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Problems with racism in literature
Racism an essay
Problems with racism in literature
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Without thinking twice race is often something most people use to identify and classify individuals by. In the short story, “Recitatif,” Toni Morrison provides us with evidence of how we unconsciously use race to identity, define, and categorize individuals, showing how prevalent the use of stereotypes are in a society. She uses different ambiguous encounters between the two characters of different race to convey her purpose. Her goal was to force the reader to stop and think about what truly defines someone in the end giving them a new perceptive on why judging an individual based upon stereotypical standards in usually incorrect. By Morrison making this conscious decision not to disclose which character was which race, she calls attention …show more content…
to the issue that race does shape perception and is not an accurate way to classify someone.
There’s many different things that are used to classify people for example, education. A simple thing like education can tell a person a great amount of information about an individual. Morrison fails to mention race, but subtly drops class codes about education when explaining why Twyla and Roberta get alone so well. The author reveals this relationship through the personal narrative of eight year old Twyla, “We were eight years old and got F’s all the time. Me because I couldn’t remember what I read or what the teacher said. And Roberta because she couldn’t read at all and didn’t even listen to the teacher” (Morrison 132). Their education level is one of the first things the reader discovers about the girls. Morrison placed this piece of information there to immediately shape the way the reader thinks of each character. The author mentioned education because education and race are often linked …show more content…
together. The two are often linked together because African Americans were once in time associated with not being educated and Caucasian were well educated. African American were typically less educated because they were lower class and didn’t have the resources meanwhile Caucasian were in the upper call and had the needed resources to be well educated. According to the class code given by Morrison the reader is to assume without thinking twice that Roberta is African American and Twyla is Caucasian. Morrison is slowly letting the reader come to their own conclusion and also gives the reader a chance to ponder on how exactly this conclusion defines them as a person. Allowing the reader to evaluate their conclusion gives them insight to the fact that they have a judgmental side and use stereotypes to define people which is inconsiderate. As the first encounter continues and Morrison reveals more class codes that cause the reader to begin to reconsider their assumptions previously made, which is one of her goals. The altercation between their mothers reveals information about what race they could be. Before the reader comes across this they assume they Twyla is Caucasian and Roberta is African American based on education but after this altercation in the story Morrison wants the reader to question their conclusion. There’s many different ways the reader could interpret this situation. The way Morrison intended it to be seen was that the reason why Roberta’s mom rejected the hand shake was based upon Mary’s race. A simple rejected hand shake contains a countless amount of possible interpretations which allow the reader to come to this assumption. Morrison brings culture into this situation to call attention to the fact that culture plays an important role in how we perceive the little things in life. The action of combining culture and class codes, Morrison gave the reader an open opportunity to question how they came to an irrational conclusion based on another irreverent fact. Years later, after Roberta and Twyla left the orphanage Twyla worked at the Howard Johnson’s Diner.
During Twyla’s shift one day she spots Roberta sitting in a booth with big wild hair, a powdered blue halter top, shorts, earrings the size of bracelets, a great amount of makeup while sitting next to two men (Morrison 136). Morrison picked this particular scene to purposely change the reader’s previous assumptions about the two characters that were formed after reading the first encounter. She paints Twyla as lower/working class by showing that in order for her to survive and make a living she had to work. This class code is perceived as lower class and the majority of people often associate this with African Americans. Meanwhile, Roberta was painted as an upper class member without any worries based upon her appearance, her attitude, and the fact that she was traveling to follow Jimi Hendrix. This description is supposed to cause the reader to immediately link Roberta with upper class which typically is associated with Caucasian. In this particular encounter Morrison chooses to paint Twyla and Roberta in the opposite light of what she painted them in during the first encounter. The purpose of presenting them at a different angle was to achieve a shift in the reader’s belief and show that often times you can’t jump to conclusions because they are not always necessarily
true. Later in the future another encounter occurs. In encounter three fully grown-up Twyla and Roberta take a trip to the newly built grocery store on the same day. According to the information provide Twyla is married to a firefighter and living in a neighborhood where half of the population is on welfare is also provided. On the other hand the reader is provided with the information that Roberta makes an appearance in the grocery store with diamonds on her hand and dressed to kill in a smart white summer dress and married to an IBM executive that lives in a rich beautiful suburb (Morrison 138-139). This portion of information is relevant because Morrison’s goal isn’t to change the reader’s perception of the characters. The stereotypes are enforced throughout this part of the story because she is showing the reader that once you have your mind set on something it is hard to switch your beliefs or assumption even if they are irrational. Lastly, the first person narrative also plays a significant part in how each character is perceived. Morrison deliberately makes Twyla explain Roberta in the way that she does so that the reader will see her as a rich high maintenance person and feel sympathy towards Twyla. Doing this allows the reader to have an understandable perceptive of how a middle/lower class individual views an upper class member. In the end the reader can’t for sure tell which character is which race because the class clues overlap, but they have a general assumption of which character is which race. Although the reader is positive by the end of the story on how the author wanted them to perceive Twyla and Roberta there’s still an unanswered question. Morrison purposely leaves the question of how exactly did they come to this conclusion in the air for the reader to consider. This question leaves the reader to think, is there a little racism in everyone. The story Recitatif proves that we have a set mind on how we perceive things without any effort. She opened our eyes to the fact that different races are stigmatized by having a set stereotype and that you can’t judge a person or situation without the whole picture.
Once again, Roberta and Twyla meet at and uppity grocery store; Roberta has climbed up the social ladder and tries to play nice. However, when Twyla brings up Maggie, Roberta tells a different story than what Twyla remembers and then tries to defend her past behavior towards Twyla by saying “‘You know how everything was (141).’” Roberta’s defense mechanism by blaming the times shows the reader just how prevalent instilled racism is between the two. Likewise, the plot reaches a climax when the women meet a third time at their children’s schools during integration. The two begin a full-on picket war with one another because Twyla catches Roberta protesting the integration of schools and when confronted, believes she is doing nothing wrong. Tensions rise when the two mirror the phrase “’I wonder what made me think you were different (143).’” This admission to social and racial differences expresses the theme of the story and opens one another’s eyes to what has really happened between the
Mrs. Turpin shows prejudice in several different aspects of her life. Her prejudice is first seen when she is in the doctor’s waiting room. The story states that “her little black eyes took in all the patients as she sized up the seating situation.” (339) While in the waiting room, Mrs. Turpin is surrounded by people of many different cultural and social backgrounds. As she gazes around the room Mrs. Turpin immediately begins putting the people into categories. Some she called “white trash”, others were wealthy and pleasant, and the remainder such as Mary Grace, were ugly. Most of Mrs. Turpin’s free time is also filled with prejudice thoughts. The story states that “Mrs. Turpin occupied herself at night naming the classes of people.”(341) She spends so much of her life judging other’s lives that she does...
Morrison places emphasis on Ruth’s upbringing in order to convey her idea. Ruth was born into an upper class setting and from a young age had the things that some of the white girls had and it made her feel good as well as beautiful because she had the dresses and all of the beautiful European materialistic things that they had. Ruth spent her childhood in an environment that was more Europeanized than that of her racial community with no one there that was like her making her feel that she is, “little; I mean small, and I’m small because I was pressed small. I lived in a great big house that pressed me into a small package. I had no friends, only schoolmates who wanted to touch my dress and my white silk stockings"(124),Ruth’s childhood consisted of her receiving compliments on the materialist things which she perceived as making her beautiful and therefor making her feel as though she is the clothes and not a naturally gorgeous African American woman and has in turn internalized the compliments on her items as her beauty and now feels that the only thing that makes her beautiful are her clothes For Ruth the white stockings and all the European clothes have consumed Ruth, but much like Hagar; Morrison uses Ruth to emphasis and
Humans are born, but people are made. Entering the world with minds shapeless and pure, the world is the sculptor that perverts the conscience and hardens the heart. Toni Morrison’s “Recitatif” deals with just that—who we are and who we are told to be. Though the actual races of the two main characters, Twyla and Roberta, are left completely unknown, they are all but ignored. The story simmers with the wounds of stereotyping, racism, and socioeconomic divide. Morrison’s exclusion of Twyla and Roberta’s races brings forth the learned status of racism within the world of the story and the reality of the reader’s conscience.
Janie’s first discovery about herself comes when she is a child. She is around the age of six when she realizes that she is colored. Janie’s confusion about her race is based on the reasoning that all her peers and the kids she grows up with are white. Janie and her Nanny live in the backyard of the white people that her Nanny works for. When Janie does not recognize herself on the picture that is taken by a photographer, the others find it funny and laughs, leaving Janie feeling humiliated. This racial discovery is not “social prejudice or personal meanness but affection” (Cooke 140). Janie is often teased at school because she lives with the white people and dresses better than the other colored kids. Even though the kids that tease her were all colored, this begins Janie’s experience to racial discrimination.
Twyla drives by and happens to see Roberta protesting on the integration of their children’s school. Twyla is confused as to why Roberta would be against this issue. “What are you doing? Picketing. What’s it look like…I wonder what made you think you were different. .. I swayed back and forth like a sideways yo-yo. Automatically I reached for Roberta…My arm shot out of the car window but no receiving hand was there.” (Recitatif 256-257). Not only did Twyla finally see the differences of perspectives but once she started getting attacked she was looking for Roberta’s help but she realized she was not there to help
This leaves it up to us to figure it out for ourselves. The next example of how race influences our characters is very telling. When Twyla’s mother and Roberta’s mother meet, we see not only race influencing the characters but, how the parents can pass it down to the next generation. This takes place when the mothers come to the orphanage for chapel and Twyla describes to the reader Roberta’s mother being “bigger than any man and on her chest was the biggest cross I’d ever seen” (205).
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
Stereotyping is when a person believes someone has a certain characteristic based on their race. Toni Morrison purposefully does not tell the readers the race of Twyla and Roberta in the story because she wants the reader to recognize how they stereotype others based on how she describes the girls. The only way we know the girls are not the same race is because Twyla says, “So for the moment it didn’t matter that we looked like salt and pepper standing there and that’s what the other kids called us sometimes,” (Morrison 239). Twyla and Roberta are friends in a time period where African Americans and white people were learning how to co-exist with each other so it was a step in the right direction for them to develop a friendship despite their differences. When Twyla first meets Roberta she stereotypes her and says, “And Mary, that’s my mother, she was right. Every now and then she would stop dancing long enough to tell me something important and one of the things she said was that they never washed their hair and they smelled funny,” (Morrison 239). Twyla knew nothing about Roberta when she made this comment but she judged her based on what her mother has told her about people of the opposite race. Twyla and Roberta were both young girls when they first met so the only thing they knew about race was what their mothers or other people told them and during this time period they was a lot of stereotyping and biased
So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront her personal history she still appears plagued by guilt and pain, thus demonstrating its unavoidability. Only when she begins to make steps toward recovery, facing the horrors of her past and reconciling them does she attain any piece of mind. Morrison divides her novel into three parts in order to track and distinguish the three stages of Sethe approach with dealing with her personal history. Through the character development of Sethe, Morrison suggests that in order to live in the present and enjoy the future, it is essential to reconcile the traumas of the past.
In the story “Recitatif” author Toni Morrison, published in 1983, tells a story of two young girls, Twyla and Roberta, with two different ethnicities, who grow up in an orphanage together. Due to the fact that the story is narrated by Twyla, it seems natural for us the readers to associate with this touching story, as many of us have encounter racial discrimination back in the 1980s, making it clear that Morrison states the two girls grow up to always remember each based on the similarities and the childhood they both encounter together, come from different ethnic backgrounds, and as the story reveals, destiny is determined to bring the girls’ path together.
Today many people believe we live in a post-race society and the concept of colorblindness stems from this notion. Colorblindness refers to this idea that race doesn’t matter; that we shouldn’t see it or distinguish it and we are all equal. This ideology of colorblindness is harmful to individuals, their experiences and society as a whole. The concept of colorblindness denies people the power to define themselves while also classifying important aspect of their identity irrelevant or non-existent; race being one them. In the novel Black, White and Jewish, Rebecca Walker struggles with her racial identity and the impossibility of colorblindness in society.
To survive, one must depend on the acceptance and integration of what is past and what is present. In her novel Beloved, Toni Morrison carefully constructs events that parallel the way the human mind functions; this serves as a means by which the reader can understand the activity of memory. "Rememory" enables Sethe, the novel's protagonist, to reconstruct her past realities. The vividness that Sethe brings to every moment through recurring images characterizes her understanding of herself. Through rememory, Morrison is able to carry Sethe on a journey from being a woman who identifies herself only with motherhood, to a woman who begins to identify herself as a human being. Morrison glorifies the potential of language, and her faith in the power and construction of words instills trust in her readers that Sethe has claimed ownership of her freed self. The structure of Morrison's novel, which is arranged in trimesters, carries the reader on a mother's journey beginning with the recognition of a haunting "new" presence, then gradually coming to terms with one's fears and reservations, and finally giving birth to a new identity while reclaiming one's own.
... It should be understood that Morrison's novel is filled with many characters and many examples of racism and sexism and the foundations for such beliefs in the black community. Every character is the victim or aggressor of racism or sexism in all its forms. Morrison succeeds in shedding light on the racism and sexism the black community had to endure on top of racism and sexism outside of the community. She shows that racism and sexism affect everyone's preconceived notions regarding race and gender and how powerful and prevalent the notions are.
Her mother was a church-going woman and sang in the choir. Her mother didn’t work; she just stayed home and took care of the family. By being black, her parents faced lots of racism living in the south (1). Both of her parents had moved from the south to escape the racism and to find better opportunities. Living in an integrated neighborhood, Morrison did not become fully aware of racial divisions until her teens (2).