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More handpicked essays just for you.
Gender representation in cinema
Gender representation in cinema
Gender representation in cinema
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A prime example of this behavior is whenever Jim is called a “chicken” by a fellow teenager, Buzz. It is as if this word triggers a defense mechanism within Jim that requires him to defend his honor at all costs. While at Griffith Observatory on a class trip, Buzz taunts Jim after slashing his tires, calling him a “chicken” while trying to coax him into a fight. Jim falls into this trap and fights Buzz, winning but nonetheless getting injured in the process (Rebel Without a Cause). This is followed by Buzz challenging Jim to a “chickie run.” This is a game where the two drive stolen cars to the edge of a cliff and the first to jump out is declared a “chicken.” Hearing this infuriates Jim because he does not want to be like his father, he does not want to be seen as lesser than a man. He goes along with the challenge and Buzz consequently dies while doing it. This is an example of how toxic masculinity can drive men to do irrational things, which can affect their own lives and the lives of others. The role of a mother is not under question in Rebel Without a Cause, unless it is in contrast to the father’s role. The audience …show more content…
Curtiz tells a story of a women who defies all stereotypes and is not rewarded, but instead punished for doing so. This is supported by theories and ideas of how women are portrayed in film. Mildred Pierce is a testament to how males of this era view, interpret and make movies to encourage males and discourage females. This is problematic as it paints a picture of inequality and negatively affects those viewing the film. Even though men and women during the era in which Mildred Pierce was released were not seen as equals, it is still problematic as it deterred women from film. Women who did not feel as if their representation in film was just, rejected film entirely. This brings about the feeling of exclusion for women of the
Mildred Pierce is one of the greatest novels written by James M. Cain. After the success of the novel, the Hollywood film came out, produced by Jerry Wald. The novel and the movie are very different from each other. “James M. Cain sent several letters of complaint to producer Jerry Wald, objecting to the changes Wald wanted to make, especially the dramatic idea of making Veda a washout musically and putting her in a tawdry nightclub” (Bennett Notes). The three main differences in the film were, the murder of Monte, Veda not having a successful career, and the time period only covering 1941 to 1945.
In one of the scenes, Jim is caught between trying to prove his masculinity or staying home and being the good son that his parents have yearned for. He struggles emotionally and physically, mainly because his parents do not live up to society’s expectations of
As the Great Depression and the World War came to a dramatic close during the mid 1940s, the American society prepared for a redefinition of its core ideologies and values. During this time, the idea of a quintessential “American family” was once again reinforced after two decades of social strife. Under such historical context, the 1941 novel Mildred Pierce by James M. Cain and its 1945 film adaptation by Michael Curtiz both carries a strong idea that when one, especially a female, tries to disobey their traditional family roles and social etiquettes, undesirable consequences would inevitably follow. However, the film adaptation, utilizing a slightly different narrative configuration and plot organization, further intensifies and emphasizes
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Mildred depicts a conventional 1950s woman in the aspect of being completely naive and oversimplified as a character. According to ‘Essential
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Jim is a “man on the run” moving from school to school to avoid trouble and feels alienated from his family and peers. The film is stylistically noirish with Nicholas Ray’s use of low-key, garish lighting, the use of shadows cast on character’s faces, and the setting of a city street at night in the opening scene. The film also deconstructs film noir conventions by including a fatherly policeman, white heterosexual antagonists, and a female love interest that isn’t responsible for his troubles. Themes of the teen drama genre are also heavily present, such as Jim being the “new kid” in school, choosing the popular girl as a love interest, being late to the trip to the observatory, and a fight with a bully on the first day of
The youth of the 1950s were built off of their rebellious personalities, their sense of morality, and the metaphorical phrase of being rebirthed. This is best shown in the film Rebel Without a Cause, where teens are seen running away from their parents and getting involved in stuff they shouldn’t be. The reasons why teens were depicted as rebels against conformity was because of how youth culture formed, such as the growth of cars, being involved with love, and forming gangs within their group of friends. When comparing 50s kids to today’s kids, it can be seen that the generation’s culture is drastically different. The biggest goal for parents today are to wipe out the source of rebellious thoughts, and keep strict conformity amongst their family so it would not cause society’s downfall.
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
By dissecting the film, the director, Jennie Livingston's methodology and the audience's perceived response I believe we can easily ignore a different and more positive way of understanding the film despite the many flaws easy for feminist minds to criticize. This is in no way saying that these critiques are not valid, or that it is not beneficial to look at works of any form through the many and various feminist lenses.
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
Buzz challenges Jim in a chickie run to prove his power and masculinity. When Jim asks Buzz why he is initiating the chickie run, Buzz gives no logical explanation -- he just says that he has to do “something.” Unfortunately, Buzz fails to jump out of his car in time and falls down the cliff and dies. Buzz’s irrational method of proving his superiority eventually led to his own demise, but he is not to be blamed for his death. Rather, it is the American society which imposed certain images of a powerful masculine figure and pressured young males to conform to such unrealistic images that is responsible for Jim’s death.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
The films chosen will analyze the negative conations of Black women’s characters. Six films will be discussed Set it off, Soul Food and Girl’s Trip. The films chosen to fit into the categories:
African American women wanted to establish a better image for african american and they were the critics of the society at the time. Their films focused on establishing a better image for african-americans. African American women filmmakers were the critics of society and showed their frustrations on film. They tried different ways to have their films shown, “arranging theatrical exhibition and distribution or taking film prints directly to audiences themselves in order to reach more communities.”