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Essays about women rights
Essays about women rights
Essays about women rights
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CHAPTER-4
THE REPRODUCTION OF MOTHERING
The issues regarding the psychological aspect of motherhood and mothering have been the concern of feminists and woman liberationists ever since the first female voice has been raised against the oppression and suppression of women, or maybe even earlier. As has been already discussed in the first two chapters of this thesis, from nearly a century and a half, various theories have been scripted to resolve the issue of gender dichotomy. But one may say that, they have been only partially successful and that too only in some specific socio-cultural strata’s, race, ethnicity and communities. To study the variety of attitudes and voices in poetry written by women concerning the psychological aspect of motherhood,
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These doors lead into prisons’ for victims whose only crime consists of being a woman. The burqa alienates woman not only from her own self but also snubs her power to reason or realise that she is being wronged against. This alienation is perhaps what patriarchy aimed for by putting women behind a burqa . This actually ‘enslaves’ a woman rather than ‘empowers,’ ‘safeguards,’ or ‘protects,’ her as has been projected to be the purpose of the burqa.
The poem structured in a way that the metaphor of Purdah repeats and reoccurs in all the stanzas of the poem. In the above quoted lines it stands for the ‘earth that covers the coffin after the burial’, here the “burqa” symbolises the protection that the earth provides to the coffin, which in return provides protection to a corpse, which is perhaps the woman herself. The burqa also provides protection to its wearer whose body like the coffin protects a dead soul within. In the second stanza of the poem, the burqa is metaphorised as:
We sit still, letting the cloth
In the article, Chesler uses several persuasive appeals in an attempt to convince readers to support France’s ban on head coverings. While some may argue that banning religious clothing infringes on Islamic law, Chesler points out that “many eloquent, equally educated Muslim religious… women insist that the Koran does not mandate that women cover their faces… Leading Islamic scholars agree with them.” In an appeal to logos, Chesler uses facts, gathered from educated Muslim women and Islamic scholars, to show that this argument is illogical because the burqa is not required. Chesler continues logos appeals by citing the Sheikh of al-Azhat University as saying “The niqab is tradition. It has no connection to religion.” This passage demonstrates ethos as well, but carries on the idea that burqas and niqabs are not required by Islamic law, making the ban perfectly logical. The idea is that, since these garments are not mandatory in the Koran’s broad requisite of “modest dress,” the ban does not infringe on religious rights, making the ban a logical choice. Chesler takes the argument one step further by insisting that the burqa is not only optional, it is detrimental to wearers. The argument that “it is a human rights violation and constitutes both a health hazard and is a form of torture” to women who wear burqa exhibits both logos and pathos. By pointing out that burqas are a possible “health hazard,” Chesler uses unappealing syntax to make readers believe that burqas are unhealthy and i...
Influenced by the style of “plainspoken English” utilized by Phillip Larkin (“Deborah Garrison”), Deborah Garrison writes what she knows, with seemingly simple language, and incorporating aspects of her life into her poetry. As a working mother, the narrator of Garrison’s, “Sestina for the Working Mother” provides insight for the readers regarding inner thoughts and emotions she experiences in her everyday life. Performing the daily circus act of balancing work and motherhood, she, daydreams of how life might be and struggles with guilt, before ultimately realizing her chosen path is what it right for her and her family.
One of Sultana Yusufali’s strongest arguments in “My body is my own business” is her scrutinization of the exploitation of female sexuality. Initially Yusufali writes about the injudicious individuals that assume she is oppressed by her hijab. Thereafter, she describes them as “brave individuals who have mustered the courage to ask me about the way I dress”. Moreover, Yusufali’s word choice is intriguing as she utilizes the word “brave” when laymen hear this word they habitually associate the aforementioned with heroic, valiant and courageous. Consequently, Yusufali ensues to comprise her opinions on the hijab and how it carries a number of negative connotations in western society. Furthermore, Yusufali proceeds to strike on the importance
“Mariam had never before worn a burqa...The padded headpiece felt tight and heavy on her skull, and it was strange seeing the world through a mesh screen.” (pg 72). The burqa in this book is a symbol of how Mariam, Laila were forced against their will to wear a piece of cloth that stole their identity from them. Burqas are a way to hide women so that husbands are reassured that their wife is not looked at by other men. It is a way for men to control their wives and become dominant. This is not always true for all women, but for the women in this book it is.
Fatemeh Fakhraie’s essay “Scarfing it Down,” explains how Muslim women suffer because of what they wear. Fakhraie blogs about Muslim women in her website she explains; “Seeing ourselves portrayed in the media in ways that are one-dimensional and misleading." Several people judge Muslim's by their appearance because they assume they're a bad person. The author of this essay wants the reader to know that Muslim women wearing a hijab are not a threat to the world.
The article “My Body Is My Own Business” by Naheed Mustafa is about an Islamic women’s principle that putting on her usual headscarf, or Hijab, actually empowers her as a female, contrary to the popular principle that the hijab represents male oppressiveness. She ex...
Everyday Use and Good Country People are short stories with similar themes. Can an attitude from one of the daughters have an effect on both the mother and daughter’s life? The Topic called my attention due to being the eldest daughter in my family. Dee and Momma link to the connection I have with my mother. Dee, the eldest daughter, is seen by momma as insubordinate. The same way I feel my mother sees me. Dee and Hulga change their names in order to prove a point. Joy changed her name as a tool to rebel against her mother, Mrs. Hopewell. Dee changed her name to express to Maggie and her mother a new culture, causing her mother to insinuate that Dee is rejecting her identity and heritage. Both relationships between
Lila Abu-Lughod’s article titled, “Do Muslim Women Really Need Saving?” takes a closer look at the problematic ethnocentric approach many have when trying to gain an understanding of another culture that may be foreign to that individual. In this analytical paper, Lughod looks at women in Islam, specifically the treatment of women and how it might be utilized as a justification for invading into a country and liberating its people. The country Lughod refers to in her article is Afghanistan, and Lughod points out the misunderstanding from the people to the Bush administration like First Lady Laura Bush who believed that intervention was necessary to free women from the captivity of their own homes. It is important to consider the role that different lenses play into all of this, especially when one’s lenses are being shaped by the media. Depictions of covered women secluded from society leave a permanent image in the minds of many, who would then later support the idea of liberation. This paper will discuss that the practice of using propaganda when referring to the lifestyle in the Middle East is not exclusive to the U.S; rather it has been utilized throughout history. Additionally, we will take a closer look on the importance of symbols, such as veils in this case; help to further emphasize the cause to liberate. Finally, we will analyze Lughod’s plea towards cultural relativism and away from liberal imperialism.
The influential roles of women in the story also have important effects on the whole poem. It is them that press the senses of love, family care, devotion, and other ethical attitudes on the progression of the story. In this poem the Poet has created a sort of “catalogue of women” in which he accurately creates and disting...
What exactly constitutes a perfect family? Eternal love of parents and siblings? The short stories, “Everyday Use” by Alice Walker and “I Stand Here Ironing” by Tillie Olsen reveal the intricate relationship between the mother and the daughter. In “Everyday Use”, Walker initiates the story with the narrator waiting for her daughter Dee’s visit. When Dee arrives, she tells her mother that she changes her name to Wangero Leewanika Kemanjo and insists of taking the quilt. The narrator refuses to let Dee take the quilt because the quilt belong to her other daughter, Maggie. In Tillie Olsen’s “I Stand Here Ironing”, the narrator is having a conversation with the teacher of her daughter Emily. As the narrator is ironing, she thinks back over her
In this excerpt, the burqa is described as “tight”, “heavy”, and “suffocating”, making it seem like an unpleasant garment to be ensconced in. The burqa can cause an “unnerving” feeling, which can make daily tasks hard to complete. When interviewing a girl in Afghanistan, Daniel Pipes, American historian, writer, and commentator, got her opinion on the burqa, “When I wear a burqa it gives me a really bad feeling. I don't like to wear it. I don't like it, it upsets me, I can't breathe properly.”
A lot of literature has been written about motherhood. Wordsworth is a well known English poet who mentions motherhood and female strength in several of his poems, including the Mad Mother, The Thorn, and The Complaint of a Forsaken Indian Woman. This leads some critics to assume that these poems reflect Wordsworth's view of females. Wordsworth portrays women as dependent on motherhood for happiness, yet he also emphasizes female strength.
Gender issues test the limits of toleration through such customs and practices as under-age marriage, honour killings, and wearing a niqab or hijab. Those opposed to the recognition of minority rights through policies of multiculturalism have blamed it for encouraging the oppression of women. Positing women’s equality and minority rights as oppositional, the argument of gender equality is deployed to justify the retreat from multiculturalism,and progressive equality agendas are subverted to reinforce cultural essentialism”(Narain
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
These first lines of Mina Loy’s poem “Parturition” indicate the way in which the poet distin-guished herself from other (male) modernist poets: “I am”, writes Loy, and puts a woman in “the centre” of her poem – a poem which has a distinctly female experience as its topic, childbirth. As modernism was a male-dominated literary movement, the experiences of women were largely disregarded but Loy aimed to give the “new woman” a voice and “pre-sented a new female perspective”. In 1914, Loy wrote her “Feminist Manifesto” that speaks out against the inferior position of women in society and stresses the importance of the aban-donment of the traditional view on women. Loy supported her position through her poetry in which she objected the position of women in a male-centred society and presented a new