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Ways of seeing john berger chapter 3 summary
Ways of seeing john berger chapter 3 summary
Ways of seeing john berger chapter 3 summary
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In 1972, John Berger’s essay entitled the Ways of Seeing was one of the most significant post modern text during that time. In this essay, the author mainly focuses on how people see media, like art, is different the way it was interpreted before. It is clear that the author, John Berger, is addressing this essay to an academic audience to inform them on how people interpret that today’s media generation is different from the past generation. Through his essay, Berger tries to inform the importance of the topic to the audience using the strategies of Logos, Ethos and Pathos.
One of the strategies John Berger uses is Pathos. There were many instances in the essay, one example was when the author writes “When we “see” a landscape, we situate ourselves in it. If we “saw” the art of the past, we would situate ourselves in history.” (Berger, 122) which clearly tried to associate the discussion of the audience’s emotion regarding about on how we would put ourselves in the shoes of people
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from the past history. By using emotional example, Mr. John Berger effectively tried to let the audience see the media the way they want to see it from their own perspective. In addition, the Mr.
John Berger gave another rhetorical strategy, Logos, in which he writes “The painting maintain its own authority. Paintings are often reproduced with words around them.” (136) By supporting these statement, Mr. Berger mentioned and provided different paintings from artists and how the history behind each art can change the perspective of others. He tries to engage the audience on how art, paintings, can influence each individual and how the each can interpret and approach from their own prior knowledge. He stated that the use of camera can only shows the world the way the lens can see it and that it can produce fresh perception. According to Mr. John Berger, images does not worth the same value of an original art. Each individual only look at the images not knowing the prior knowledge of what it exactly meant in the history from the past. Every artwork has its own uniqueness. Inventing the camera, has definitely change the way people understand and interpret
things. Lastly, another strategy which the author, John Berger, mentioned was the Ethos, in which he writes "If we accept that we can see that hill over there, we propose that from that hill we can be seen. The reciprocal nature of vision is more fundamental than that of spoken dialogue. And often dialogue is an attempt to verbalize this-- an attempt to explain how either metaphorically or literally, "you see things" and an attempt to discover how "he sees things". (120) which he clearly tried to associate the discussion of art regarding about the credibility of each individual in this visible world. The way photographers can see is depends on the subject the photographer wants to capture an image , while a painter decides depending on the stroke he makes or the color he wants to use for the his painting. Every individual will look for the relation between things and themselves to understand and appreciate the work of art .
Media such as movies, video games and television, in general, are all created to support some form of social context. This helps with generating popularity because people are able to relate to the form of media. In Greg Smith’s book What Media Classes Really Want to Discuss, he describes 6 different representational strategies that justifies people’s way of thinking. The trope that I will be amplifying is the white savior tactic. In addition, I will connect this strategy to the movie The Blind Side. There are clear examples throughout the film where racism and low-income cultures exist in which the white family is there to help. The Tuohy family from the movie “The Blind Side” serves as the white savior for the progression of Michael
In a reality where the government strives to establish total equality, there are bound to be an immense amount of rebels and protesters who questions the newly established system. It is expected for the mass majority of individuals to be demeaning the so-called “equality” and demanding for change. However, this interpretation is far from the case in the fictional text “Harrison Bergeron”, where there appears to be daily brainwashing of the population, as well as law enforcement through putting bullets through people’s heads. The allegory attempts to depict a world where the government’s primary focus is to ensure that each and every individual is absolutely equivalent to one another. Taking place in 2081 America, there are several
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
Anticipation is prevalent throughout The Road, which is set by the narrative pace, creating a tense and suspenseful feeling and tone.
Camera Lucida was Roland Barthes’ last written piece, published posthumously in 1980. This book deals with the topic of photography and the death of Barthes’ mother in 1977. The role of photography is questioned; he asks what about photography makes it a valid media? We read about the operator (the photographer), spectrum (the subject) and spectator (the viewer), also about the studium (what we see in the photograph) and the punctum (the unclassifiable, the thing that makes the photograph important to the viewer). According to Barthes the photograph is an adventure for the viewer, but it is ultimately death, the recording of something that will be dead after the picture is taken. This idea is the main focus of Barthes’ writing, the photograph “that-has-been”, in Latin “interfuit: what I see has been here, in this place which extends between infinity and the subject; it has been here, and yet immediately separated; it has been absolutely, irref...
In the novel The Stranger by Albert Camus, the narrator’s monotonous tone makes the reader experience a lack of emotion and feeling. The novel starts off describing Mersault’s current job and how he must go on leave in order to attend his mother’s funeral. He and his mother have been disconnected for some time as they had come to a mutual agreement with her staying in an elderly home. Mersault, the main protagonist, did not have the money or time to tend to his mother. The elderly home was the best option for the both of them. When he returns home from the funeral, Mersault gets caught up in external affairs he should not be in. He ends up writing a break up letter to Raymond’s girlfriend, which drives the rest of the story. Raymond beats his
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
Today’s economy and the environment are hurting due to the lack of nurture we have been providing. Conventional farming rules the world of agriculture, but not without a fight from organic farming. Organic farming is seen as the way of farming that might potentially nurture our nature back to health along with the added benefit of improving our own health. With her piece “Organic farming healthier, more efficient than Status Quo,” published in the Kansas State Collegian on September 3, 2013, writer Anurag Muthyam brings forth the importance behind organic farming methods. Muthyam is a senior at Kansas State University working towards a degree in Management. This piece paints the picture of how organic farming methods
A religious revival swept through America during the 1730s, particularly in Puritan New England. Religious fervor, the reason the colonists moved to the Americas so they could get away from the religiously oppressive king, had been on the decline for some time, and after the Salem Witch trials, religion was viewed as being somewhat oppressive. Powerful sermons were used to convert people back to being astutely religious. Jonathan Edwards was a particularly influential speaker at time. He was known for his condemnation of non-followers of Christ, and was a very influential speaker at the time. In his sermon, Edwards condemns sinners and calls for them to repent so that they may be saved from the wrath of an angry God. Edwards makes this argument
Mr. Berger states in his essay, “The reciprocal nature of vision is more fundamental than that of a spoken dialogue. And often dialogue is an attempt to verbalize this- an attempt to explain how, either metaphorically or literally, “you see things” (120). This statement is a use of the rhetorical strategy, ethos, which is what Mr. Berger uses to gain influence and trust with the academic audience that he is intending to instill new knowledge in. This is a strong use of ethos that leads into how art is viewed so
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Bazin gives credit to photography as more acceptable artistic tools that enhance naturalism with regards to technical and spiritual perspective. However, much as cinema and photography are viewed as advanced features in the world of arts, ...
Unlike science, art is subjective. The artist leaves behind a part of himself in his work. Therefore, each piece has its own distinct perspective. Frida Kahlo’s self-portraits show her view on her life, on how she has faced so many struggles, yet managed to be a strong person. When we see or hear or read an artistic creation, it produces a mood such as calm or loud, fear or safety. For example, the Eiffel Tower gives Paris a majestic awe; everyone who passes by feels the strength of the 113-year-old grand structure. Art also has a texture. Photographs reveal much through their textures; grainy surfaces often make the picture more realistic while smooth ones seem softer. When we hear a piece of music or see a film, a rhythm carries us from one part to another. Not just true for these two genres, rhythm is present in any artistic work. These few properties are characteristic of everything we encounter in the world of art, the world of human expression. Most have other special features also. Most of the time, though, we do not think about these characteristics because we do not have enough time to pay attention to anything for more than a few seconds.
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
As seen in paintings of battle scenes and portraits of wealthy Renaissance aristocracy, people have always strived to preserve and document their existence. The creation of photography was merely the logical continuum of human nature’s innate desire to preserve the past, as well as a necessary reaction to a world in a stage of dramatic and irreversible change. It is not a coincidence that photography arose in major industrial cities towards the end of the nineteenth century.