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Concepts of heroes
Concepts of heroes
Characteristics of a modern day hero
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“And you take responsibility! You’re supposed to be their leader!” is a quote by Hershel Greene from The Walking Dead. Herschel is speaking to Rick in a time of great peril and confusion. The world is slowly melting away into a pit of violence, death, and destruction and Rick is the chosen one to lead a small group of survivors through the hot land mass known as Atlanta, Georgia and Herschel is the wise sidekick of the group who is known for his calm and gentle demeanor. These two types of heroes are intertwined in the journey of The Walking Dead where it is every man for himself but there is still a glimmer of hope for humanity. Robert Ray thinks that there are only two types of heroes an official hero and an outlaw but The Walking Dead proves otherwise because Rick is considered the chosen hero and Herschel is the sidekick hero.
According to Ray “Embodied in the adventurer, explorer, gunfighter, wanderer, and loner the outlaw hero stood for that part of the American imagination valuing self-determination and freedom from entanglements” (378). He is referring to an outlaw charter from the wild west for example Davey Crockett or Jesse James who according to Robert Ray were outlaw legends that had “mythical” (378) stories told about them in order to increase their legend, ego, and popularity. These types of heroes according to Robert Ray were the outlaws that embodied the gunslinger mentality that would appeal to audiences who lived on the frontier or in the wilderness. Another type of hero according to Robert Ray are a smaller breed of legend or “The Good Good Boys” (378). These legends included George Washington, Thomas Jefferson, Abraham Lincoln, and Robert E. Lee. These men were either generals who served in the military ...
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...art, wise, and a good person which makes him a strong sidekick hero for Rick.
Heroes come in all shapes, sizes, and forms. Heroes are not just classified as outlaws or noble heroes, they can be everyday people such as Rick and Herschel from The Walking Dead who made the best of their current situation in order to save others. Rick is the chosen one who will stop at nothing to ensure that the main group, his family, and the rest of the survivors weather the storm and come out of the zombie apocalypse alive. While Herschel is a strong supporting character who is considered a wise sidekick hero who uses his brain and past experiences to help the group. Robert Ray thinks that there are only two types of heroes an official hero and an outlaw but The Walking Dead proves otherwise because Rick and Herschel are far from the narrow classifications Robert describes as heroes.
Although not every hero shouts “Avengers Assemble” before a worthy deed, heroism is shown in all aspects of the everyday world. Webster Dictionary has exactly 5 definitions under the word hero and still no two people explain heroism the same. Superman and Captain America are a glimpse of the fictional characters society titles a hero. Firefighters and Military portray heroism each day in the lives of every civilian. As Sullivan and Venter stated “individuals are referred to as ‘heroes’ for seemingly different reasons” and even through endless studies the adjectives referring heroes is ever changing.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western.
In her book, Limerick describes the “idea of innocence” that permeated the American West (36). According to the author, the underlying motive for every action was pure (even when it really was not). According to Western American folklore, early settlers did intend to victimize Indians and trespass on their land, but instead came to America to pursue new opportunities and improve their lives (Limerick 36). The same ideological theory may be applied to the motivations of the sensationalized outlaws from the time. For example, in her book Limerick details the life of John Wesley Hardin, an outlaw, who began his violent life of crime at the age of fifteen (36). According to the story, Hardin shot and killed a black man (Limerick 36). However, idolized as the son of a preacher, Hardin hid his crimes behind the veils of “bravery” and “honor” (Limerick 36). He claimed that he actually shot the man --...
Because of the outlaw hero’s definitive elements, society more so identifies with this myth. Ray said, “…the scarcity of mature heroes in American...
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
Most westerns have a heroic cowboy that fights against corrupt officials to save a small helpless town or a person in need of help. They also have women who are attracted to the cowboy, and Indians who the cowboy usually fights. The cowboy is moral and fights for good because he is free from civilization its deceit and the wilderness (Wright, 2001, pp. 18-58; Belton, 2009, pp. 248-249). Most cowboys who emerge in western films are honest and forthright.
What is a hero? A hero can be classified as a number of things. A hero can be a person who in the opinions of others has heroic qualities or has performed a heroic act and is regarded as a model or ideal. Ervin Staub, a holocaust survivor from Hungary and as scholar on altruistic behavior, has written, "Goodness like evil often begins in small steps. Heroes evolve; they aren't born. Very often the rescuers make only a small commitment at the start, to hide someone for a day or two. But once they had taken that step, they begin to see themselves differently, as someone who helps. What starts as mere willingness becomes intense involvement." The business man, Oskar Schindler, demonstrated a powerful example
...nd a man of reserve against violence. Also as a man who will stand for the good of the community, protecting those who need protecting as the Vigilante of the western frontier. The Virginian was a true cowboy hero because he was a vigilante who followed his own moral code. The cowboy’s moral code was not dictated by the laws of society because he was an independent who was working to escape civilization. The Virginian was the first of the western heroes who gave the world someone to look unto as an example. He showed a very strong moral code which had a special responsibility to the protection and respect of women such as Molly. He also had a great many skills which gave him the realistic air that made the hero’s of the west so popular in the early 1900’s as the western frontier came to a close.
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
So what defines one as a hero? Well, a definition of what a hero is “A person noted for special achievement in a particular field” (hero, n.d). Our concept of a hero alters drastically from person to
The Wild West consisted of many men, women, and children, but only one made the biggest impact. He was not your everyday Robin Hood. In fact, he was known for being ruthless and vicious. He was a real life outlaw and bandit. He was known for bank robbing, train robbing, and killing people who got in his way. He was Jesse Woodson James and he made his mark on the Wild West until his death in 1882, above all, he remains famous after over 100 years in American history.
John Henry Hero is a representation of cowboys. Cowboy is a unique product form American culture. When people think about cowboys, they think of a carefree, independent white male, just like the ones on Marlboro advertisements. The birth and death of John Henry, as Erikson analyzes, gives two fundamental factors of American identity at the cowboy period: abandonment of and by parents, and rejections to intimate feelings.
wild west legend who showed what life was like in The Great Plains of America.
For many years the American Hero has filled the silver screen and wide screened television sets, along with shelves of countless bookstores. Audiences love to see the protagonist overcome great odds, defeat the forces of evil, and save the beautiful girl at the last second. The character of the American Hero however, is not a new idea. James Cooper, in the 1800’s, created the archetype of the American Hero. Natty Bumpo, also called Deerslayer, embodied many qualities of the great American Hero. Modern day heroes are simply following the example set by Cooper’s creation.