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Traditional roles of women in society
Traditional roles of women in society
Traditional roles of women in society
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One of Sultana Yusufali’s strongest arguments in “My body is my own business” is her scrutinization of the exploitation of female sexuality. Initially Yusufali writes about the injudicious individuals that assume she is oppressed by her hijab. Thereafter, she describes them as “brave individuals who have mustered the courage to ask me about the way I dress”. Moreover, Yusufali’s word choice is intriguing as she utilizes the word “brave” when laymen hear this word they habitually associate the aforementioned with heroic, valiant and courageous. Consequently, Yusufali ensues to comprise her opinions on the hijab and how it carries a number of negative connotations in western society. Furthermore, Yusufali proceeds to strike on the importance
Professor Leila Ahmed, active Islamic feminist, in her article “Reinventing the veil” published in the Financial Times assumes that there is a connection between “advancement” and veiling, which means that unveiled women are advanced and vice versa. In addition, she supports that it led to increasing rate of violence. She questions why women wear veil, that is considered as “symbol of patriarchy and women’s oppression”. However, research changed her position towards wearing veil. Firstly, she states that wearing veil was essential for women, because it could be beneficial and influence to how people treat women, in terms of job, marriage and free movement in public. Secondly, her assumption was explained while interviewing women, who stated
In Phyllis Chesler’s article “France is Brave and Right to Ban the Burqa,” Chesler uses several persuasive appeals to build her argument praising burqa bans. I will be providing a rhetorical analysis as well as a Toulmin analysis of this article.
Fatemeh Fakhraie’s essay “Scarfing it Down,” explains how Muslim women suffer because of what they wear. Fakhraie blogs about Muslim women in her website she explains; “Seeing ourselves portrayed in the media in ways that are one-dimensional and misleading." Several people judge Muslim's by their appearance because they assume they're a bad person. The author of this essay wants the reader to know that Muslim women wearing a hijab are not a threat to the world.
The article “My Body Is My Own Business” by Naheed Mustafa is about an Islamic women’s principle that putting on her usual headscarf, or Hijab, actually empowers her as a female, contrary to the popular principle that the hijab represents male oppressiveness. She ex...
For some women wearing a veil is not something that is forced on them but rather a choice of their own. Martha Nussbaum and Maysan Haydar are both authors that try to explain their reasoning that veiling isn't an oppressive tool used against women. Martha Nussbaum's article “Veiled Threats”, is a political and philosophical take on why banning the burqa is a violation of human rights. On the other hand Maysan Haydar’s article “Don’t Judge a Muslim Girl by Her Covering”, is a more humorous and personal take on why veiling shouldn't be as judged or stereotyped. Though Nussbaum and Haydar have equal goals this essay is being used to understand the main argument, claims and whether or not each article has any weaknesses.
Ever pass by Muslim woman in a hijab at the mall or park and think how oppressive and restraining her culture must be? Maysan Haydar, a New York social worker who practices the Muslim tradition of veiling, believes otherwise. In her article, “Veiled Intentions: Don’t Judge a Muslim Girl by Her Covering,” Haydar highlights on her experiences as a Muslim living in an American culture, where showing more skin is the “norm.” Haydar speaks specifically to a crowd who unconsciously makes assumptions about certain Muslim practices, in hopes of sharing the truth behind them. Haydar suggests that, contrary to popular belief, not all Muslim women cover themselves strictly as an “oppressive” religious practice, but that some women, like herself, find
A lady is an object, one which men attempt to dominate. A man craves to get a hold of this being beneath his command, and forever have her at his disposal. In her piece “Size Six: The Western Women’s Harem,” published in 2002, Fatema Mernissi illustrates how Eastern and Western women are subjugated by the control of men. Mernissi argues that though she may have derived from a society where a woman has to cover her face, a Western woman has to face daily atrocities far worse then ones an Eastern woman will encounter. Moreover, Mernissi’s core dogma in “Size 6: The Western Women's Harem” is that Western women are not more fortunate than women raised into harems in other societies. Additionally, she asserts that though women in the Western world are given liberties, they coincide with the unattainable ideals of what is aesthetically pleasing. Furthermore, to strengthen her argument towards her wavering audience, Mernissi’s main approach in her paper is to get the reader to relate with her issue by means of an emotional appeal, while also utilizing both the ethical and logical appeal to support her thesis.
Lila Abu-Lughod’s article titled, “Do Muslim Women Really Need Saving?” takes a closer look at the problematic ethnocentric approach many have when trying to gain an understanding of another culture that may be foreign to that individual. In this analytical paper, Lughod looks at women in Islam, specifically the treatment of women and how it might be utilized as a justification for invading into a country and liberating its people. The country Lughod refers to in her article is Afghanistan, and Lughod points out the misunderstanding from the people to the Bush administration like First Lady Laura Bush who believed that intervention was necessary to free women from the captivity of their own homes. It is important to consider the role that different lenses play into all of this, especially when one’s lenses are being shaped by the media. Depictions of covered women secluded from society leave a permanent image in the minds of many, who would then later support the idea of liberation. This paper will discuss that the practice of using propaganda when referring to the lifestyle in the Middle East is not exclusive to the U.S; rather it has been utilized throughout history. Additionally, we will take a closer look on the importance of symbols, such as veils in this case; help to further emphasize the cause to liberate. Finally, we will analyze Lughod’s plea towards cultural relativism and away from liberal imperialism.
Do Muslim Women Really Need Saving by Lila Abu-Lughod describes Western feminist beliefs on Muslim women and their burqa/veil and how focusing on these misconceptions are doing far more harm than good. This causes Western feminists reduce the culture and beliefs of Muslim women down to a single piece of clothing. The burqa is a type of veil worn by Muslim women for a number of reasons such as proprietary and signaling their relationship with God. The burqa is often seen a symbol of suppression amongst the Western world and it was expected for women to throw it off in a show of independence once liberated from the Taliban. The saving of Muslim women is often used to justify the “War on Terrorism” as exemplified in Laura Bush 's 2001 speech. The belief that Muslim women needed saving existed before the “War on Terrorism” as seen when Marnia Lazreg wrote about a skit where two Afghan girls talked about the beauty of the free Christian France.
The values she has are echoed by the political revolution of Turkey from a religious state to a secular state. However, when she visits modern, religious, Turkey her values are not exemplified in the foreign culture. Batuman rejects not only the practices but also the values of Islam, “And, because he said them in the name of Islam, I couldn’t forgive Islam, either” (5). Batuman’s own values of female autonomy and respect clash with those of Islam. She is constantly reminded of these values while in Istanbul, from both the government and her taxi drivers. The religious practices of Turkey clash with the secular practices her parents taught her, so she immediately disagrees with the values of the Turkish people. Batuman’s time in Urfa is full of awkward conversations and stares. When she speaks English other women stare, the fact she is alone in her hotel is crazy to the hotel staff, and ordering food was a chore. One day, Batuman forgets that she is wearing the headscarf as she walks back to her hotel. The change in behavior was instant, women would acknowledge her with a smile, men were far more polite, and in general “people were so much nicer” (7). Batuman experiences the benefits of Islamic values while not actually practicing the culture. She at first considers what the problem would be if she wore it constantly while in Urfa, just to remove the discomfort that she causes by not doing so.
The hijab, while not always popular, has seem to be customary for most women to wear in the Islam world for good or for bad. Prior to the 21st century the hijab was not very popular and was looked as a rarity, but now most women adopted this clothing choice for a multitude of reasons. Many women choose to wear it because they feel god instructed women to wear it, to highlight modesty, to show faith in god, or to show Muslim identity. There are many reasons women wear the hijab, even if the veil is forced upon them because of family members; However, the sight of the veil concerns many women activists whose main priority is to insure equality for all women. Many women activists don’t like the veil to be forced upon women and the idea
Hussain, Rokeya Shakhawat. Sultana’s Dream and Selections from The Secluded Ones. New York: Feminist Press, 1998.
When people read, they are taken to another person’s world and forced to see things through a new lens. In The Reluctant Fundamentalist, Hamid attempted to use the feelings already inside the reader to create the world. In “Enduring Love of the Second Person,” Hamid writes “to try and show, after the terror attacks of 9/11, how feelings already present inside a reader – fear, anger, suspicion, loyalty- could color a narrative so that the reader, as much as or even more than the writer, is deciding what is really going on.” He wants to use the second person to pull the feeling already in ourselves into the material that is used to make the set for The Reluctant Fundamentalist.
As an Arab American, a Muslim and a woman writer, Mohja Kahf challenges the stereotypes and misrepresentation of Arab and Muslim women. Her style is always marked by humor, sarcasm, anger and confrontation. “The Marvelous Women,” “The Woman Dear to Herself,” “Hijab Scene #7” and “Hijab Scene #5” are examples of Kahf’s anger of stereotypes about Muslim women and her attempts to fight in order to eradicate them, in addition to her encouragement to women who help her and fight for their rights.
If one were to take the famous travelogue of Ibn Battuta as a source of historical account then a major scrutiny would have to be done by the individual because the so called travel analogue is lacking in authenticity. It is not just the events that have been given overemphasis from data of other travelers but the more extreme speculation is, did Ibn Battuta even travel to all of the places mentioned in his work? The travels of Ibn Battuta, by Ibn Battuta and his editor Ibn Juzayy is in jeopardy as a reliable source due to some of the dubious supposition, such as the chronology, plagiarism, and places such as China, Palestine, and Balghur, which makes one question the actual presence of the traveler at these places. The famous traveler from Morocco, Ibn Battuta embarked on a thirty year-long journey in 1325 at the age of 22. The reason was to make his tribute to Islam by completing one of the five pillars, a Hajj, which is