Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of women in movies
Stereotypes of women in cinema
Stereotypes of women in cinema
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Depiction of women in movies
Representation of Women in Films
In different sources women are represented in different ways. Films
show different cultures. Women in the 50's and women in the 60's and
70's are seen in different lights. It was only until the 70's that
women were seen more as independent.
There are also many differences in the way women are seen in Great
Britain and U.S.A. Different sources such as film posters, still
images and films will be studied and compared to show the varieties of
cultural diversity.
Image 4.9 is a still image from 'creature from the black lagoon' It
was a sci-fi film from 1956.
From the picture we can see that the woman has quite an active central
role, but is not as heroic as someone like Ripley from 'Alien'. She is
seen more as a sex object. In the 50's this was seen as normal as
women were the minority and had little say in what they did in life.
They were made to look pretty and clean. Looking pretty is exactly
what this woman is doing. She may be classed as a sex object by the
way she is revealing the flesh of her arms and legs and her hair is
very long. The 'creature' has picked her up and she looks as if she
has fainted at some point. Her arms & legs sway and her head drops
back to make her hair look longer than its actual length. The
'creature' is holding her as if she is a helpless baby. He has
positioned one arm under her upper thigh and one arm under her neck.
This looks as if he is supporting her.
Women in the 50's were seen as pretty feminine women who like cooking,
cleaning and obeying their husband. The women in the image represents
a typical 1950's woman, stereotyped as soft and pretty.
...
... middle of paper ...
... in the 1950's. Women now have more privileges.
Both 'The Stepford Wives' and 'Educating Rita' display varieties of
cultural diversity. 'The Stepford Wives' mainly displays the change of
women throughout the decades but 'Educating Rita' concentrates on
different classes such as middle and working class. 'Educating Rita'
also does concentrate on women as Rita is a women but it concentrates
on the classes and how they differ from one another in Great Britain.
Films portray lives and issues in the world. The issue involved here
is cultural diversity. Films describe the different types of cultures
and explore how the lives of people are lived. 'Educating Rita' and
'The Stepford Wives' cleverly construct ideas of women in the 50's and
80's and create ideas and messages of how the lives of women have been
in the passed.
...mosexual culture of the 1950s did everything to help keep their sexual status a secret.Homosexuals were looked at as a disgrace to whatever community he or she lived in. It was not acceptable for a couple of the same sex to be in public displaying affection. In addition, movies and tv shows brought about a lot of sexual wondering. At this time, teenagers were also being very disrespectful toward their parents.
Film making has gone through quite the substantial change since it’s initial coining just before the turn of the 19th century, and one would tend argue that the largest amount of this change has come quite recently or more so in the latter part of film’s history as a whole. One of the more prominent changes having taken place being the role of women in film. Once upon a time having a very set role in the industry, such as editing for example. To mention briefly the likes of Dede Allen, Verna Fields, Thelma Schoonmaker and so forth. Our female counterparts now occupy virtually every aspect of the film making industry that males do; and in many instances excel past us. Quite clearly this change has taken place behind the lens, but has it taken
Throughout time, women in movies and other similar texts are shown to be generally focused on men. This might make sense if every movie ever made was set in a time where women had absolutely no rights but of course, that is not the case. Older and more modern depictions of women in media, both show women whose lives revolve around men. Even movies that market their female characters as strong and powerful are still shown to be dependent on the male leads and puts them first. Also, since women in movies have more of a focus on men, female to female relationships suffer in the same films. There are very few exceptions to this unfortunate truth.
The “white picket fence” American Dream soon dulled out and the original meaning became greater. This was the result of woman soon feeling like they did not a have purpose for being. This feeling was stronger within many of the woman because were merely beckoning at every call of their kids and/or husband. And when Movies like Persona (1968), which shows a woman doing more than staying at home. The main character in Persona is a nurse, who is a women making her own money, outside of the house, and holds more responsibilities than merely domestic chores. As more and more movies like these came out and media promoted these movies and the main roles of woman started to explore outside of the house. Also, only 38 percent of American women who
The Representation of Women in Some Like It Hot and Alien 3 This essay will be about how women are and have been represented in films in the past and how they are represented nowadays. I will be looking at the roles and representations of women in 'Some Like It Hot and Alien 3. Some Like It Hot was made in 1958. Marilyn Monroe starts in the comedy as Sugar Cane, a very feminine musician.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
Eva Mendes half top is undressed and she is exposing her bare back turning her torso slightly, while her face confronts the spectator. The skin dominates the image and the eye is immediately drawn to the intensity of her expression, the curvaceous figure and her arms in an explosion of seductive beauty, framed by nothing but a pair of jeans. To quote Berger’s line “her expression is the expression of a woman responding with calculated charm to the man whom she imagines looking at her…she is offering up here femininity as the surveyed”. (Berger, 1972, p. 49) The centrality of the body in this case is even more reinforced by the caption advertising the brand called unmistakably the BODY Line.
Before Alfred Kinsey’s research, the social norms on sex were much different than they are today. In the 1940’s and 50’s sex was a topic that was too taboo to talk about. Supposedly, no one engaged in pre-marital sex, oral intercourse, anal intercourse, or any type of homosexual relations. Almost anything sexually related was seen as wrong. Intercourse was only to be used to reproduce. Even then, ‘the stork’ brought the babies or they were grown in ‘cabbage patches’. This thought may have started with Queen Victoria, when asked about her thoughts on pregnancy after having 9 children of her own, stated the she hated the idea of pregnancy. Women were also supposed to stay true to the Cult of True Womenhood and be pure for their husband. Homophobia
she is corrupt and she enjoys sex, although she hides it by being a member of the "anti sex rally". In Brave New World, sex isn't looked upon as a crime, nor is pleasure. In fact, sex is promoted. As long as everyone uses regulation birth control and no one gives birth to a child naturally, then sex is considered perfectly normal. It is even promoted with the children who are decanted, which means that the Utopian embryos are taken out of the bottles in which they've matured. The sexual activities the children participate in is called "erotic play", in which they run around naked exploring one another's bodies in which ever way they please. It is designed to forestall any adult feelings of guilt concerning sex when they are older.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
Finding a simple or concrete definition of gender maybe near impossible. Gender roles are what men and woman learn and internalize as the way they are supposed to act. These roles are commonly thought of as natural rather than a construction of culture. Gender is thought to flow from sex, rather then being a matter of what the culture does with sex. This theory is widely and exhaustively debated, according to Wood “Sex is based on biology; Gender is socially and psychologically constructed” (Wood 19). This statement suggests that culture’s discourses and ideologies form the complexities of gender and gender roles. It is easy to say that girls are made of sugar and spice and everything nice and boy are made of snips and snails and puppy dog tails, but we are actually more intricate then that.
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...
Portrayal of Women in the Media Gender is the psychological characteristics and social categories that are created by human culture. Gender is the concept that humans express their gender when they interact with one another. Messages about how a male or female is supposed to act come from many different places. Schools, parents, and friends can influence a person.
Luce Irigaray, ’ article, “This Sex Which is Not one,” can be succinctly summarized by the following key points. First, the author mentions the way women are seen in the western philosophical discourse and in psychoanalytic theory. She also talks about the women’s sexuality in many ways. ”Female sexuality has always been concepualtized on the basis of masculine parameters.” Women are seen in qualitatively rather than quantitatively. “Must this multiplicity of female desire and female language be understood as shards, scattered remnants of a violated sexuality? A sexually denied?” Freud mentions that the clitoris is a small penis. The female parts are always seen as a commodity for men. Women don’t need men’s object to pleasure themselves