Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Thematic analysis essay
Thematic analysis essay
Thematic analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
Society favors the outlaw hero because we relate with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the child like talents that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have. Superman’s image has remained unchanged over the years. A blue suit accompanied by boots, a belt and cape have always been the Superman style, along with the Superman emblem on his chest. Superman’s real name is Kal-El, a descendant of the Kryptonian family of the house of El, with his father known as Jor-El and mother Lara. Krypton was discovered to be in the last seconds of life due to the coming supernova of its sun by Kal-El’s father. The other members of Krypton did not believe Jor-El could not tell others of his answers and examinations. Jor-El promised that neither he nor his wife would leave and with every last possible choice eliminated, Jor-El would send his newborn son to the planet Earth. Kal-El then crash landed into the care of Jonathan and Martha Kent, two farmers in Kansas. He then adopted the Kent family name,...
... middle of paper ...
...of the real meaning of a “hero” in our world. In conclusion my expectations were met because we all want to be a certain hero in our everyday lives but sometimes don’t know which one is actually the better and more positive one. Strength, power, intelligence, and authority are the most important things the outlaw hero and official hero will bring even if they are above a certain rule or really beneath it. Outlaws are not always the bad guys, but are not always the good guys either. In this case Batman is the good guy disguised as the bad guy. Official heroes are always the good guys no matter the circumstance. Superman in this case is the good guy disguised as the actual good guy. Being above the law or against it, official heroes and outlaw heroes will always paint the picture that you can be strong, powerful, intelligent, and have the authority you deserve.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
"The Final Call." Black America's Painful Epidemic: Children without Fathers. N.p., n.d. Web. 07 Apr. 2014.
As a society we value and admire heroes who represent the idealized version of ourselves whom we stride every day to become. This is why they are sometimes scrutinized, unless they are an anti-hero, of course. The anti-hero is also admired by some even if he utilizes unlawful methods to achieve his goal, because he represents the good in a corrupt world. But this is not always the case as it is seen in some Noir stories. In Noir stories, the anti-hero is supposed to be a modern knight. Transgressing society's corrupt rules in order to reaffirm for its male audience the need to act justly do rightly; however, the anti-hero through this false nobility and sexism reinforces the social problems that plague contemporary society.
Black men in Jail are having drastic effects upon the black community. The first and arguably most important effect is that it intensifies the problem of single parent households within the black community. When these men are sentenced to prison, they, many times, leave behind a wife/girlfriend and/or children. If they have already have had children, that child must spend multiple years of his/her early life without a primary father figure. In addition, that male's absence is even more prominently felt when the woman has to handle all of the financial responsibilities on her own. This poses even more problems since women are underpaid relative to men in the workforce, childcare costs must be considered, and many of these women do not have the necessary skills to obtain a job, which would pay a living wage, which could support her and the children. Black male incarceration has done much to ensure that black female-headed households are now equal with poverty.
The storyline is normally about a hero who comes to a town to bring peace and drive the villains out. A hero is usually seen as a vigilante as he is not told to come to help but does anyway. The hero often appears as a quiet, secretive, mysterious person who may make the audience admire him one minute and dislike him the next, he is also a very smart, cunning and adaptable which are all good values in a hero. The villain is usually fixed to one idea he thinks it is a smart cunning person but in the end is always defeated. Many scenes are set around the Saloon (bar) and there is quite often a romance involved with the hero and a local girl, the villain competing for her affections! There are two different types of villains in typical westerns Native Americans and white villains (cowboys).
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
This research paper will explore primarily the impact of African American single-parent households on the children that live in these environments. This is a very important issue and more awareness is needed. Research has provided evidence that single-parent households are one of many risk factors that can negatively affect a child’s educational outcome, emotional health and social behavior. Although not all single-parent family households have disadvantages, the focus of his study is to shed more light on the issues and offer solutions. For example, more policies are needed to reinforce fathers to pay child support. This alone will provide mothers with more money to help them better raise their children.
A century ago, it was not the man’s job to play a huge role in the children’s lives, they were just there to provide and occasionally take care of the children. However, most parents now believe that it is just as important to have a father around, as it is to have a mother. Men can offer a different way to parenting than women can, and vise versa. Fathers are excepted to have a very important leadership role that more often than not only fathers can provide. When a father is affectionate, helpful, and drawn in with his children, it is proven to help the child’s self-esteem as long as further develop the
The Patriot and The Alamo, although told from slightly different points of views--The Patriot from the perspective of a fictional, and average civilian character and The Alamo from the perspective of actual historical and prominent figures--showcases the ability of films to persuade viewers into rooting for one character, while opposing another. The characters, to be more specific, are the hero, whose role in a story is to be a character who is admired or idealized for courage or noble qualities, and the villain, whose role in a story is to be a malicious character or a character who opposes the hero in the story.
In 2007, 52 percent of prisoners were parents in the United States which is a big number. A lot of people like to call the black men that have been incarcerated the missing fathers. Incarceration can lead to extreme financial distress for the entire family with harsh implications for children. So children with imprisoned parents also do worse in school an important indicator of economic mobility. I believe that it has become a cycle where if the children who become fatherless because they have no one too look up too. And most of the time the other parent is working alot to keep up with the finances. So usually the children have no one to look up too so must of the time children end up doing things that they know thats not safe. And sometimes the children end up going in to crime and going to jail. Sometimes when theres not a strong family home the children don't know what to do
Prior to the period of slavery, the majority African family structure was in the realm of 2-parent households and was the main importance for everyone. However, during the period of slavery and beyond, the 2-parent household has been transformed and its looming effects are still in place today. The effects include the phenomenal increase in female-headed households and also the increase in households with individual living by himself or herself. African-American family structure has been inconsistent, and it has a tremendous impact on the children. Statistics have shown that African American males growing up without a father are more likely to end up in prison (Krampe & Newton, 2012). It is important, as the children are dependent on the family in terms of obtaining success in the future. In addition, the single-parent mother ends up taking new roles as mother and father for the child. This topic has many aspects, which showcase the prominent influence in
The Lone Ranger, Zorro, Batman, Superman are some of the characters that we stereotypically constitute as heroes. They are known to fight with courage without fear of death. They destroy the enemy within a blink of an eye. They fight using their own body strength, superpower, or some kind of weapon. They come to the rescue miraculously and leave without a trace. They are mysterious. We are unable to identify who they are underneath the masks and disguises. Yet, we praise them and ignore the real heroes that surround us regularly, ordinarily. “All of us …like to believe that in a moral emergency we will behave like the heroes of our youth, bravely and forthrightly, without thought of personal loss or discredit” (O’Brien 39). In other words, we are quite oblivious to the ordinary people of the world that are, in fact, the true heroes.