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Nature and history of dance
History outline about dance
History outline about dance
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Often called the “Pioneer of Modern Dance”, Ruth St. Denis was one of the first modern dancers in American History. Ruth St. Denis along with Ted Shawn, Isadora Duncan, Martha Graham, and Doris Humphrey formed and molded modern dance in America. As a child, she was never thought of dance being a career for her. All that changed when she went to her first recital of Genevieve Stebbins; she was astonished by the true beauty of dance. This was the breakthrough that started her career. St. Denis was the first to choreograph a piece with no music whatsoever. Throughout her long life, of 90 years, she made many contributions to the modern dance we have today.
Ruth St. Denis was born January 20th, 1877 in Newark, New Jersey on a small farm. She was raised by a physician mother and inventor father. Her family and friends and fellow peers gave her a lot of interesting nicknames such as: Little Ruthie Denis, Miss Ruth, and Ruth Saint Denis. As soon as she turned ten she was dancing and performing like crazy. She began taking part in any kind of play or dance related performance. Her career started to take off as she started dancing and acting even as a teenager .She was inspired while learning about Hindu philosophy and art. Her style of dance, contemporary choreography, was ground-breaking. She began to study social dance in Somerville, this was her first formal dance training. She started at Belasco Dance Company until 1905. Starting her solo career, the first piece she choreographed was The Rahda. This piece was inspired by oriental culture and spiritual expression. Many of her pieces were inspired by oriental culture, music visualization, and synchoric orchestra.
She had many notable pieces of choreography but there are a couple that ...
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...ng used as communication between body and soul, to express what is too deep to find for words.” Dance is more of the body speaking things that the mind can’t express fully. Dance is the silent communication that can only be spoken through actions and never spoken through words.
Analysis of Work and Influences
I am truly inspired by Ruth St. Denis’ choreography and styles of dance. I really enjoy the different genres such as Indian rituals and oriental religion. Learning about her really gave me a different perspective on modern dance and how important it is. If it weren’t for all the famous modern dancers I’ve learned about, modern dance wouldn’t be the same. I really admire all the advances she made throughout her life, I applaud her for never giving up. Ruth St. Denis was very fortunate to live 90 long years. Her legacy still lives on today, in modern dance.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Katherine Dunham died on May 21, 2006. (Katherine) “As artist, educator, anthropologist, and activist, Katherine Dunham transformed the field of the twentieth-century dance” (Das
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
Her goal was to move, not dance. She challenged the notions of what a quote on quote “female dancer” was and could do. Dance to her was an exploration, a celebration of life, and religious calling that required an absolute devotion (pg. 11, Freedman). She considered her dancers “acrobats of God”. An example of a dance which symbolized the “essentialized” body was Martha Graham’s Lamentation, choreographed in 1930, which served as an expression of what person’s grief, with Graham as the solo dancer in the piece. The costume, a tube-like stretchy piece of fabric, only allowed her face, hands, and feet to be seen, and, as Graham stated, “The garment that is worn is just a tube of material, but it is as though you were stretching inside your own skin.” In the beginning of the piece, she started out by sitting on a bench with her legs wide spread and arms held tight. Her head was going back and forth as if she was feeling sadness or maybe replaying thoughts in her head. By the way she was holding her hands so tight and close to her body, it symbolized the deep pain within her––the essence of her piece was grief, and she danced it from inside out. Russel Freedman, the author of Martha Graham A Dancers Life, stated, “She did not dance about grief, but sought “the thing itself”- the very embodiment of grief (p. 61).” Graham, dancing with strength and power, was encapsulated with her movement and was completely surrendered
Katherine Dunham led a rich and full life not only as a dancer, but as someone who studied the people she loved, wrote extensively, and stood for causes that meant so much to her. Her legacy lives on not only in the great anthropological studies she did or the important political and social stances she took, but in the modern dance of today. Modern dance, or dance in general for that matter, wouldn’t be what it is today without her studies and influence.
Steve Paxton: Speaking of Dance – Conversations with Contemporary Masters of American Modern Dance. Academic Internet Video. Directed by Douglas Rosenberg. Oregon: Alexander Street Press, 1996.
"Agnes DeMille Dances - Biography." Agnes DeMille Dances - Biography. N.p., n.d. Web. 01 Oct. 2013.
In 1879, on a small New Jersey farm, Ruth Dennis was born. She was the daughter of Ruth Emma Dennis, an extremely independent, determined, and educated woman. Her Mother was a highly trained physician. At a very early age, St. Denis was encouraged to study dance. Her training included social dance forms and skirt dancing, lessons from Maria Bonfante, and Delsarte technique.
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
[6] Cohen, Selma Jeanne. International Encyclopedia of Dance: A Project of Dance Perspectives Foundation, Inc. New York: Oxford UP, 1998. Print.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Many Historians say that Isadora Duncan was the first dancer to present “modern dancing” to the public. Duncan felt that the pointe shoes and costumes that ballerinas wore were to restrictive. She began to dance in a way that seemed to be more natural to her. Her inspirations came from the movements of the tress, the ocean and other forms from nature. Her techniques included hopping, swaying, skipping and running. She felt these type of movements were natural and expressive. Also, the history of the Greeks
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”