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Depiction of women in movies
Sexism in movies essays
Portrayal of women in movies
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Throughout time, women in movies and other similar texts are shown to be generally focused on men. This might make sense if every movie ever made was set in a time where women had absolutely no rights but of course, that is not the case. Older and more modern depictions of women in media, both show women whose lives revolve around men. Even movies that market their female characters as strong and powerful are still shown to be dependent on the male leads and puts them first. Also, since women in movies have more of a focus on men, female to female relationships suffer in the same films. There are very few exceptions to this unfortunate truth.
One of the most noticeable and famous part of the 1936 play, The Women, is the fact there are no
male actors in it at all. This might make those who have not seen or read the play to assume that the focus of this story would be the women, but they would be incorrect. While no men are physically present in the play, they still remain the focus of the plot. The main character, Mary, spends most of Act 1 worrying about her husband and spends Act 2 wondering if he wants her back. The women also define themselves based on the state of their marriages and their husbands’ happiness. Even though some of the women’s husbands are cheating on them, such as Sylvia’s husband, they consider their marriages to be successful. It is successful because they are allowing their husbands to be free and do what they want, which makes them happy, which in turn makes the wives believe they too are happy. Mary is different than these wives because she believes that a happy, successful marriage is based on mutual love. This belief is ridiculed by some of the other women such as Mary’s mother, Mrs. Morehead. Mrs. Morehead advises Mary to say nothing and to ignore her husband’s affair to preserve her marriage. This implies that a man’s happiness has a higher priority than a woman’s happiness. Another way this implication is shown is when Mary and Peggy are questioned about why they are getting their divorces when they both don’t want them, they both say they have their pride. While pride is not the best quality, it still shows these women attempting to stand up for themselves which is a step in the right direction. Also, in this case it seems as though they are experiencing self-respect rather than pride. Mary and Peggy both believe they deserve more respect than they are receiving from their husbands. By the end however, both women take back their husbands and announce that they have no more pride. This basically means they are giving up their self-respect for men. Since the characters in The Women are so focused on the men in their lives, they have little space to care about their fellow women. They are constantly taking digs at each other, starting in the very first scene Sylvia comments several times about how poor Peggy’s husband is and how Nancy makes no money as an author. In the same scene, Sylvia and Edith gossip about Mary’s husband cheating her. Sylvia is the perfect example of how some of the women in this play are so caught up in trying to prove that their husband is better that they will completely ignore the feelings of women they claim is their friend. Sylvia goes on to recommend the manicurist, who is spreading the rumors about Mary’s husband, to Mary instead of telling her or trying to keep it from her, both of which would have most likely been nicer things to do. Sylvia’s desire to make sure Mary finds out how terrible her husband is shows how twisted women can become when men become the focus of their lives.
Movies are a new edition in today’s culture. They are a new form of art medium that has arrived in the late 1900s and were a new way to express ideas and viewpoints of the time. A good example of this is the movie The Manchurian Candidate. The movie had a simple plot a man is kidnapped after the Korean war and is hypnotized to work for the communists and take down the U.S. This movie showed the American public’s fear of communism at the time. If a movie like this can easily portray the fears of the American people at the time then it can easily portray stereotypes of gender. There have been thousands of movies where the male protagonist is a rough tough dude but there is one movie that has that stereotype is broken. That movie is none other than Napoleon Dynamite.
Like a contemporary Dorothy, Romancing the Stone's Joan Wilder must travel to Columbia and survive incredible adventures to learn that she had always been a capable and valuable person. Romancing the Stone (Robert Zemeckis, 1984) is part of a series of 1980s action comedies that disrupted previous expectations for female heroines. These female protagonists manage to subvert the standard action narrative and filmic gaze, learning to rescue themselves and to resist others' limited vision of them. Not only did these action comedies present strong female characters, they also offered a new filmic experience for female audiences. The commercial success of comic action heroines paved the way for women to appear in serious action roles--without the personal sacrifices required of Sigourney Weaver’s Ripley. Figures like Joan Wilder serve as an important link between previous strong yet feminine screen personas and current female stars.
Women were represented in different ways throughout the movie Metropolis, but the underlying theme was women were seen as purely sexual. Maria was seen as the nurturer in the film, but also as a sexual object. She was the one who preached for peace and harmony down in the catacombs to the workers. Maria was also the nurturing maternal figure that was seen walking into the garden with all of the poor children. The vamp, on the other hand, was portrayed blatantly as a sexual object. This whole movie was seen through the eyes of the male perspective, which usually portrays women as sexual objects, and robs them of any identity. Lang shows Frederson as having fear of femininity which involves women's emotion and nurturing.
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
Since this winter, I can't watch television or movies anymore without critiquing how women and minorities are portrayed. One unexpected thing that I have picked up from taking this class is a sense of wariness when I counter any piece of written material. I have learned to be suspicious, if not directly critical of any particular part of the media as I experience it; I have been inspired to read and be influenced by some prolific female thinkers. It's all coming together for me, what I want to do; I just have to figure out how.
There was a bit comparing the girls in Bond to the roles of women in
During the 1990s, feminism was flourishing like ever before through a plethora of films and through the music industry, with special efforts being made to reinforce empowerment and independence in women. Film was able to play the most influential role in doing so though, as many film directors were beginning to bring to light many of the issues women were still facing in society at the time. The repeated images and stereotypes of women depicted in films had gone on for way too long and started to see a drastic change in ‘90s Hollywood films. Many of the feminist films released during the ‘90s are deemed so influential because they still remain relevant to our present-day society and feminism. Such films were able to critique society through
The Representation of Women in Some Like It Hot and Alien 3 This essay will be about how women are and have been represented in films in the past and how they are represented nowadays. I will be looking at the roles and representations of women in 'Some Like It Hot and Alien 3. Some Like It Hot was made in 1958. Marilyn Monroe starts in the comedy as Sugar Cane, a very feminine musician.
A few months ago, Jennifer Lawrence caused the men and pearl clutching women of Hollywood to gasp collectively when she published an essay about the gap between wages of men and women in Hollywood. She was unafraid to publicly call her male costars out for making significantly more money than her. She did it with elegance and class. While this was a good step in the right direction, it’s one white woman’s perspective. There are hundreds of other non-white perspectives in Hollywood to be considered. Women in Hollywood have overcome innumerable obstacles compared to their male counterparts, including a lack of diversity within Hollywood itself, stereotypes that come into play in roles made for women, the gap in pay between what male and female
seen more as a sex object. In the 50's this was seen as normal as
First things first, starting off with how gender plays a very important role when it comes to heroic films like these. Most of the movies out in the world have all male dominance where they are usually the lead characters and end up saving the world. This is the most stereotypical presentation within the media, which refers to white hegemonic masculinity in the film industry. Simply because they are considered to be far more superior to other races within the United States, one must be white, heterosexual, powerful, affectionate and athletic in build to be able to categorize as hegemonic masculinity. Not to mention that in the end, where the main character called Ben was able to man up and kiss his crush, Kendall. This is what the media portrays to show that women want men who are the whole package of being brave,
are now taking. A prime example of this can be seen in T & T2 in
Women in early cinema illustrated the culture they lived in during the time-period where men expressed their dominance over women. Film helped bring to the forefront these power dynamics through the use of cinematography and mise en scene. Louis Gianette explains in Understanding Movies “In general, the greater the distance between the camera and the subject, the more emotionally neutral we remain (Page 90).” This is significant because it’s through the varying distances of shots that illustrate the emotion women express within the film. In the film Broken Blossoms directed by D.W. Griffith, Lucy the female heroin is constantly shown battling her inner demons as society pushes her into the traditional domestic role of women at the time. In contrast the film Stagecoach by John Ford brings the female character out of the traditional domestic atmosphere and sets them on an adventure through the countryside. The evolution of the female heroin from domestic to adventurers
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...