between two worlds, through her novel The Namesake. Through the progress of the novel, Gogol comes to terms with his multicultural and complicated identity. Gogol grows up never understanding the significance of his name and grows up hating it. By choosing one name over the other, Gogol decides to define himself under a different self. And last but not least, the narrative depicts Gogol's fractured identity as he tries to disassociate himself from both his family and his cultural heritage to forge his own self. A person’s identity is the most valuable possession one could have.
[… The] only person who didn’t take Gogol seriously… who tormented him, the only person chronically aware of and afflicted by the embarrassment of his name, the only person who constantly questioned it and wished it were otherwise, was Gogol. (99-100)
Love in stories is often shown as the path to ultimate happiness, but love causes both protagonists to become distracted from their destiny. After meeting Fatima, a girl he falls in love with, Santiago loses his faith in the significance of his Personal Legend, declaring “I’ve found Fatima, and, as far as I’m concerned, she’s worth more than treasure” (Coelho 123). Santiago nearly decides to stay with Fatima and desist from continuing his quest. However, the alchemist tells him “You must understand that love never keeps a man from pursuing his Personal Legend. If he abandons that pursuit, it's because it wasn't true love…” (Coelho 125). Love is not considered as the most important treasure and Santiago's own destiny has to come first. Fatima also urges Santiago to continue his quest, but Gogol’s girlfriend, Maxine, is less encouraging, even holding him back. Gogol deviates from his path to accepting his identity by dating her. Maxine is a typical white American girl, and their relationship distances Gogol from his culture. After Gogol’s father passes away, Maxine asks that he spend more time with her, but Gogol prefers to complete the rituals and follow Hindu traditions, leading them to break up. By conquering love, Gogol progresses on his path toward accomplishing his Personal Legend. The more selfish outlook on accomplishing one's destiny first before even love is a less common perspective shared by these stories. Love and Personal Legends both demand sacrificing what they hold most dear to themselves and accepting that nothing else can come before it, and one must choose to follow one or the
Throughout the novel Gogol begins to feel more compelled to his Bengali life. Towards the end of the book Gogol becomes more acquainted to his Bengali life and his family, slowly slipping away from the American identity that was once present to him. Truly inside he has a background of Bengali culture there for him when he needs it. As for Gogol’s American identity as Nikhil, something seen as fake to him, was only an experience. It was an experience Gogol, a Bengali child, had grown up to live.
Unsurprisingly, the novel is a classic coming of age story which centers on a young man who is confused about himself and his sexual identity in his early twenties. This confusion about himself and his sexual identity is the driving force of his interactions with his friends and lovers. Moreover, this confusion about himself and his sexual identity also facilitates the conflict and unforeseen consequences which occur during the novel.
Identity is an important theme in many stories. Especially in the The Outsiders, Eleanor and Park, and“Flowers for Algernon.” In The Outsiders identity is tied heavily to which gang a person belongs to. In the novel, Eleanor and Park, identity is portrayed through gender and race. Also, in the short story, “Flowers for Algernon,” the main character identifies with his level of intelligence. Although, one common trend expressed is how jubilance is felt when the characters are free of how they are told they should identify. I will be analysing identity in these stories is represented through the characters, and how this proves how easily the characters find identify in themselves when they detach how they are to identify by society.
There he makes this identity of himself to try to totally forget his parents’ cultural identity. He changes his name to Nikhil and later ends up moving to New York with a girl by the name of Maxine. “He is overly aware that they are not used to passing things around the table, or to chewing food with their mouths completely closed. They avert their eyes when Maxine accidentally leans over to run her hand through her hair” (Lahiri 277). This quote is describing Maxine and Gogol having a meal with his parents. This whole scene is very awkward for both because Gogol’s parents aren’t used to doing things the American way. When the two are leaving his parents’ house Gogol’s father says to him “Drive safely, Gogol” (Lahiri 279). This confuses Maxine because she is not familiar with his real name. He doesn’t want to be reminded of who he was before. By chapter 8 Maxine and Gogol are no longer together due to
In the conversation between Gogol, his kindergarten teacher, and Gogol's father, Gogol is confused and refuses his name as Nikhil. "She bends down so that her face is level with his, and extends a hand to his shoulder:
In the novel The Namesake by Jhumpa Lahiri mentions a short story named “The Overcoat” written by Nikolai Gogol numerous times. This “mentioning” is also known as an “allusion.” The Namesake is about the Ganguli family and their transformation to an American family. Gogol Ganguli is the character that is closely related to “The Overcoat” which is about the life and also the death of a man by the name Akakiy Akakievitch. Besides the fact that is is named in The Namesake, “The Overcoat” can be related to the novel. Through the themes and the what happen with the characters can be seen as paralleled with these two texts.
The entire basis of this book deals with communicating from both character to character, and narrator to reader, on a very high cerebral level. Because of this analytic quality of the book, the most important events also take place on such a high level. In fact, the major theme of the novel, that of the narrator searching for his past self, as well as the cognitive change between the "...
As Josselson (2012) argues, it is simpler for the people to fix multicultural or multiracial individuals into a single cultural or racial identity, although realistically, most people find it difficult to categorize oneself in a single-margin. This is apparent in the reading White Teeth and Tar Baby, where the character’s identity is influenced by a socially embedded habitus of values, expectations and self-understanding, or lack there-of. In order to understand the challenges of racial and cultural identity in these novels, I will first look at characters Son and Jadine from Tar Baby and Samad and his twin sons, Millat and Magid from White Teeth.
The main character, Ovid, is a vivid example of how lives can be periodically changed according to alterations in the surrounding environment. At the start of the book Ovid is a stranger to his setting, stranded in a culture that deprives him of his language, his customs, and his pride. This shows that identity is primarily constructed according to the society in which people are placed, and much social learning and norms are derived from conformity to the conditions of a particular environment. In An Imaginary Life, Ovid completes a journey of self discovery, learning how to create and cultivate an existence based on interrelationship with the natural world, entering a into partly idealistic and imaginary existence, hence the title.
Over the course of the novel, The Namesake, by Jhumpa Lahiri, Gogol is constantly moving, and by the time he is in his late twenties, he has already lived in five different homes, while his mother, Ashima has lived in only five houses her entire life. Each time Gogol moves, he travels farther away from his childhood home on Pemberton Road, symbolizing his search for identity and his desire to further himself from his family and Bengali culture. Alternatively, Ashima’s change of homes happens in order to become closer to family, representing her kinship with Bengali culture. Ashima has always had difficulty with doing things on her own, but by the end of the story she ultimately decides to travel around both India and the States without a real home as a result of the evolution of her independence and the breaking of her boundaries; in contrast, Gogol finally realizes that he has always stayed close to home, despite his yearning for escape, and settles into his newly discovered identity - the one that he possessed all along.
He feels relief and confident. No one knows him as Gogol, but Nikhil. His life with a new name also gets changed. His transformation starts here. He starts doing many activities which he could not dare to do as Gogol.
The issue of identity is of primary importance in the cosmopolitan today’s world characterized by blending of cultures and globalization processes. Identity is a construct: the ways an individual understands what it is to belong to a certain gender, race or culture. As Jonathan Culler says “Literature has not only made identity a theme; It has played a significant role in the construction of the identity of the readers. Literary works encourage identification with characters by showing things from their point of view” (2005: 112). In this regard there is a lot of theoretical debate that concerns the nature of ‘subject’ or ‘self’. The question about the ‘subject’ is ‘what am I?’ and further the question whether the identity of the ‘subject’ ‘something given’ or ‘something constructed’ has
In Jhumpa Lahiri’s novel, The Namesake, the protagonist, Gogol, struggles with his cultural identity. He is an American-born Bengali struggling to define himself. He wants to fit into the typical American-lifestyle, a lifestyle his parents do not understand. This causes him tension through his adolescence and adult life, he has trouble finding a balance between America and Bengali culture. This is exemplified with his romantic relationships. These relationships directly reflect where he is in his life, what he is going through and his relationship with his parents. Each woman indicates a particular moment in time where he is trying to figure out his cultural identity. Ruth represents an initial break away from Bengali culture; Maxine represents