Aris Bell
Eng 300
Paper 1 Or consider why the primary narrator of Bronte’s novel is male—what does that “do” to the text as a feminist novel? Anne Bronte 's The Tenant of Wildfell Hall’s themes of marital abuse and women 's silence and solitude of a marriage are explored in depth. Consider the relationship between Helen and Milicent, two wives of alcoholics. Recognize the lack of communication between them and the connection between their silence and the cycle of abuse within families and within society. Now, take into consideration why the primary narrator of Bronte’s novel is a man, and what it “does” to the text as a feminist novel. My understanding suggest that the feminist author wants the audience to see the book from a man’s
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Helen fell in love with Huntingdon based on his wit and handsome looks, but realising his negative features like his heightened levels of self-indulgence and selfishness resolves to change his ways through gentle persuasion and example. As the story unfolded her marriage goes down hill after the birth of their son, Arthur, who Huntingdon sees as a rival for his wife’s attention. The situation is further aggitated by visits of Huntingdon’s drunken friends. The voice of women who suffered was never heard or undermined by the men who controlled them and it seemed as though marriage was a trap for mice in pursuit of love. Intrahousehold inequality has been an underlying issue for a number of years, although times have changed and laws have come into fruition, the unspoken code of gender complementarianism still thrives and exists. You can find it when you look at the dynamics of a household. Look at who spends more time on household chores and who has more time for leisure? Consider whether or not households spend the same amount of income on girls’ and boys’ education, health and nutrition? Furthermore, speaking into the finances of the home, do married women have a say in how their own cash earnings are spent and do they participate in decision-making on major household purchases? These are the dimensions that expose the factual level of equality in a …show more content…
But in reality, a male narrator gives a certain sense of understanding to the male audience and society’s understand of the male and females roles and responsibilities in a marriage. Just as men were expected to cut the grass, take out the trash, pay the bills and maintain the household as a whole, women were expected to cook, clean, nurture the children, and be a loving and submissive wife to their husband. The only stipulation required for this exchange of power was to establish a mutual love. In the Victorian age love was all it took for a man to take or alter a woman’s livelihood and
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
Domestic principles of Victorian England also promoted the dominance of men. The husband was the supreme being in the house and it was “a husband’s duty to protect his wife […] this authority also allowed for him to use violence, if necessary, in order to keep her in line” (Nolte 3). Caroline Norton gave evidence of this when she disagreed with her husband upon the actions of another lady.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
In the late 19th century and early 20th century, idea for the equality of women began to ignite a fire within the world. Women wanted to fight oppression and have a chance to experience the same rights as men. However, although suffragettes would not fight fire with fire until a couple of decades later, the idea of escaping societal roles and gain freedom within society and marriage possibly inspired literary works during this time period. These issues of the inequality between men and women in marriage and society plays strong roles in literary works. In “A Doll’s House” by Henrik Ibsen, “Trifles” by Susan Glaspell, and “The Yellow Wallpaper” by Charlotte Perkins Gilman all have something in common: the women are oppressed by the men and society, and ultimately pull away from their societal roles and break free.
In the 1800’s, women were considered a prize to be won, an object to show off to society. They were raised to be respectable women whose purpose was to marry into a higher social class in order to provide for their family. These women were stuck in a social system which seemed impossible to escape. Henrik Ibsen, a Norwegian playwright, saw these barriers and wrote one of the most controversial plays of his time, “A Dolls House”. In his play, Ibsen argues the importance of opposite sex equality in marriage by using his character, Nora Helmer, to bring to light how degrading the roles of women were in the 1800’s.
...show us that the choices for women in marriage were both limited and limiting in their scope and consequences. As can be seen, it came down to a choice between honoring the private will of the self, versus, honoring the traditions and requirements of society as a whole. Women were subject to the conditions set down by the man of the house and because of the social inequality of women as a gender class; few fought the rope that tied them down to house, hearth, and husband, despite these dysfunctions. They simply resigned themselves to not having a choice.
...hinking along with the fall of the Church of England. Emily Bronte, through her male and female characters in A Prisoner. A Fragment ,is demonstrating the struggle and the feuding that took place between the religious and anti-religious groups that began to emerge during this time. Not only does she represent these two groups, she also makes strong comment on women. It is clear that Bronte is breaking the stereotype of the woman by using a strong female character to demonstrate their power, as well as their ability to lead and be heroes in a social, religious, and political movement that was the center of so much controversy during this era.
The roles of men and women evolve over time. In 1879 the roles, obligations, and expectations of a man and woman were very different from those today. In A Doll’s House, Henrik Ibsen illustrates the reproachful role of women in society and how appearances can be deceiving.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Similar to many of the great feministic novels of its time, Jane Eyre purely emerges as a story focused on the quest for love. The novel’s protagonist, Jane, searches not only for the romantic side of love, but ultimately for a sense of self-worth and independence. Set in the overlapping times of the Victorian and Gothic periods, the novel touches upon both women’s supposed rights, and their inner struggle for liberty. Orphaned at an early age, Jane was born into a modest lifestyle, without any major parent roles to guide her through life’s obstacles. Instead, she spent much of her adolescent years locked in imaginary chains, serving those around her but never enjoying the many decadences life has to offer. It is not until Jane becomes a governess that many minute privileges become available to her and offer Jane a glance at what life could have been. It is on her quest for redemption and discovery that she truly is liberated. Throughout Charlotte Bronte’s classic novel Jane Eyre, the story’s protagonist Jane, struggles to achieve the balance of both autonomy and love, without sacrificing herself in the process.
The female gender role in society has created a torturous fate for those who have failed in their role as a woman, whether as a mother, a daughter, or a wife. The restrictive nature of the role that society imposes on women causes extreme repercussions for those women who cannot fulfill their purpose as designated by society. These repercussions can be as common as being reprimanded or as severe as being berated or beaten by a husband or father. The role that women were given by society entails being a submissive homemaker who dotes on her husband and many children. The wife keeps the home impeccably neat, tends to the children and ensures their education and well-being, and acts obsequiously to do everything possible to please her husband. She must be cheerful and sweet and pretty, like a dainty little doll. The perfect woman in the eyes of society is exactly like a doll: she always smiles, always looks her best and has no feelings or opinions that she can truly call her own. She responds only to the demands of her husband and does not act or speak out of turn. A woman who speaks her mind or challenges the word of any man, especially her husband, is undesirable because she is not the obedient little doll that men cherish. Women who do not conform to the rules that society has set for them are downgraded to the only feature that differentiates them from men; their sex. Society’s women do not speak or think of sex unless their husband requires it of them. But when a woman fails to be the doll that a man desires, she is worth nothing more than a cheap sex object and she is disposed of by society.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.
Tremendous spirit. The enviable trait that Jane Eyre from Charlotte Bronte’s Jane Eyre possesses is what stimulates her to achieve self-actualization despite the fact that she is a woman. True feminism isn’t as violent as a handful of vicious extremists claim it to be. The accurate definition of feminism is “the doctrine advocating women’s social, political, civil, educational and all other rights as equal to those of men.” Women of Charlotte Bronte’s era did not have basic rights such as the aforementioned. The feminist movement in the Victorian Era had only just begun and Jane Eyre was far ahead of her peers. Published in 1847, the bildungsroman novel of Jane Eyre was an intricate one, with subtle feminism carefully woven in it, particularly through the actions and thoughts of Jane Eyre, the protagonist. Her quest for self-worth and identity lead her to overcome the various stigmas that women in that era were faced with. These ambiguities reflect the tensions real Victorian women of faith experienced in trying to meet multiple often conflicting demands in their lives. Such challenges were complicated further by the fact that 19th century Evangelical Christianity- attentive to the realities of sin, sorrow, sacrifice, and loss- was no easy creed for women and men. (Lamonaca) Jane Eyre’s battles for authentic love, good reputation and indifferent attitude towards social classes dominated English women’s lives. The heroine tackles gender roles and breaks all the mannerisms of the time to inject an early dose of feminism in the English audience. Jane’s transformation from naïve child to independent woman stunned the public and gave women the inspiration to make their own decisions and defy the norms of their era.