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How does dance reflect Culture
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Saturday, October 17, 2015 Miramar Cultural Center presented Ballet Hispanico. A ballet that completely left me lost for words… How I’m supposed to write about it now? First of all the Theater was breathtaking, there were three rows that lead to a beautiful stage. I sat in the middle to get the best view. They started right on time introducing the Ballet and explaining some of the importance of the Ballet. Ballet Hispanico was founded by Tina Ramirez in 1970. After the show Artistic Director Eduardo Vilaro explained that the purpose of Ballet Hispanico is to reflect the Latin American Culture. Knowing one of the performers Christopher Hernandez, he told me that all the dances gives a feel of what it is like in the Latin culture. The dance …show more content…
The costumes were simple, but elegant. It varied between dark navy loose shirts for both the women and men, with dark navy long skirts (knee high) for the women and black tight shorts for the men. None of the performers were wearing shoes, but just crew black socks for the men and stockings for the women. “El Beso” began with just two performers (Two men) as they entered the stage with an Adagio. The two performers appeared to be trying to steal a kiss from each other, Then more dancers came on the stage and they all danced in sync. After every couple of seconds the performers tried to kiss someone. Going back and forth until all the other performers danced themselves off the stage behind the curtains, besides three performers (one woman and two men). They danced as the woman was kissing both men after the other going with the music with a fast beat. The performance ended with one of the men denying her last kiss. There was no lyrics to the music in the “El Beso” performance. Just composed sounds that the performers moved to every single beat and not missing one. Trying to interpret this performance I would say that “El Beso” represents how the Latin Culture always greets and says goodbye with a beso …show more content…
The dance consisted of five couples of a male and a female. The Female dancers wore beautiful lavishing spanish dresses. The top of the dress was a tight sweetheart and the bottom was short and puffy like a tutu. Each dress was a different color with little design, but just enough to catch attention of the aduence. The male dancers wore suits and ties matching the color of their partners dress, but the dress shirt was a button up which had the same design of the dress of their partners on them. The female dancers wore Footlights and the male dancers wore what seem to be ballroom shoes. The performance started off with a Pas de deux and then ended with a coda. The music used in this performance was a combination of the beautiful rhythms of the Conga, Rumba, Mambo, and Cha Cha. Which if you are not too familar with this genre of music, it is fast upbeat rhythm. The permformers danced with the rhythms of the music so swiftly and smooth. I remembered learning in class that the performer must make it look as if the dancing was easy for them and all the performers extended that expectation. They all stayed smiling and none of them made a mistake from what I could remember. This performance reflects the Latin American Culture with their taste in music and how well of dancers they are. Every Latin festivity I have been to, everyone is always dancing and dancing in a
The tradition still takes place today in many areas of Mexico. However, some parts of Mexico do the dance a little differently. The dance is more common in the central regi...
However, New York Public Schools offered ballroom dancing classes to low-income students of color, which allowed the arts to be included in their curriculum. Watching the film, I observed the positive reaction the children had to the dance classes. Overall, they were exposed to different cultures, made new friendships, became more confident, and aware of different career options such as professional dancers or singers (Agrelo, 2005).
Alonzo King began dancing at a young age in Santa Barbara, California. He continued his training in New York at the Harkness School of Ballet, Alvin Ailey Dance School, and then the American Ballet Theatre School and School of American Ballet as a scholarship student. After his training he apprenticed at the Alvin Ailey American Dance Theatre and performed with a number of companies, many of which were from Europe. Shortly after, he returned to California where he began his LINES Ballet Company in San Francisco, California. King introduced his first season in 1982 by reviving a piece “Maya”, which he originally choreographed and set on the South Coast Contemporary Dance Theatre. From that point on, the company continued its growth and creation of a fresh spin on an incredibly old technique.
Wisner, Heather. “With a Hop, A Kick, And A Turn, Cumbia Enters the Global Stage.” Dance Magazine 80.9 (2006): 64-68. Humanities Abstracts (H.W. Wilson). Web. 7 Dec. 2011
Tallchief, M., & Kaplan, L. (1997). Chapter 1. Maria Tallchief: America's prima ballerina (pp. 4-18). New York: Henry Holt.
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
Young girls and women symbolize femininity with being a ballerina. Kelso comments that in the shadows of the spotlight lurks an abusive world of eating disorders, verbal harassment, fierce competition, injuries, fatigued, and malnourished dancers (Kelso, 2003). In today’s world of ballet, dancers suffer from always being in pain, worrying their body image is not the right look they need to have to get lead roles resulting in the development of eating disorders, and male ballet dancers are stereotyped as being homosexual when most of the male dancers are in fact heterosexual.
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
Over Halloween weekend, Dance TCU in concert, performed at Ed Landreth Hall on the TCU campus, was a mid term showcase performed by the students in the TCU School for Classical and Contemporary Dance. The overall mood was very professional. These college level dancers performed various pieces from Giselle to video edited versions of dance to contemporary dances inspired by swing dancing. Each piece was unique and whether the style was classical or contemporary, the execution was very good. The quality of the performance was spectacular and showed all the work that everyone involved in the production has put out to perfect all the aspects of the show come together. While there were some minor technique errors, the staging, costume design, lighting,
As there is a great number of Cuban dancers performing, studying and teaching throughout Latin America, it is an easy assumption that any dancer in the classical ballet world, which he entered, and of darker skin would be Cuban, especially when considering the popularity of classical ballet in Cuba. Unlike the case of Vera, Mayren never was told to deny his black Mexican heritage, but he did not correct the erroneous assumptions. There are three ways in which the black Mexican can deal with their heritage: embrace, deny, or ignore it. Mayren and Vera are only two examples of the ways in which although privately their blackness is recognized, cultivated and expressed in the public sector they remain part of a taboo that when discussed may well in fact leave them unemployed in the
(dictionary.com) Within Nicaragua’s Folklore we find El Gueguense, which is very particular and special because of the customs people wear. Typically people dress up as either indigenous or Spaniards and use the typical Gueguense mask. Even with the customs used in the dance we see the strong influence of these different cultures blending as one in a cultural dance. The basic steps in this folk dance include hopping, which is placing the weight on one foot and then the other. Chassé: to get the dancer in a new position. Schottische is the most important because it is unique to folklore dances only; it includes alternating stepping and hopping. El Güegüense combines not just dance and music but also the ornate craft work of its masks that give the piece powerful and picturesque plastic folkloric effects.(telesurtv.net) The accessory of the mask has had a huge impact in the population because when people say that you are acting like “a gueguense” it means that you are acting like you are following authority but in reality you are doing the opposite, therefore we can see how the Spanish authority still continues to have a symbolic impact in Nicaraguans culture. Works such as El Gueguense are absolutely indispensable reference points as part of the region’s cultural inheritance. The Spanish culture was the main influencer of this satirical dance because the indigenous were trying to rebel against these tyrants through a satirical play. It is said in my country that the Gueguense will never die in our culture because it has always been passed from generation to generation. Definitely celebrating this dance in the city of Diriamba is also a symbol of freedom from the Spanish culture, and a reminder of how the Nicaraguan people were able to free themselves and create their own culture, although greatly influenced by Spanish
There were about 9 couples of one man and a woman and the dance started out by them all being on their knees on the floor waving fans like they were in a old black church in the south. As the dance progressed the couple got up and start swaying back and forth dancing then the men step back in the women started dancing as they had caught the holy spirit. They the woman further gone on to dance a style we call the church as praise dancing. As the dance continued the men started swaying and clapping in the back and then came up and started dancing with the woman. Lastly at the end they keep doing many dance moves that had to do with looking up and pointing up as well which maybe they looking or pointing at good and at the very end they were on their knees again but this time their their hands and arms were up and out
Whether it is the fire dances of the native Hawaiians, or the Tango from Spain, dance is a part of every culture. This event is not an event I would usually attend. I am not into art of any kind except music. At first, there were two reasons I went to this performance.
The first performance was called “Stance”, my first thoughts to describe the dance was tribal. It was dark at the beginning and banging on the ground which scared me at first. Then the lilac lighting started to show the dancers who were dressed in big saggy clothing which gave it a more dark feeling. The music was fast pace, which speed your heart rate because it was thrilling especially them banging
My Community Awareness event included attending a live acrobatic dance performance at Bardo Performing Arts Center. The performance consisted of fourteen separate dances or acrobatic numbers with or without music. When the performers were without music they either used stomping, clapping, or individual instruments as a sound for that certain number. The dances that they performed were mostly considered, in the dance world, as modern or jazz style dancing. Instead of perfectly and gracefully carrying their bodies like a ballet dancer they defied those rules and flowed more freely throughout their body. In ballet, you are most always never allowed to flex your foot, but in modern and jazz you are allowed to. Those performers flexed their feet a lot and moved their bodies freely, which would not be allowed in ballet. The last number they performed was without music, but they had steel drums attached to their back side. On their feet were thick like drum sticks. If they kicked their leg backward they could hit the drum and make a noise. Overall, attending an acrobatic dance performance expanded my appreciation for