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Gogol's identity story
Traditional and modern literature
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Gogol basically grows up his whole life not feeling comfortable with his identity and who he is. Gogol doesn't feel like he belongs in his parents Bengali family, and he somewhat feels like he is living in between cultures sometimes. Growing up in America has made him feel like an outsider because his parents were always doing things in their culture. Throughout the book Gogol makes great efforts to find out who he really is and he does that by moving away from home. Gogol’s definition of home changes whether it's by getting a new girlfriend or moving to a new place he's not familiar with. “For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything “in Indian” (Lahiri 76). From this quote from the book Gogol is tired of his name and tired of people thinking it has something to do with being Indian, when they don’t know the real meaning of his …show more content…
name. He questions his identity throughout the book trying to figure out who he really is. The identity given to him doesn’t seem to be who he believes he is. Gogol doesn’t want his name to be based through his parents’ culture because even he doesn’t feel to fit into that either. Later in the book Gogol ends up leaving Massachusetts to go to Connecticut, and even ends up going to Yale.
There he makes this identity of himself to try to totally forget his parents’ cultural identity. He changes his name to Nikhil and later ends up moving to New York with a girl by the name of Maxine. “He is overly aware that they are not used to passing things around the table, or to chewing food with their mouths completely closed. They avert their eyes when Maxine accidentally leans over to run her hand through her hair” (Lahiri 277). This quote is describing Maxine and Gogol having a meal with his parents. This whole scene is very awkward for both because Gogol’s parents aren’t used to doing things the American way. When the two are leaving his parents’ house Gogol’s father says to him “Drive safely, Gogol” (Lahiri 279). This confuses Maxine because she is not familiar with his real name. He doesn’t want to be reminded of who he was before. By chapter 8 Maxine and Gogol are no longer together due to
fighting. Skipping a little further into the book he meets a girl by the name of Moushumi. He knows her because he was invited to her wedding that was supposed to happen. They end up marrying after a year of talking. “But their parents insist on inviting close to three hundred people, and serving Indian food, and providing easy parking for all the guest” (Lahiri 239). This quote is saying that they had no say in their wedding idea wise. Again this is Gogol’s parents culture coming in between the American culture he prefers. Through the book he is back and forth really lost and doesn't know where to go. Gogol all throughout the book thought that the best way to find his true home and identity was to forget about his parents’ cultural identity. This wasn't really the case because he just ended up going back and forth and never actually got settled. He went from place to place and girl to girl. In the end he has come to realize that home is defined by that of family. Gogol felt as an outsider his whole life, he grew up around two cultures, one being his parents and the other being an American one. He is faced with many identity problems and doesn't know where he truly belongs. He goes towards finding love, changing his name and forgetting where he came from to find out who he is. At the end of the book Gogol truly realizes that his real home is with his family. “And yet these events have formed Gogol, shaped him, determined who he is. They were things for which it was impossible to prepare but which one spent a lifetime looking back at, trying to accept, interpret, comprehend. Things that should never have happened, that seemed out-of-place and wrong, these were what prevailed, what endured, in the end” (Lahiri 310). Gogol’s definition of home definitely changed through the novel, but he found out the true definition from these events.
In the opening sequence, Nea describes their move to ‘real America’ from “...the hot sweaty America where we lived packed together in an apartment with bars on the windows on a street where angry boys in cars played loud music and shot guns at each other in the night” (281). Despite already living in America, she has this idolistic dream of America influenced by the talks of running away when they are older between her and Sourdi. Their dream is never fulfilled due to Sourdi’s arranged marriage, furthering the physical and metaphorical distance between the two sisters. However, when she receives a phone call from her distraught sister, thinking the worst has happened, Nea goes to Sourdi’s house to convince her to run away. Nea describes Sourdi’s house as, “The lace under curtains before the cheerful flowered draperies, the flourishing plants in the windows, next to little trinkets, figurines in glass that caught the light. Every space crammed with something sweet” (292). However, the inside of the house is a mess: “Baby toys on the carpet, shoes in a pile by the door, old newspapers scattered on an end table anchored by a bowl of peanut shells. The TV was blaring somewhere, and a baby was crying” (292). These contrasting descriptions of the Sourdi’s house echos Nea’s confusion of fantasy with reality. Her idolistic dream of having a close relationship with her sister clouds her from seeing that has her sister has matured and no longer needs their relationship like she
The novel GentleHands, by M.E. Kerr, reveals the false identity that the protagonist, Buddy Boyle, has assumed. Buddy is a young boy who is on the lower end of the social class. He couldn't afford nice clothes and did not really care what he looked like. However, when Skye Pennington is introduced to his life, a girl much higher in wealth then Buddy, it creates a drastic change in Buddy, giving him a desire to be someone different than himself, Buddy clearly matures towards the end of the novel. Ultimately Buddy learns that one must stay true to the person he is as he realizes individuals that he looked up to are not who the seem.
What makes us who we are? Is this the real you? Questions such as these seem odd. Identity in today’s modern day society a person’s identity is based on how the person looks or where they come from, gender, race, and class.
Adversity are the unfortunate events or circumstances in one's life. Those adversities take part in the formations of an individual's identity, such as their beliefs, values and so on. In the novel, "The Great Gatsby" by F. Scott Fitzgerald, the story reveals how adversity has taken an impact on each character's
... 134). To Americans, India still continues to be an exotic land of fairytale. They also ask him questions on ‘recent rise of Hindu fundamentalism’ which Gogol, like any ordinary American kid, is oblivious to the current affairs of India. Another American lady Pamela comments that Gogol is lucky because he would not fall sick if he visits India like her friend had. Inspite of Gogol’s emphasis that his parents “devote the better part of suitcase to medicine . . .” Pamela cannot be convinced because to her Gogol’s identity is essentially to that of an Indian. It is apparent to a native American Gogol is a representative of India, a land of exotic culture, palaces, and simultaneously a land of diseases. In reality Gogol is like any other American kid of his generation but he cannot truly blend in their life as his first identity is ‘Indian’ and to that of an ‘outsider’.
The Gift of the Gorgon is a two and a half hour play that I believe is worth seeing because it is exciting, and it kept me on the edge of my seat throughout the entire play. Although it was not just me, the rest of the audience seemed just as captivated as I did as the mesmerizing plot of Peter Shaffer's unfortunate tale unfolded. After the death of the playwright Edward Damson, his son Philip Damson travels to Greece trying to gain permission from his stepmother to first learn, and then write Edward's biography. The past and the present are linked as Helen tells the story of Edward's life, which is very similar to the Greek myth of Athena and Perseus.
Over the course of the novel, The Namesake, by Jhumpa Lahiri, Gogol is constantly moving, and by the time he is in his late twenties, he has already lived in five different homes, while his mother, Ashima has lived in only five houses her entire life. Each time Gogol moves, he travels farther away from his childhood home on Pemberton Road, symbolizing his search for identity and his desire to further himself from his family and Bengali culture. Alternatively, Ashima’s change of homes happens in order to become closer to family, representing her kinship with Bengali culture. Ashima has always had difficulty with doing things on her own, but by the end of the story she ultimately decides to travel around both India and the States without a real home as a result of the evolution of her independence and the breaking of her boundaries; in contrast, Gogol finally realizes that he has always stayed close to home, despite his yearning for escape, and settles into his newly discovered identity - the one that he possessed all along.
The main theme of Shakespeare's Twelfth Night is identity. Identity causes very much confusion and pain in the play and when true identity is found happiness reigns. Identity is a very important part of the play a character who struggles most with identity is Malvolio. Malvolio is the steward of Olivia and struggles greatly with identity throughout the play. His great egotism and ambition lead him to fall victim to a prank which leads him to question his identity. In the end he finds his place and is led back to where he started. In Shakespeare's Twelfth Night the main theme of identity is portrayed quite well in the character Malvolio as he struggles with finding his position in the world.
Gogol, Nikolai. "The Overcoat." The Collected Tales of Nikolai Gogol. Trans. Richard Pevear and Larissa Volokhonsky. New York: Pantheon Books, 1998. 394-435.
It is shown how Baby writes letters to Gaya while growing up in the Philippines. When Gaya finally moves in with her mother, she now has to adapt living in America and now living with Baby. They have lived apart for so many years and Gaya is attached to the letters that her mother has sent her and Baby affirms her daughter that she is here with Gaya in person. They burn the letters at a funeral they were hired to cry for and it is for new beginnings. With Gaya and Baby reconciling their problems, it gives them a chance for their new redefinition of “home.”
He feels relief and confident. No one knows him as Gogol, but Nikhil. His life with a new name also gets changed. His transformation starts here. He starts doing many activities which he could not dare to do as Gogol.
One of the characters by which Gogol satirizes Russian noblemen and their manner is none other than the protagonist himself. Pavel Invanovitch T...
Now knowing what his actions would lead to, he would go out of his way to familiarize himself with the American traditions leaving his upbringing in the past. A new dislike for his name arises as he “hates signing his name at the bottom...Nothing to do with who he is (76).” Feeling emerge and suddenly Gogol feels as if he has no connections to his name. Only to make these feelings worse he feels humiliated by his classmates for having the name he has but in reality his name isn’t a topic of discussion to his peers. Through this phase the author emphasizes how other people 's opinion are more important to Gogol than what he thinks of himself. The opinions of others have consumed his thoughts so horribly that Gogol becomes viewing himself through the eyes of others. At this point in Gogol’s life it would be a great time for his father to tell him why he chose to give him his birth name but his dad decides to simply give his son the book that at one point saved his life. Not even remotely interested in what he now has in his possession Gogol, “puts the book away on his shelve (77).” On this shelve the book lingers for years to come. As an independent individual Gogol makes little to no effort to remain in contact with his family. Never does he question the book given to him nor does he attempt making small talk with his father about why the book was so important to him and how it influenced him to name his son after the
Gogol’s, The Government Inspector, was indeed a battle of the facades that were fought in harmony; the fronts created by the characters were compatible with one another and only led to development of the facades. Somewhere along this process, the lack of moral responsibility was abused and, ultimately, the loss of self-perseverance. Jose Ortega Y Gasset once said, “Indeed it is of the essence of man...that he can lose himself in the jungle of his existence, within himself, and thanks to his sensation of being can react by setting energetically to work to find himself again.” Human nature has the ability to lose itself under many circumstances, yet this is the only time when one can propagate and discover the true meaning of what it means to be human.
He avoids telling them for as long as he can, even if it keeps him from seeing Ruth “But such a trip would require telling his parents about Ruth, something he has no desire to do” (Lahiri 115). To him, his parents represent Bengali culture, something he is not sure he wants to be a part of. He tries to live entirely without their opinion, driving them out of his personal life almost entirely. Although he is trying to separate himself from Bengali culture, he still remains only a few hours away from home, still visits every other weekend. At the end of the day, Gogol is still connected to his home and culture in a way Ruth is not. Ruth seeks adventure in Europe choosing to study abroad in Oxford, London. “Instead of coming back from Oxford after those twelve weeks, she’d stayed on to do a summer course” (Lahiri 119). In fact Ruth wants to go back to England for graduate school, something Gogol has no real interest in doing. His connection, even if subconscious ends up being the driving force in Ruth and Gogol’s break up. He fails to learn from his mistakes with Ruth, however, and the next girl he dates is even more different than