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Dickens treatment of women with great expectations
Femininity in the Victorian era
The Victorian era gender roles
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Amidst the controversy related to `the woman question' in the Victorian age, many writers still agreed that women and men were essentially different and ought to complement each other, not compete for equality. This `separate spheres' ideology, derived from Puritan conceptions of marriage and family, was especially popular in mid-19th century, and put an emphasis on home as the only haven from the harsh industrialised world (Oxford Companion to Dickens, 2000:188).
"Of Queen's Gardens" by John Ruskin is the elaborate statement of this ideology, supported by examples from world literature. The domestic ideal as presented by Ruskin is in various ways portrayed and discussed by Dickens in Dombey and Son. In this essay, I am going to look into the parallels between Ruskin's lecture on the role and function of women and the practical representation by Dickens of the character of Florence Dombey. In my opinion, the domestic arrangement praised by Ruskin is also idealised by Dickens, and Florence's portrayal is intended as a role model and an example of woman's intended function.
According to Walter E. Houghton, there were three basic conceptions of women in the Victorian period. The best known and the most conservative one was "that of the submissive wife whose whole excuse for being was to love, honour, obey - and amuse - her lord and master, and to manage his household and his children." The most radical one was "demanding equal rights with men: the same education, the same suffrage, the same opportunity for professional and political careers" (Houghton, 1985:348). A middle position, which also Ruskin adhered to, was a mediating one, and while agreeing that women should be freed of their legal disabilities and become more educate...
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...function of women.
BIBLIOGRAPHY
Dickens, Charles, Dombey and Son, ed. Alan Horseman (Oxford, 2001).
Flint, Kate, Dickens (Brighton, 1986), pp.112-133.
Gissing, George,"Dombey and Son" in The Immortal Dickens (London, 1925). URL: <http:// lang.nagoya-u-ac.jp/~matsuoka/ GG-Dickens.html> Accessed 16.02.2004.
Houghton, Walter E. The Victorian Frame of Mind. 1830-1870 (New Haven and London, 1985), pp. 348-353.
Oxford Reader's Companion to Dickens, ed. Paul Schlicke (Oxford, 2000).
Ruskin, John, "Of Queen's Gardens" in Sesame and Lilies (New York, 1878), pp. 74-119.
"The `Woman Question': The Victorian Debate about Gender" in The Norton Anthology of English Literature, Vol.2, gen. ed. M.H. Abrams (New York, London, 2000), pp. 1719-1724.
The English attitudes towards gender are reflected in the literacy works of Margery Kempe and Elizabeth I’s letter to Sir Walter Raleigh. Within these two works, the women, especially, challenge the attitudes towards gender roles. First of all, women were expected to be domesticated, meaning all their duties lied within the home and the marriage. The women were responsible for taking care of the children/family and being obedient to their husband.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Even before this event, the struggles of women in society were surfacing in the media. Eliza Farnham, a married woman in Illinois during the late 1830s, expressed the differing views between men and women on the proper relations between a husband and wife. While Farnham viewed a wife as being “a pleasant face to meet you when you go home from the field, or a soft voice to speak kind words when you are sick, or a gentle friend to converse with you in your leisure hours”, a recently married farmer contended that a wife was useful “to do [a man’s] cookin and such like, ‘kase it’s easier for them than it is for [men]” (Farnham, 243).
Upon hearing the term, “The Victorian Woman,” it is likely that one’s mind conjures up an image of a good and virtuous woman whose life revolved around the domestic sphere of the home and family, and who demonstrated a complete devotion to impeccable etiquette as well as to a strong moral system. It is certainly true that during Victorian England the ideal female was invested in her role as a wife and a mother, and demonstrated moral stability and asexuality with an influence that acted as her family’s shield to the intrusions of industrial life. Yet despite the prevalence of such upstanding women in society, needless to say not all women lived up to such a high level of moral aptitude. Thus, we must beg the question, what became of the women who fell far short from such a standard? What became of the women who fell from this pedestal of the ideal Victorian woman, and by way of drunkenness, criminality, or misconduct became the negation of this Victorian ideal of femininity?
The industrialization of the nineteenth century was a tremendous social change in which Britain initially took the lead on. This meant for the middle class a new opening for change which has been continuing on for generations. Sex and gender roles have become one of the main focuses for many people in this Victorian period. Sarah Stickney Ellis was a writer who argued that it was the religious duty of women to improve society. Ellis felt domestic duties were not the only duties women should be focusing on and thus wrote a book entitled “The Women of England.” The primary document of Sarah Stickney Ellis’s “The Women of England” examines how a change in attitude is greatly needed for the way women were perceived during the nineteenth century. Today women have the freedom to have an education, and make their own career choice. She discusses a range of topics to help her female readers to cultivate their “highest attributes” as pillars of family life#. While looking at Sarah Stickney Ellis as a writer and by also looking at women of the nineteenth century, we will be able to understand the duties of women throughout this century. Throughout this paper I will discuss the duties which Ellis refers to and why she wanted a great change.
Reagin, Nancy. “Historical Analysis: Women as ‘the Sex’ During the Victorian Era.” Victorian Women: The Gender of Oppression. Pace University, n.d. Web. 23 Feb. 2014.
Peterson, M. Jeanne. "The Victorian Governess: Status Incongruence in Family and Society." Suffer and Be Still: Women in the Victorian Age. Ed. Martha Vicinus. Bloomington: Indiana University Press, 1973.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
Buzard, James, Linda K. Hughes. "The Victorian Nation and its Others" and "1870." A Companion to Victorian Literature and Culture. Ed. Herbert F. Tucker. Malden: Blackwell Publishers, 1999. 35-50, 438-455.
But in reality, a male narrator gives a certain sense of understanding to the male audience and society’s understand of the male and females roles and responsibilities in a marriage. Just as men were expected to cut the grass, take out the trash, pay the bills and maintain the household as a whole, women were expected to cook, clean, nurture the children, and be a loving and submissive wife to their husband. The only stipulation required for this exchange of power was to establish a mutual love. In the Victorian age love was all it took for a man to take or alter a woman’s livelihood and
The 19th century was a time of male dominance more extreme than has been seen ever since. Dew portrays the woman as a weak and dependent creature that needs to be protected by "the shield of woman", Man. Therefore, she is to be confined to a sphere of her own: Home. This reflects two of the cardinal characteristics of True Womanhood (as defined by men, of course), the ideal woman of this period. Those are submissiveness and domesticity. It was widely believed that women were created inferior to men, and should therefore be commanded "within the domestic circle".
Robson, Catherine, and Carol T. Christ. "The Victorian Age." The Norton Anthology English Literature. Ed. Stephen Greenblatt. 9th ed. Vol. E. New York: Norton &, 2012. 1130-137. Print.
"The Victorian Era." History of Human Sexuality in Western Culture. Word Press, n.d. Web. 03 Jan. 2014.
The National Archives. “Were men and women equal in Victorian Britain?.” Divided nation. http://www.nationalarchives.gov.uk/education/victorianbritain/divided/default.htm (Accessed April 12, 2011).
Woman in the 1800s was seen as a wife, mother and care taker of the house. It can be seen that a woman was and still have rule over the house. They are seen as being more domestic out of anything. Their true domain is there house. In England around the 1800s women believed that the house couldn’t be there domain anymore. They wanted to go out into the workforce like their husband or any other man. They felt as if their work was child play or even not important. In Ruskin work “ Of Queens’ Gardens” it is seen that he is trying to let women know that the job that they do is not child play, but is very important to not only men and children, it is important to everyone in the world.