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Genre Features of Western Films
Genre Features of Western Films
Aspects of western movies
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Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
Western movies such as Rio Bravo and El Dorado illustrate America’s rugged and picturesque scenery explaining life as it was in the wide open country, at a time when few laws were in place to safeguard the public. These two films tell the story of four men who arrest and
hold an influential man in jail under the assumption that he committed murder, however as they wait for the marshal, who is not exp...
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...len Poe poem recited on numerous occasions by Mississippi. Finally Rio Bravo is a crafty blend of Western adventure with a touch of comedy and was one of Hollywood’s finest at the time. The advertisements for the movie claimed, “There will never be another like Rio Bravo,” Yet seven years later, something very similar to Rio Bravo was released, El Dorado. Then in 1970, Hawks made another film that told the same story with Rio Lobo, again starring John Wayne, making it a trilogy. In 1976, the anecdote was retold again by John Carpenter with his movie, Assault on Precinct 13. Then again in 2005 by Director Jean Francois Richet with his release of Assault on Precinct 13 Even though there are more similarities than differences in these movies, it only goes to show how the same story can be retold over and over again, with some minor differences and character changes.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
In the article “The Thematic Paradigm” exerted from his book, A Certain Tendency of the Hollywood Cinema, Robert Ray provides a description of the two types of heroes depicted in American film: the outlaw hero and the official hero. Although the outlaw hero is more risky and lonely, he cherishes liberty and sovereignty. The official hero on the other hand, generally poses the role of an average ordinary person, claiming an image of a “civilized person.” While the outlaw hero creates an image of a rough-cut person likely to commit a crime, the official hero has a legend perception. In this essay, I will reflect on Ray’s work, along with demonstrating where I observe ideologies and themes.
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
When one thinks of the United States of America, they probably consider our history, our culture, our media, our impressive cities and the extremely wide variety of beautiful wildernesses that we are lucky enough to still enjoy. We are lucky enough to have a melting pot of cultures in this country, and many different kinds of people. However, when thinking of an original, all-American figure, cowboys come to mind for many people. Our history and the settlement of the U.S. was unlike any other country, and the development of the country in the more western states came with the unique and fascinating time period referred to now as “The Old West”. The Old West was a crucial time in American history, and though it was a simpler time it also came with its share of excitement. Some of the most memorable details about the Old West were the characters that came with it, and some extremely interesting ones were the least conforming- the outlaws. Jesse Woodson James was one of the most notorious outlaws in American history. His name would go down in history as one belonging to a tough as nails and fearless bank robber who led a group of outlaws across the mid-west robbing banks and trains, and even murdering people. When we look at the big picture of what the U.S. has become today, The Old West certainly has had a large impact on our culture, and Jesse James certainly had a large impact on the Old West. Though most would argue that he was not a decent or moral person, one cannot argue that he was still a very interesting and unique icon of the west. So how did Jesse Woodson James change and leave his mark on the United St...
Wyatt Earp, Doc Holiday, and the gunfight at the O.K. Corral were they really fighting for justice or revenge. In the attempt to serve “justice” they blurred the lines of the system to their gain. This essay is prove a point that the marvelous western hero lived a much darker live fueled by revenge, bribes, and gambling.
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
The cowboy scenario in the west was only a very short period in American history, but it made a big enough of an impact on people’s views and took on a life of its own. As time progresses the views of the west change from the colorful mythologies to the more monotone realities. This vision of the west and the heroes and antiheros within it has evolved over time, in the beginning it was more romantic but as time went on different takes on the west started to unfold as focus faded from traditional heroes and turned to more personal heroes.
The frontier theory created by Frederick Jackson Turner accurately summarizes not only the advances that were made within the American lifestyle, but points out how the American Identity and the future of the nation was forever changed through the events of Westward Expansion. This thesis successfully creates the image of the “Wild West”, utilizing imagery such as cowboys, robberies, Indians, and much more. What can be easily overlooked is that many of the myths and stereotypes associated with the “Wild West” were in fact true. The events that support this are the creation of the cowboy and the experiences they endured in the cattle herding business. The average cowboy was required to work about ten to fourteen hours a day, requiring that they
One might wonder what a 1960 Western American movie would have to do with a 1820s transcendentalist essay. Western movies are often filled with violence and death far from the teachings of Ralph Waldo Emerson's "Self Reliance". Surprisingly, the movie "The Magnificent Seven" has borrowed some ideas from the essay. The premise of the movie lies in a small town terrorized by a bandit named Calvera. The people are forced into giving up their food and goods. The movie emphasizes on the gunslingers that are hired to protect their town, but the innocent farmers are most profound in their discovery of their own strength. Many concepts in this American classic have hints of Emerson's essay.
As the American landscape began to broaden its horizons, its administration of justice had to expand to accommodate new situations and environments. In the early nineteenth century, due to lack of law enforcement, the frontier presented itself as heavenly to outlaws and bandits (Schmalleger 139). Many citizens took up the task of protecting others in a form of vigi...
Hadden, S. (1998, January 6). Review of "Amistad" (film by Stephen Speilberg) by Sally Hadden Florida State University. Retrieved April 29, 2014, from http://iweb.tntech.edu/preagan/amistadr.html
Western films are often related to cowboys, horses, railroads, rifles, saloon girls, outlaws, robbers, sheriff, and blue skies with rolling hills. Goodykoontz and Jacobs (2014) noted, “Typical westerns deal with maintaining law and order on the frontier, and their conflict derives from easily defined opposites of good vs. evil” (p. 81). However, Peckinpah chose to bring war and violence to a new level in the action packed western which is graphically displayed in the opening scene “Bank Shootout” (Movieclips, 2014). In this scene, a
The Mexican is a film about a pistol named “The Mexican”. The pistol, which is believed to have a curse, is highly sought out on the black market. Throughout the film, many locals recognize the pistol and each one recalls a different story behind it. Although they are different, they all possess similar themes. Ultimately, it is revealed that a poor gunsmith made the pistol. It was supposed to be a wedding gift for a nobleman who sought to marry the gunsmith’s daughter. The protagonist, Jerry Welbach who played by Brad Pitt, is assigned to acquire the pistol for his employer Margolese, Gene Hackman. Months before, Welbach crashed into Margolese while he had a person tied up in the trunk. Since Margolese went to jail and it was technically Welbach’s fault, Margolese forced Welbach into a life crime. The film follows Welbach’s journey as he attempts to acquire the pistol. For the purpose of this blog, it is important to recognize the portrayal of Americans in a Mexican setting as well as the roles of Mexicans and Mexico.