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What if I told you that I know the outcome of your life and where you will end up before you even know it? Wouldn’t you be scared? See for a regular person who has a supporting family around them this question will almost feel almost like a death sentence. Nobody wants anyone to judge them before they even go through life on what they will end up being. In the movie “Boyz in the Hood” director John Singleton, paints a clear image of the problems that happen very often in the African American communities. The movie deals with issues such as: the importance of a father in a young man’s life, the ongoing violence of black on black crime, and how black people are put in situations where they are put to fail and not succeed in life. John Singleton’s view of social problems in South Central Los Angeles happens in a tale of three friends growing up together. Doughboy and Ricky Baker are half-brothers and have opposite personalities. Ricky is a football player who hopes to win a scholarship and spends most of his time playing football. On the other hand, Doughboy is a young man who looks upon his environment for guidance. He is involved in violence, abusing drugs, and participates in violence. In between is their friend Tre, who actually has a father to teach him what is right from wrong. Furious Styles, who is Tre’s father in the film does everything in his strength to keep his son from becoming another startling statistic. As you can see, it is always important for parents to be a part of their child’s life because it can make a big difference not only in their life but also their child’s future. Fatherless has been one of the most important challenges and epidemics in our generation. The effects of growing up... ... middle of paper ... ...and how society is a dangerous place for blacks. Work Cited MASLIN, JANET. "Boyz N The Hood (1991) Review/Film; A Chance to Confound Fate." Movies. The New York times, n.d. Web. "The Final Call." Black America's Painful Epidemic: Children without Fathers. N.p., n.d. Web. 07 Apr. 2014. Alter, Adam. "Where We Are Shapes Who We Are." The New York Times. The New York Times, 15 June 2013. Web. 07 Apr. 2014. "PORTRAYAL OF MINORITIES IN THE FILM, MEDIA AND ENTERTAINMENT INDUSTRIES." PORTRAYAL OF MINORITIES IN THE FILM, MEDIA AND ENTERTAINMENT INDUSTRIES. N.p., n.d. Web. 07 Apr. 2014. "‘Race Wars’ Part 1: The Shocking Data on Black-on-Black Crime." The Blaze. N.p., n.d. Web. 29 Apr. 2014. "Boyz N The Hood Script - Dialogue Transcript." Boyz N The Hood Script. N.p., n.d. Web. 29 Apr. 2014. "Obama’s Father’s Day Remarks." The New York Times. N.p., n.d. Web.
Upon reading your responses, I can see how individuals are labeled based on race and on stereotypes. In the film, “Boyz n the Hood”, I agree to what Sabrina said about the two scenes expressing discriminatory treatment by the criminal justice system. It was sad to see how when you are in need of help and the only source is turning their backs. It is not fair to be judged by your ethnicity, class, or where you live. This is related to labeling theorist, Howard Becker; whereas he states that certain individuals can even be labeled by being falsely accused. An individual can be labeled as a deviant, because of their race and yet never committed a crime (Adler, Mueller, & Laufer 2013, p. 189). We saw this in the one scene you pointed out, whereas Tre and his dad called the cops because of the break in at their home. Then
Tre styles (Desi Arnez Hines II) in Boyz N the Hood, think that it is
The West side of Chicago, Harlem, Watts, Roxbury, and Detroit. What do all of these areas have in common? These areas, along with many others have become mine fields for the explosive issues of race, values, and community responsibility, led by the plight of the urban underclass. Issues such as violent crime, social separation, welfare dependence, drug wars, and unemployment all play a major role in the plight of American inner-city life. Alex Kotlowitz's book: There Are No Children Here, confronts America's devastated urban life; a most painful issue in America. Kotlowitz traces the lives of two black boys; 10 year old LaFayette, and 7 year old Pharoah, as they struggle to beat the odds growing up in one of Chicago's worst housing projects. Their family includes a welfare dependent mother, an alcholic-drug using father, an older sister, an older brother, and younger triplets. Kotlowoitz describes the horrors of an ill-maintained housing project completely taken over by gangs, where murders and shootings are an everyday thing. Kotlowitz does a fine job at portraying ghetto life; those who are outside the American dream. He succeeds at putting a face on th people trapped inside the housing projects with virtually no hope of escape. One can truly feel a sense of great loss for the family, and a great deal of hope for the two young boys. You can truly feel yourself hoping that things will work out for them, and you can really feel like you know these young men on a personal basis. Kotlowotz spent a great deal of time with the boys so he could portray the world from the eyes of a child growing up in the ghetto, and he does an amazing job.
Do the Right Thing. Dir. Spike Lee. Perf. Danny Aiello, Ossie Davis, Ruby Dee. 1989. Universal
Wickham, DeWayne. "Black-on-black violence: Where's the outrage? ." USA Today 10 April 2012. Web. 20 September 2013. .
Gallman, J. Matthew. "Gangs Of New York (Film)." Journal Of American History 90.3 (2003): 1124-1126. America: History and Life with Full Text. Web. 2 May 2014.
The main protagonist of the film, Scotty Smalls, is introduced as a straight-A, friendless young boy who has just moved into a new neighborhood in new state. While
New Jack City, noted as ‘the crime film of the 90’s’,serves as an important episode for African-American people in America. Set in New York city, the film depicts the story of a success-driven antagonist Nino Brown (Wesley Snipes) who builds an empire powered by organized crime, drug trafficking, and Black delinquent young adults trapped in the cycle of crime. Ronald Reagan’s economic policy coupled with the popularity of crack-cocaine in the inner city creates inconsistencies and untapped markets in the poor community which Nino Brown brilliantly capitalizes on and exploits. His empire is able to successfully cut out the middle men in the drug trafficking market and centralize their operation in a single low-income housing complex inhabited
James Garbarino (1999) discusses the boys who are lost and ways that they can learn to see again in his book Lost Boys: Why Our Sons Turn Violent and How We Can Save Them. He takes an in depth look at what he calls the "epidemic of youth violence" in America in order to determine its causes and origins. By gaining an understanding of the problem, Garbarino hopes to be able to ascertain some sort of solution. He provides useful advice and insight about steps we as a society can take to ensure our boys do not become lost. In order to develop Garbarino’s ideas in my mind, I thought it would be interesting to apply some of his points he makes in his book to a case. I chose to write on the two main characters, Derek and Danny, in the movie American History X. I will provide a brief summary of the movie, followed by an extensive examination of the characters, using Lost Boys as a critical lens. First I will discuss the importance of viewing the boys lives in their entirety rather that isolating one incident. I will then look at the risk factors and the racial implications involved in Derek and Danny’s life. The next two sections will focus on the lack of a father figure and the powerful influence Derek has as a result of the absence of a father. Then I devote a short section to Garbarino’s idea of affirmation instead of discrimination and how this could have helped Derek and Danny. Before concluding, I take into account psychologist James Gilligan’s ideas on violence and how they apply to this case. In my conclusion, I look at Garbarin...
Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
4. Foreman, (2002). The Hood Comes First: Race, Space, and Place in Rap and Hip hop. Middletown, Conn.: Wesleyan University Press.
“Boyz in the Hood” was a film that displayed how chaotic African Americans communities were in Los Angeles. The film explored how violence is real with black on black crime and how the youth neglected by the community. The entire film displays a moral, mental and eagerness for one endures, conquer and defeat their demons. However, each in the movie enhances the quality of today’s world and the environment. Enthralled with the hope for life encompass the thought and desire to secure one's enter most fears and desires. Tre Styles were a character in the film that was an intelligent young man. In a perfect world, a mother and father share the responsibilities of raising children, but nothing is perfect. When Furious Styles come into the picture with his son, Tre develops into a person of understanding. Tre mother felt it was best that
The Family structure has changed significantly in the last fifty years. With higher percentages of marriage ending in divorce, and higher rates of childbearing out of wedlock, single parent families are increasing rapidly. “Seventy percent of all the children will spend all or part of their lives in a single-parent household.” (Dowd) Studies have shown that the children of these families are affected dramatically, both negatively and positively. Women head the majority of single- parent families and as a result, children experience many social problems from growing up without a father. Some of these problems include lack of financial support, and various emotional problems by not having a father around, which may contribute to problems later in life. At the same time, children of single-parent homes become more independent because they learn to take care of themselves, and rely on others to do things for them.
Lankford, Loren. "Step Up 2 The Streets." Entertainment Weekly 1002 (2008): 48. MasterFILE Premier. Web. 16 Mar. 2014.